Tag: poison

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Features Live Action Movies

The Land
Where Winds
Stood Still
(Zhel Toqtaghan Zher)

Director – Ardak Amirkulov – 2023 – Kazakhstan – Cert. none – 108m

*****

A Kazakh mother made homeless by Soviet policy must protect her two sons in the harsh environment of the Steppes – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

An historical, period, survival movie. In the wake of the Russian Revolution, Soviet forced collectivisation polices, intended to have a levelling effect, instead forced Kazakh peasants off the land and led to the famine of the early 1930s. People were reduced to eating livestock essential for agricultural production, not to mention each other.

In a barren Steppes landscape loosely reminiscent of the Spaghetti Western, mother Jupar and her two pre-teenage sons Jolan and Boshay must survive mounted gunmen, starvation, extreme weather, wolves, and hungry fellow human beings. Jupar carries a concealed knife within her clothing and will stop at nothing to protect her kids in one of the most powerful expressions of motherhood ever to grace the screen.

Their seeming nomadic existence is however not without purpose; she has to get them to the eponymous Land, the village where she was born, and safety. Yet the dangers they face on the way are legion.… Read the rest

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Features Live Action Movies

Killers
Of The Flower Moon

Director – Martin Scorsese – 2023 – US – Cert. 15 – 206m

*****

A returning WW1 veteran marries into Oklahoma’s Osage Indian tribe at the time of the Osage Indian Murders – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 20th

At slightly over 80 years of age, Martin Scorsese has now been making movies for over 60 years. Like his last, fictional, narrative feature The Irishman (2019), this one is pushing three and a half hours. I always have issues with films that long: the vast majority are that way due to director’s ego and / or inability to tell a story concisely. Some of them might have been better suited to a TV mini-series ( a medium in which, incidentally, Scorsese also works). Yet if you try and imagine Killers Of The Flower Moon cut down in length, it’s difficult. Maybe you could take out the frame story – the performance of a crime drama on the radio on the subject of the Osage Indian Murders – but that sets the scene nicely at the start and takes you back out of the movie equally nicely at the end, so it would be a shame to do so.… Read the rest

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Documentary Features Live Action Movies

The Creeping Garden

Directors – Jasper Sharp, Tim Grabham – 2014 – UK – Cert. E – 81m

***1/2

You wouldn’t make a documentary about slime mould unless you found it fascinating. These two filmmakers clearly do so and their enthusiasm is likely to win you over – available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Plasmodial slime mould. I have to confess that before this film came along, I’d never even heard of it. The Creeping Garden gives me the impression that I am not alone in this, since within the confines of biology, few researchers have paid much attention to the phenomenon. However, those few who have done so and are featured here – plus an artist – are clearly smitten.

To the naked eye, plasmodial slime mould is similar to fungus. There is one huge difference between the two: slime mould moves. Purposefully. Not that you’d notice in passing because it moves very, very slowly…

[read the full review at DMovies.org]

The Creeping Garden is available on dual format BD/DVD and now also on Arrow Channel from Fri, 28th April 2023

Review originally published on DMovies.org on 07.03.2017.

Trailer:

Categories
Features Live Action Movies

The Housemaid
(Hanyo,
하녀)
(2010)

Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest

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Woman Of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman Of Fire (1971) and Woman Of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

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Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman Of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest

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Documentary Features Live Action Movies

The Truffle Hunters

Directors – Michael Dweck, Gregory Kershaw – 2020 – US, Italy – Cert. 12a – 84m

*****

Italians carry out a trade their families have pursued for generations with their beloved, faithful and trained dogs – in cinemas from Friday, July 9th

Cinema is about many things. Among them, it’s about the camera, the eye, the ability to observe, to watch. This facet of the medium is immediately apparent as The Truffle Hunters opens with a long shot of a picturesque section of hillside forest, its foliage a cacophony of greens and yellows. We become aware of movement in the vegetation. Two dogs are moving around separately, purposefully, under the watchful eye of their human master, an old man. He – and his animal entourage – are truffle hunters, seekers after the delicacy that is the white truffle which has refused all attempts at systematic cultivation and grows only in Langhe, Piedmont, Northern Italy. For mysterious reasons on which no-one agrees.

These men (they’re all men) are now in their seventies and eighties. They all have their own, jealously guarded territories for hunting the truffles. We watch as a younger man tries to prize the whereabouts of likely truffle finds out of an older man, but he won’t have it.… Read the rest