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Art Features Live Action Movies

Nobody Likes Me
(Nikdo Mne Nemá Rád)

Directors – Petr Kazda, Tomáš Weinreb – 2024 – Czechia, Slovakia, France – 105m
*****

The female gaze. An introvert woman finds love in an unlikely place where, it turns out, there are catches – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

A figure stands in interior darkness. Watching. She moves forward. She lies down on the bed. She sits up. She makes and eats a simple breakfast. She stands on a moving tram; the brown autumn leaves behind her. At her desk, wearing her military uniform, Sarah (Rebeka Poláková) details to the Commander his itinerary for the day, and fields requests from others for his attention. She seems content in her work.

One evening, Sarah sees a woman across the street in physical difficulty. Perhaps she should help but, frozen on the spot, she stares. The woman starts to throw up – presumably she’s had too much to drink. A man appears from nowhere and comes to the woman’s aid. Sarah can’t take her eyes off him. The female gaze. He looks back at her. She looks back at him.

She gets on well with her dad, a doctor, who she regularly visits at his surgery for health check-ups.… Read the rest

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Features Live Action Movies

Streets of Glória
(Ruas da Glória)

Director – Felipe Sholl – 2024 – Brazil – 103m

****

A man mourning his late grandmother but estranged from the rest of his family embarks on a gay relationship with an escort – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Gabriel (Caio Macedo) arrives in Rio de Janeiro with his late grandmother’s ashes in a box. He is not short of money, and rents a hotel room. He wanders around during the day talking to his grandmother, who he clearly misses a great deal. At night, he finds a club named Glória, fronted by an area with tables where style queen Monica (Diva Menner) hangs out with her small entourage of friends. She explains she is the owner. Further inside is the dance floor where he spots Adriano (Alejandro Claveaux) and attempts but fails to pick him up, instead spending the night with another man.

However, a spark has been lit, and the next night Gabriel is more successful. He and Adriano embark on a passionate relationship. Adriano is an escort, and shows Gabriel the park benches where escorts pick up clients; he takes servicing his male clients in his stride, occasionally persuading the hesitant Gabriel to join him in a paying threesome.… Read the rest

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Features Live Action Movies

Fishgirl
(Alucina)

Director – Javier Cutrona – 2024 – Ecuador – 105m

**

Enter the surreal world of a young woman beset by bizarre visions who believes herself followed and protected by a giant fish – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Fairly early on, in a tender, conversational, post-coital scene, her boyfriend José (Lucas Ortiz) draws an additional face on the side of that of Camila (Jessica Barahona). Visually this suggests Cubism, in which a subject’s faces would be painted from different angles simultaneously, but the dialogue between the two swiftly moves on to the subject of a god with two faces possessing the ability to look into the past and the future. (This sounds like the Roman god Janus, but if anyone name-checked him here, I must have missed it.).

The motif is echoed later when her landlord Edmundo (Pablo Aguirre), who runs (owns?) the hotel where she rents a room, is attending to the doll’s house of their rooms and maquettes of all the hotel’s residents he has made. For the maquette of Camila, he grafts an extra face onto the side of hers so that she has two. And towards the end, a shot of Camila cinematographically superimposes a second face on her, a very neat visual trick.… Read the rest

Categories
Features Live Action Movies

Widow Clicquot

Director – Thomas Napper – 2023 – UK – Cert. 15 – 90m

****

A nineteenth century French widow innovates in the male-dominated world of champagne production – out in UK cinemas on Friday, August 23rd

In the early nineteenth century, Veuve Clicquot established itself as something of an innovation in the world of champagne. You would imagine that if anyone were to make a period picture about it, it would be the French, but as may well be guessed from the English language translation title here, this is a British production using English actors speaking English.

There’s nothing whatsoever wrong with that, but given that France has a sizeable movie industry which, among other things, often makes period costume dramas, watching a film about an historical period in that country in English feels decidedly odd. Perhaps if there were more of an epic sense of scale (think: Napoleon, Ridley Scott, 2023) it might feel less so. The screenplay is based on a book by North American writer Tilar J. Mazzeo.

Perhaps it’s explained with greater clarity in the book, but the film assumes a familiarity on the part of the audience with the ins and outs of the Napoleonic Wars, which take place in the backdrop of the film and on the edge of the narrative, affecting it from a distance, as it were.… Read the rest

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Features Live Action Movies

Sky Peals

Director – Moin Hussain – 2023 – UK – Cert. 12a – 91m

****

When his estranged father dies after leaving him an answering machine message, a motorway service station employee starts to question the identity of his father and, by extension, of himself – out in UK cinemas on Friday, August 9th

Adam (Faraz Ayub) receives an answerphone message from his father Hassan (Jeff Mirza) who he’s not seen for years; his father hasn’t much time left, is currently near Adam’s home and wants to meet up and talk. Like the answerphone message left by her soon-to-be deceased husband for the heroine of After Love (Aleem Khan, 2020) – is a British subgenre emerging here with Muslims and bereavement? – the recording plays on Adam’s mind at his workplace, the Sky Peals motorway service station, where he does the night shift preparing burgers in the kitchen and keeps himself pretty much to himself. He complains to his superior that the system isn’t working and customers aren’t getting served their orders, but the old manager has left, and the new one doesn’t start ’til Monday. Meanwhile, people aren’t getting their orders.

The police find a dead body in a car in the service station car park.… Read the rest

Categories
Documentary Features Live Action Movies

Mountain Queen:
The Summits
of Lhakpa Sherpa

Director – Lucy Walker – 2023 – US – Cert. 12a – 103m

***1/2

A Sherpa woman climbs Everest ten times and escapes an abusive marriage to one of her fellow climbers – out in UK cinemas on Friday, July 26th and on Netflix from Wednesday, July 31st

Amazing what you can learn from documentary movies. From this one, I learned that all of Nepal’s Sherpa people have the same surname: Sherpa. One of them, a woman named Lhakpa Sherpa, had always wanted to climb Mount Everest. A series of meetings led her to the Nepalese Prime Minister, who, impressed with her determination, put her in charge of a year 2000 expedition to conquer the summit. Unfortunately, she was not the greatest of leaders, preferring to go on ahead at her own pace. Many of her fellow climbers gave up or returned to camp, but she kept going and became the first woman to both make it to the Summit and return alive.

Bitten by the Everest-scaling bug, she went back on her own the following year and did it again. This time, she went with a Romanian climber named Gheorghe Dijmărescu, who she had met the previous year. A romance ensued, and she went back with him to Connecticut and had a child by him before the couple married in 2002.… Read the rest

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Features Live Action Movies

Love Hotel
(Rabu Hoteru,
ラブホテル)

Director – Shinji Somai – 1985 – Japan – Cert. 18 – 88m

***1/2

After violently taking out the stress of yakuza business debts on a call-girl, a man finds her two years later and attempts to rekindle a relationship – roman porno is out on UK Blu-ray on, Monday, July 22nd

NSFW.

Tokyo. Muraki (Minori Terada) phones Milky Way from room 301, all dark suit and shades, obviously a gangster, to be is told a girl, Yumi, will be with him in 10 minutes. Only, a flashback reveals him as the owner of a publishing office, his stairwell to his small office premises blocked by a yakuza, another of whose number, he discovers on entering, is forcibly having sex with Muraki’s wife (Kiriko Shimizu) while two further fellow yakuza look on approvingly. Later, he considers throwing himself out of the third storey window of his unfurnished office with “for rent” signs, but swats a fly and thinks better of jumping.

When Yumi (Noriko Hayami) arrives at 301, her initial euphoria at Y100 000 for two hours is dispelled when Muraki unexpectedly slaps handcuffs on her, pulls a knife, slashes at the bedsheets and her clothing to undress her than violates her with a dildo, later cutting the skin between her breasts as she writhes orgasmically.… Read the rest

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Features Live Action Movies

The Conversation

Director – Francis Ford Coppola – 1974 – US – Cert. 12a – 113m

*****

A surveillance expert records a conversation between two people, then worries about turning the recording over to his corporate client as contracted – 50th anniversary 4K Restoration is out on UHD, Blu-ray and DVD on Monday, July 15th

There’s nothing else quite like The Conversation in cinema.

Union Square, San Francisco. People milling around. Among them, a couple (Frederic Forrest and Cindy Williams) having a conversation. Also in the square, a man in a plastic mac (Gene Hackman). And another man (Michael Higgins) following them around, holding a bag. And, at two separate windows above the square, two long range microphones.

The first man, Harry, enters a nearby van, inside which is his recording assistant Stan (John Cazale). He’s shortly followed by the other man, Paul, who believes the couple spotted him trailing them.

Harry pays a nighttime visit to his girlfriend Amy (Teri Garr). She wants him to spill his secrets. He claims he has none. He leaves, with her telling him not to bother to come back.

He goes to work in his office, situated at one end of the floor in an otherwise deserted warehouse.… Read the rest

Categories
Features Live Action Movies

Freud’s Last Session

Director – Matthew Brown – 2023 – UK – Cert. 12a – 108m

****

Celebrated psychoanalyst Sigmund Freud is visited in the last month of his life, living in Britain, by young Oxford don and Christian apologist CS Lewis – out in UK cinemas on Friday, June 14th

September 1939. Chamberlain has issued his ultimatum to Hitler, and Britain waits to find out whether it will shortly be at war with Germany. Celebrated psychoanalyst Sigmund Freud (Anthony Hopkins), recently moved to Britain from Vienna to escape the Nazis, keeps turning the radio on and off in the hope of an update from the BBC. He is also expecting a visit from a young Oxford don, CS Lewis (Matthew Goode), “the Christian apologist”, with whose views he profoundly disagrees. 

Lewis has written books including a parody of Bunyan’s The Pilgrim’s Progress called The Pilgrim’s Regress, which is mentioned here, and the first book in his science fiction trilogy Out of the Silent Planet, which isn’t. He has however yet to either give his BBC broadcasts about the Christian faith, which will later form the basis of his most celebrated apologetic work Mere Christianity, or write his Narnia children’s fantasy novels.… Read the rest

Categories
Features Live Action Movies

The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest