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Vortex

Director – Gaspar Noé – 2021 – France – Cert. 15 – 142m

*****

An elderly man struggles to care for his ailing wife who has dementia – out in cinemas on Friday, May 13th

Discounting the lengthy titles detailing among other things the various film clips and images used, this throws us a series of images in a pillarboxed 4:3 format with curved corners at the edges (suggesting a projected slide show or physical, analogue photographs mounted in an album) then the young Françoise Hardy singing “Mon Amie La Rose” loads irony into the proceedings: the rose is fresh and speaks to us of love, the singer young and yet to be ravaged by the passage of time. (It’s not mentioned here, but last year, Hardy announced she could no longer sing as a result of cancer treatments, which lends the video a certain poignancy today – even more so in the context of this film.)

Then the man we’ll call the father (Dario Argento, director of such Italian gialli as Suspiria, 1977; Tenebrae, 1982) waves through windows across a courtyard at the woman we’ll call the mother (Françoise Lebrun from The Mother And The Whore, Jean Eustache, 1973) and they meet up for a glass of wine on their balcony.… Read the rest

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Heaven: To The Land Of Happiness (Hebeun: Haengbokeui Nararo, 행복의 나라로)

Director – Im Sang-soo – 2021 – South Korea – 101m

*****

A meds thief on the verge of arrest and an escaped convict inadvertently steal money from gangsters closing gala with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which ran in cinemas from Thursday, November 4th to Friday, November 19th

The sexual frankness of director Im’s earlier A Good Lawyer’s Wife (2003) and The Housemaid (2010) is absent from his latest, a producer-suggested project more lightweight than his usual fare which nevertheless achieves a degree of poignancy. Its template is the German film Knockin’ On Heaven’s Door (Thomas Jahn, 1997) in which two terminally ill men steal a car so that one of them can visit the sea before he dies, the car unfortunately belonging to a gangster and carrying a quantity of cash in the boot.

Writing his own script around this loose premise, Im makes the man who wants to see the sea a convict, inmate 203 (Choi Min-sik from The Tiger, Park Hoon-jung, 2015; Lucy, Luc Besson, 2014; New World, Park Hoon-jung, 2013; Lady Vengeance, Park Chan Wook, 2005), sent to the hospital for an MRI scan where it’s discovered he has a brain tumour and two weeks to live.… Read the rest

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Features Live Action Movies

Babyteeth

Director – Shannon Murphy – 2019 – Australia – Cert. 15 – 118m

*****

In cinemas from Friday, August 14th and on BFI Player from Monday, December 7th

Uniformed schoolgirl Milla (Eliza Scanlen) stands on a platform ill at ease with her classmates. The train comes in. Before she can move to get on it, someone has knocked into her rushing past to stand close to the passing train. It’s Moses (Toby Wallace), unkempt in shorts and tee shirt. He asks her for money. He points out she has a nosebleed, cradles her on the ground, puts his tee over her mouth and jaw… to catch the blood.

Milla’s psychiatrist father Henry (Ben Mendelson) has a home session with a patient that turns into sex on a desk. This is his wife Anna (Essie Davis) who is on medication and has mental problems. They have another problem as a family: their daughter has cancer.

When Milla brings Moses into her parents’ comfortable suburban family home, they take an immediate dislike to him. This reaction is compounded by his habit of stealing medications from their home to sell later on the street. Nevertheless, he will be around the home more and more and by the end will be to all intents and purposes living there with Henry and Anna’s consent.… Read the rest