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De Gaulle
Part 2
Liberté
(La Bataille de Gaulle
J’écris ton Nom)

De Gaulle: Part 2 – Liberté

(La Bataille de Gaulle: J’écris ton Nom)

Director – Antonin Baudry – 2025 – France – Cert. 15 – 160m

*****

Second part of a two-part movie continues the story of De Gaulle up to and including the Liberation of Paris in 1944 – out in UK cinemas on out in UK cinemas on Friday, September 18th

Somewhat surprisingly, the second part of Baudry’s epic doesn’t begin where its predecessor left off, but instead jumps forward to 1943. with exiled French General De Gaulle (Simon Abkarian) in London both sticking to his guns and an increasingly isolated figure on the international stage. Polish plumber turned assistant Blazej (Karim Leklou) carries on offering him encouragement.

Still, De Gaulle continues to inspire the Free French forces in North Africa, with General LeClerc (Nils Schneider) taking on a German tank division at Ksar Ghilane with only infantry and the odd anti-tank gun. Impossible odds, but as with the first part’s Bir Hakeim siege story, the Free French’s selfless actions, vowing never to surrender and fight ‘til the last man, help the Allied war effort a great deal.

In Lyon, France and separated from her boyfriend, Livia (Anamaria Vartolomei) works for the Resistance, who face a major political challenge: to unite the various different groups that want to stand against the Vichy government and the Nazis, but don’t necessarily share the same aims in terms of any post-war settlement.… Read the rest

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Pressure

Pressure

Director – Anthony Maras – 2026 – UK, France – Cert. 12a – 100m

*****

Days before the proposed Allied D-Day landings in 1944, the Scots meteorologist in charge becomes convinced that it should be postponed due to impending bad weather – out in UK cinemas on Wednesday, September 9th

Taking leave from his heavily pregnant wife Liz (Tamsin Topolski), due in hospital imminently for the birth, Scots meteorologist RAF Gp Capt. James Stagg (Andrew Scott) travels by military car to Southwick House, the stately home requisitioned for the Supreme Headquarters Allied Expeditionary Force (SHAEF) under General Eisenhower (Brendan Fraser), where he meets his own liaison officer Andrew Carter (Jojo Macari) and, in what is to be his office, MTC First Lt. Kay Summersby (a nicely understated Kerry Condon), Eisenhower’s private secretary. All communications with the General go through her.

From their first encounter – three days from the proposed D-Day landing on Monday morning, when USAAF Col. Krick (Chris Messina) and his weather room staff are improvising a version of The Boogie Woogie Bugle Boy from Company B with a piano – Stagg is less than impressed with his American counterpart. Krick boasts that he not only correctly predicted the weather for Eisenhower ahead of various military battles in North Africa and elsewhere, but also did the same for David O.… Read the rest

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The Small Back Room

Directors – Michael Powell, Emeric Pressburger – 1949 – UK – Cert. PG – 106m

*****

In London during World War Two, a back room boffin and bomb disposal man struggles with alcoholism – 4K restoration played at BFI Southbank on Tuesday, May 28th prior to release on Blu-ray, DVD and Digital on Monday, June 3rd

This black and white, post-war era drama isn’t the first film that comes to mind when people think about Powell and Pressburger – it was made immediately after what today are regarded as three of their best colour features – A Matter of Life and Death (1946), Black Narcissus (1947) and their arguable masterpiece The Red Shoes (1948). And that was preceded by one of their finest black and white works, “i know where i’m going!” (1945).

In many ways, The Small Back Room couldn’t be more different. There’s a marvellous sense of whimsy about those films, even if the later ones are intense and savage in places. Like Black Narcissus and The Red Shoes – and, for that matter, Powell’s late solo masterpiece Peeping Tom (1960), an intensity lies at the heart of The Small Back Room.

Gone are the light, airy spaces of the earlier films, their sense of the outdoors expanse (and, in The Red Shoes, the expanded landscapes of the eponymous ballet sequence within the film).… Read the rest