Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section
A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.
There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.
The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest
Forward thinkers take on the conservative old guard within a Japanese publishing corporation – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March
Megumi Takano (Mayu Matsuoka from One Night, Kazuya Shirashi, 2019; Shoplifters, Hirokazu Kore-eda, 2018; A Silent Voice, Naoko Yamada, 2016; Lesson Of Evil, Takashi Miike, 2012; Love Exposure, Sion Sono, 2008), daughter of local bookstore owner Takano (Shinya Tsukamoto), is as dedicated an editor as you’ll find anywhere in publishing. Alas, she lacks the political savvy needed to survive in its ruthless, corporate, dog-eat-dog world. When the owner of the publishing company Kunpu which employs her dies unexpectedly, she finds herself caught up in the machinations of a large organisation where some employees resist change while others plan to completely reinvent the business model to ensure the company’s survival, possibly at the expense of some of its employees.
Thus it is that new CEO Tamatsu (Koichi Sato from Fukushima 50, Setsuro Wakamatsu, 2020; Sukiaki Western Django, Takashi Miike, 2007; Where The Last Sword Is Drawn, Yojiro Takita, 2002) comes in with plans to restructure the company.… Read the rest
The intersecting lives of several young Tokyoites suggests they don’t know how to communicate with one another – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March
A young woman hangs out in an amusement arcade. Suddenly she’s aware of a young boy. Running, shouting, “why me”. He needs something. She steps into the breach and – for a moment, at least – provides it by holding him tight, a surrogate mother, an understanding human connection.
How far this understanding goes, it’s impossible to say. We never find out the source of the boy’s malaise, we never learn anything more about the woman who holds him in the arcade. However they have connected on some level – physically and emotionally. And that’s what this film seems to be about.
It’s basically a series of character study vignettes in which the characters occasionally cross paths which could well have been written or conceived as a half dozen of so short films. They connect with or become alienated from one another. It’s set in Tokyo with a title suggestive of complex networks and computer language with the catch-all ‘love’ tacked on the end.… Read the rest
New next door neighbours pose challenges for a man with learning difficulties and his carer mother – plays UK cinemas in the Japan Foundation Touring Film Programme 2022 between Friday, 4th February and Thursday, 31st March
Chu-san (Muga Tsukaji) gets up with his alarm, saying “it’s 6.45”. He folds up his bedding into a neat pile, starts to unbutton his pyjamas. By the time he’s saying, “it’s 6.56”, he’s heading for the loo. Everything runs on a rigid time grid. There’s only two minutes for his mother Tamako (Mariko Kaga) to shave him between 7.01 and 7.03; if it doesn’t get done, she has to stop. At breakfast, she tells him, “chew 30 times.”
Outside their modest house and courtyard, an Ume tree overhangs the fence, a public hazard. One of the removal men helping the new neighbours the Satomuras move in next door bangs his head and drops a box of things, out from which, unnoticed, falls a child’s ball. The husband Shigeru (Ikkei Watanabe) tells his wife Eiko (Yoko Moriguchi) that she – or he – needs to talk to the neighbours about the tree.… Read the rest