Categories
Animation Features Live Action Movies

Fortune Favours Lady Nikuko (Gyoko no Nikuko-chan, 漁港の肉子ちゃん)

Director – Ayumu Watanabe – 2021 – Japan – Cert. PG – 97m

*****

A large, single parent mum continues to make bad relationship choices as her daughter tries to make her way in the Northern Japanese coastal village where they currently live– out in UK cinemas on Wednesday, August 10th

Charging in its opening minutes in rapid-fire, riotously paced colour through the love life of large lady Nikuko (voice: Shinobu Otake) – whose name given by her daughter translates roughly as Meat-lady, a reference to her size and resultant huge appetite – this details her poor, serial, romantic choices via which the various men for whom she falls scam her for money and cheat on her one after the other. Eventually, she falls for The Novelist, who is at least faithful and comes with the added bonus that he’s always spending money on books (not that he’s generating any money himself) which engenders in the story’s voice-over narrator, but not in the woman herself who doesn’t bother with books, a lifelong love of books and reading. But, one day, he unexpectedly leaves, so Nikuko follows his path up north, fails to find him and settles in a small, coastal fishing town.… Read the rest

Categories
Animation Features Movies

Spirited Away (Sen to Chihiro no Kamikakushi, 千と千尋の神隠し)

Director – Hayao Miyazaki – 2001 – Japan – Cert. PG – 125m

A shorter version of this review was originally published in Third Way for UK release date 12/09/2002. At which point, hardly anyone in the UK outside of anime fandom knew who Miyazaki was.

In director Hayao Miyazaki’s Spirited Away, a ten-year-old girl must survive a bathhouse run by demons after her parents are turned into pigs – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (subtitled / dubbed for family screenings)

To discover the films of Hayao Miyazaki – and those of his company Studio Ghibli (pronounced “Jib-Lee”) – is like suddenly being exposed to those of Disney without prior knowledge of their sheer number or quality. In Miyazaki’s native Japan, Spirited Away shattered box office records to succeed Titanic as the most lucrative movie of all time. In the US, it won the Oscar for Best Animated Feature while making only modest inroads into the marketplace. Britain, however, is not the US and it may well fare better here than it did there.

Previous Miyazaki outings have covered children’s experience of the countryside (My Neighbour Totoro, 1988; one of this writer’s favourite films of all time), a young girl’s learning to find her way in the world (Kiki’s Delivery Service, 1989) and conflicting loyalties among pilots in interwar Europe (Porco Rosso, 1992).… Read the rest

Categories
Animation Features Movies

The Castle Of Cagliostro (Rupan Sansei: Kariosutoro No Shiro)

DVD review originally published in Starlog, UK edition.

TO CATCH A THIEF

ANIME OF THE MONTH

THE CASTLE OF CAGLIOSTRO

(REG 2 DVD: ENGLISH / JAPANESE DUBBED, OPTIONAL ENGLISH SUBTITLES)

£19.99, Widescreen (1.85:1), Dolby Digital 2.0 (Manga)

One of Manga Video’s best kept secrets arrives on UK DVD. Arsene Lupin III is manga artist Monkey Punch’s descendant to Frenchman Maurice LeBlanc’s noted thief Arsene Lupin and the subject of copyright controversy in the US where the character had to be renamed Wolf or Rupan. Strong though the character may be, the factor that raises this particular film above much anime is the pedigree of writer-director Hayao Miyazaki.

A superb piece of genre film-making, Cagliostro allows Miyazaki to try out lots of ideas he’d rework later. Monkey Punch’s quasi‑European trappings, evidenced both here and in other Lupin III movies, are perfectly in tune with Miyazaki’s sensibilities. Fairytale plot elements concern a princess (a dead ringer for one of Nausicaä Of The Valley Of The Wind’s characters) trapped in a tower by the evil Count Cagliostro and a castle with a 500-year-old secret (shades of Laputa‘s decaying castle in the sky). Then, for a film about a thief, there’s a surprising nod towards goodness; yet the film never becomes too lofty for its own good, being filled with such detours as banknote forgery, lethal security systems, unexpected trap doors and an impressive autogyro (Miyazaki has a reputation for strikingly designed aircraft and other flying objects).… Read the rest