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Documentary Features Live Action Movies

Boorman
and the Devil

Boorman and the Devil

Director – David Kittredge – 2025 – US – Cert. 15 – 112m

*****

How director John Boorman’s sequel (or not) to The Exorcist became one of the biggest Hollywood flops of all time – out in UK cinemas on Friday, September 25th

This quite understandably takes a while to get around to its subject, talking both about where Hollywood found itself in the 1960s and looking at Boorman’s directorial career before settling on the production that nearly destroyed his career. Once it gets there though, a considerable amount of time is allotted to a production which starts to sound like one of the most amazing spectacles ever filmed. Yet this comes alongside a feeling that, on the most fundamental level, something is going to go or perhaps has already gone horribly wrong before the director has even signed on.

By the early 1960s, Hollywood was making big budget epics like Cleopatra (Joseph L. Mankiewicz, 1963) or The Fall of the Roman Empire (Anthony Mann, 1964). When such movies started to fail at the box office, it turned to younger directors in the hope that they might understand what audiences wanted. The result was movies like Easy Rider (Dennis Hopper, 1969) or The Graduate (Mike Nichols, 1967).… Read the rest

Categories
Features Live Action Movies

La Syndicaliste
(lit. The Union Rep,
US: The Sitting Duck)

Director – Jean-Paul Salomé – 2022 – France – Cert. 15 – 121m

***1/2

After a smart and tough-talking woman union rep in the nuclear power industry is attacked, tied up and raped in her own home, the police suggest she may have staged the attack herself – out in UK cinemas on Friday, June 30th

Or, as its opening title states in the English subtitled print shown to press, La Syndicaliste Based On A True Story. That title comes after an opening in 2012 in which police are called to the home of Maureen Kearney (Isabelle Huppert) where her cleaning lady has freed her from a chair to which she was tied before being raped by an intruder. The forensic team are all over the premises, taking away evidence. At the police station, she requests a pad and pencil to write down the details of what happened. The police will later accuse Kearney of fabricating the whole incident herself.

The next half an hour or so is a flashback leading up to the incident. Immediately after the titles, it sets about establishing its heroine as a tireless campaigner for employee rights at French state-owner nuclear power company Areva, standing up for ruthlessly exploited workers in an Hungarian subsidiary and well in with Anne Lauvergeon (Marina Fois), the one female executive in an otherwise male boardroom who despite her reliability and excellent track record is being forced out, with as she later tells Maureen lots of dirty tricks used against her.… Read the rest