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Documentary Features Live Action Movies

Beyond The Mask

Directors – Jane Harris, Jimmy Edmonds – 2021 – UK – 60m

****

People talk about their experiences of bereavement in the light of the COVID-19 lockdown – now free to watch (donation suggested)

In March 2020, the unthinkable happened as the world entered a global pandemic. In the ensuing year or so many people lost their lives while many more felt and indeed still feel a sense of loss for the ’normal’ life that existed beforehand. Directors Harris and Edmonds are no strangers to bereavement having lost their son unexpectedly at age 22 while he was travelling abroad in 2013 and part of their process of dealing with it was to make the excellent documentary A Love That Never Dies (Jane Harris, Jimmy Edmonds, 2018) in which bereaved parents talk about their different experiences of losing children.

Not everyone has suffered the misfortune of losing a child, but if you’re reading this you will invariably have lived through the COVID-19 pandemic, at least thus far. This latter condition is universal. So, what does the experience of bereavement have to say to our current situation of the pandemic – or, for that matter, what does our current situation of the pandemic have to say to our experience of bereavement?… Read the rest

Categories
Documentary Features Live Action Movies

Hostile

Director – Sonita Gale – 2021 – UK – Cert. 12a – 98m

**1/2

A documentary about the UK’s anti-immigrant Hostile Environment policy includes a brief history plus stories of both those it affected and a charity set up to help them – out in cinemas on Friday, January 21st, local screening details constantly being added here

The eponymous adjective refers to the UK’s attitude to immigrants since 2012: the so-called Hostile Environment. Make Britain an unpleasant enough place for immigrants, and they’ll leave.

Gale’s film has three main plot strands. The first follows the Sair family, from Pakistan, resident in the UK since 2003. The second follows the fortunes of the Community Response Kitchen, a non-profit organisation set up to feed low paid workers in the London Borough of Brent. The third is a brief history of anti-immigration rhetoric and policy in the UK. Further material includes interviews with Windrush generation Brit Anthony Bryan and MP Stephen Timms, among others.

The story of the Sairs makes for depressing viewing. In 2003, Farrukh Sair married Saba in Pakistan. Four months later, the couple moved to the UK on a student visa to do a course. Today, they have a family, kids who have spent their entire lives in the UK.… Read the rest

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Features Live Action Movies

The Prayer (Gan Ho-Joong, 간호중)

Director – Min Kyu-dong – 2020 – South Korea – Cert. 12a – 108m

*****

Just how capable are caregiver androids of looking after their terminally ill patients? – thought-provoking science fiction from the London East Asia Film Festival (LEAFF), on now

In a vast, multi-storey building complex, end of life patients are attended by Caregivers, lifelike female androids programmed to perform all the necessary tasks of palliative care, their faces modelled after their purchaser. Manufactured by the German TRS Corporation, they come in a variety of models, including an entry-level type with only basic functions and a more advanced models which can cope better with patients’ needs.

One patient is surrounded by Christian friends of his wife loudly singing praise and worship songs, to the annoyance of those living in nearby units. Adherents of the Christian religion play quite a significant part in the narrative, with nun Sister Sabina (Ye Soo-jung) going round putting stickers wherever she can in these complexes inviting people to phone her if they want to pray.

They might well want to take up her offer. A lot of the patients’ relatives / carers could do with some sort of assistance. Mrs. Choi (Yum Hye-ran from Default, Choi Kook-hee, 2018; Memories Of Murder, Bong Joon Ho, 2003) has sold the family home to pay for a Caregiver (also Yum Hye-ran) for her dementia-stricken husband (Yoon Kyung-ho from Okja, Bong Joon Ho, 2017).… Read the rest

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Features Live Action Movies Music

Mogul Mowgli

Director – Bassam Tariq – 2020 – UK – Cert. 15 – 90m

****

A UK British Pakistani rap artist is stopped in his career tracks by an auto-immune system suppression illness – in cinemas from Friday, October 30th and on BFI Player Subscription Exclusive from Friday, February 5th

This opens with British Pakistani rapper Zed (Riz Ahmed, who also co-wrote the film) waiting in the wings then going on stage to perform before a massively enthusiastic New York crowd. I had fairly high expectations and my heart sank. Ahmed’s performance as the singer was leaving me absolutely cold. (To be fair, I’m not a huge fan of rap music.) Happily I was much more impressed with almost everything that followed.

This opening performance turns out to be the final leg of a tour. Zed has a major European Tour planned imminently. Back in Britain, he gets into a street fight with a fan/stalker and in the course of the resultant fight starts to experience severe stomach pains. He wakes up in the local hospital to learn that he’s suffering from an auto-immune system suppression illness and consequently will be unable to tour. He’s horrified by the the suggestion from his trusted manager Vaseem (Anjana Vasam) that his admirer and rival performer RPG (Nabhaan Rizwan), whom Zed despises, can cover for him on the European Tour.… Read the rest

Categories
Animation Features Live Action Movies

Capital In The 21st Century

Director – Justin Pemberton – 2019 – France, New Zealand – Cert. 12 – 103m

*****

An adaptation of Thomas Piketty’s controversial economic treatise Capital In The 21st Century – in cinemas from Friday, September 25th

The content of French economist Thomas Piketty’s eponymous book couldn’t be more relevant. Far from being dry economics, Piketty’s thesis begins that there has always been a minority of wealthy people whose wealth derives from nothing more than being born into wealth. They have done nothing to merit wealth. They do not own it because of any sort of achievement.

The industrial revolution, he argues, gave those with capital (financial assets) the means to substantially increase the amount of capital they own.

Throughout history, the rich have not looked after the whole of society but rather have merely defended their own interests, i.e. maintaining and if possible increasing their position of wealth. They have shown a disdain for the other 99% of people. In the eighteenth and nineteenth centuries, society was broken into those two groups, wealthy and poor.

The rise of the middle class after World War One changed everything, with middle class people wanting their say in how things were run. Changes since the 1970s however threaten the power of the middle class and we may be seeing a return to a majority of very poor people beholden to a wealthy minority – unless we take the action necessary to prevent it.… Read the rest