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The Picks that spoiled our film critic!

Jeremy Clarke returns to the Tallinn Black Nights Film Festival in order to cover the Critics’ Picks section (which is now on its second year); he encounters what’s probably the strongest section of the event

Some people have a fear of flying. I don’t, but dislike of all the bureaucratic paraphernalia that surrounds airports. Not to mention London’s transport system, which is good most of the time, but not so much when it goes wrong. Coming home from the Festival last year, I got caught up in a tube strike. That didn’t happen this year. Indeed, the travel to and from the airport worked better for a number of reasons.

One was that the Festival’s hospitality team were kind enough to book my flights to and from Heathrow. This meant I could use the Elizabeth Line to travel to and from the airport. I currently live on the Victoria Line, which connects directly with three major rail terminals (Kings Cross, Euston, Victoria) but not the Elizabeth Line. The Elizabeth was all a bit too new last year, but Londoners who frequently travel into the centre of town as I do have got rather more used to it, and the Oxford Circus (Victoria Line) to Bond Street (Central Line) to Heathrow (Elizabeth Line) is reasonably easy to navigate.… Read the rest

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Features Live Action Movies

Mission: Impossible
Dead Reckoning
Part One

Director – Christopher McQuarrie – 2022 – US – Cert. 12a – 163m

*****

Tom Cruise’s seventh and director Christopher McQuarrie’s third Mission: Impossible outing delivers globetrotting action and one of the most incredible stunts ever committed to film – out in UK cinemas on Monday, July 10th

It seems almost fatuous to attempt to synopsise this latest Mission: Impossible effort because it basically boils down to various parties including Ethan Hunt (Tom Cruise) and his allies chasing after a key which most of them don’t know what it opens. I tell a lie, actually two halves of a key (this sounds a lot like the ancient artefact in this year’s Indiana Jones movie, which I’m sure is pure coincidence) each one of which can be used to verify that the other is the genuine article and not a fake. This MacGuffin, the thing all the characters want and which propels them through the story, in turn provides producer and star Tom Cruise, director Christopher McQuarrie and their collaborators with the excuse for a series of exhilarating, bravura set-pieces.

There’s also the visual pleasure of this franchise’s usual amount of people wearing photorealistic masks to disguise themselves as other people, and later ripping off (or having others rip off) their fake faces to reveal their real ones.… Read the rest

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Three Colours: White
(Trois Couleurs: Blanc)

Director – Krzysztof Kieślowski – 1994 – France – Cert. 15 – 92m

****

A Pole down on his luck and facing legal proceedings from his French wife, smuggles himself on a plane from Paris to Warsaw in order to get his life and dignity back – 4K restoration is out in UK cinemas on Friday, April 7th

This represents the second part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). Or perhaps it’s not as straightforward as that – at least, that’s what actress Julie Delpy suggested when I interviewed her about the film in 1994.

There are some curious editing decisions at the start – bits of stories told in fuller detail later on, such as shots of a suitcase on an airport conveyor belt, and a glimpse of a happy bride (Julie Delpy) in her white bridal dress leaving the church building for the fresh air and bright sunlight outside to meet waiting guests as, in front of her, a host of pigeons take off, an image to which the editing returns several times during what follows.… Read the rest

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The Road
To The Race Track
(Gyeongmajang
Ganeun Kil,
경마장 가는 길)

Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m

*****

An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.

Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest

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Deliver Us From Evil
(Daman Akeseo
Guhasoseo,
다만 악에서 구하소서)

Director – Hong Won-chan – 2020 – South Korea – Cert. 18 – 108m

*****

An assassin trying to rescue his ex-girlfriend’s child from organ thieves discovers a rival is after him for killing his brother – Wednesday, October 26th, 20.30 at The Cinema At Selfridges as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; also available to rent on Sky Go, Sky Store, iTunes, Amazon Prime and Google Play

In a darkened building somewhere in Japan, former South Korean government agent turned professional assassin In-nam (Hwang Jung-min) surprises and pacifies then kills his terrified, Japanese-Korean mob boss target. Meanwhile, his former girlfriend Young-joo (Choi Hee-Seo) is in Thailand in the process of putting down the deposit to buy a golf course when her small daughter Yoo-min (Park So-yi) is kidnapped. Desperate, Young-joo attempts to contact In-nam through his boss over the phone, but In-nam has long since told her she must decide between her child and him and as far as he is concerned, she made her decision. He instructs his boss to inform her he is dead.… Read the rest

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Emergency Declaration
(Bisang Seoneon,
비상선언)

Director – Han Jae-rim – 2021 – South Korea – 147m

*****

A rogue biochemist smuggles a deadly virus onto a commerical flight and releases it, leaving those on board fighting for survival– from the London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th

At the same time as his wife has had enough and decides to fly off to Hawaii on her own for a break, Police Sgt. Koo (Song Kang-ho from Parasite, 1019; Snowpiercer, 2013; Memories Of Murder, 2003; all Bong Joon ho) finds himself investigating an upload to the internet which is probably a hoax in which a man threatens a terrorist attack on a plane. He tracks this man to his apartment from which the open door emits the smell of putrefaction. A search of the premises reveals a corpse sealed in polythene who has died of burst blood vessels caused by a virus.

Meanwhile at Incheon Airport, the man, Ryu Jin-seok (Yim Si-wan, singer of huge K-pop band KZ-A) has a run in with a booking agent who won’t tell him what the busiest route is, insulting her. Next, he enters the toilets to open and insert a phal into his armpit but is spotted from a cubicle by young girl Soo-min (Kim Bo-min) using the wrong toilets.… Read the rest

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Animation Documentary Features Live Action Movies Music

Moonage Daydream

Director – Brett Morgen – 2022 – US – Cert. 15 – 135m

*****

David Bowie explored through his own words, accompanied by images of his life and art, many of his songs and extracts from numerous live performances – out in IMAX in the UK on Friday, September 16th and wide in cinemas on Friday, September 23rd.

In 2018, seasoned writer-director-editor Brett Morgen (Jane, 2017; Kurt Cobain: Montage Of Heck, 2015; The Kid Stays In The Picture, 2002) was granted unprecedented access to David Bowie’s personal archives and four years later we have the first film to be supported by the Bowie estate. Knowing all this, you enter the cinema wondering exactly what you’re going to get.

You’re immediately confronted by a quote about Nietzsche and God which is then revealed as a quote from Bowie 2002, the film immediately putting Bowie on a par with one of the nineteenth century’s greatest philosophers and arguably even God. The subject of Nietsche doesn’t come back up, but God does, quite a bit, with Bowie’s religious-leaning song “Word On A Wing” putting in an appearance and David’s voice-over talking about “something…a force directing the universe”. Like many of us today, he struggles with the word ‘God’ – is it the right word?… Read the rest

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Miami Blues

Director – George Armitage – 1990 – US – Cert. 18 – 97m

Fred Ward produced and starred in an adaptation of the first of Charles Willeford’s Hoke Moseley crime novels in 1990

****

Review from TNT magazine, March 1990, republished here on the death of actor Fred Ward, May 2022

To anyone already familiar with Charles Willeford’s hard-boiled novel Miami Blues, writer/director George Armitage’s screen version races through its opening so fast that numerous elements which set up what follows are omitted. Add to this the unlikely casting of Fred Ward (also one of the executive producers here) as Police Sergeant Hoke Moseley and Alec Baldwin as the killer Freddy Frenger Junior, and the end result is quite some distance from the original.

Frenger’s initial assault on a Krishna at Miami Airport – who dies of shock after his finger is broken by being bent backwards – is reduced to a one-off incident rather than an important link in Willeford’s complex chain of events. Prostitute/college student Susan Waggoner (Jennifer Jason Leigh), with whom Junior gets involved, is no longer the sister of the Krishna victim. Gone, too, are Junior’s observations about Japanese haikus, in which his readings of the Japanese poems reveal his utter paucity of vision.… Read the rest

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Escape
From Mogadishu
(Mogadisyu,
모가디슈)

Director – Ryu Seung-wan – 2021 – South Korea – Cert. 15 – 121m

****

In the early 1990s, besieged North and South Korean officials join forces to escape from the Somali capital as it descends into lawlessness – out in cinemas and VoD platforms on Friday, March 25th

In 1990, both North and South Korea have yet to have a seat at the United Nations. With many of those seats and hence the UN’s votes being held by African nations, influence in Africa is seen as the key to obtaining a seat. In Somalia, both sides are keen to ingratiate themselves with the ruling Barre military regime in Mogadishu, the capital, with a great deal of subterfuge and hostility between the two rival Korean factions.

However, the regime, which has held power for twenty years, is in trouble. (Barre would be ousted in 1991). As the capital becomes a war zone with government troops fighting rebel militias, the city descends into lawlessness and both sets of Korean representatives need to get out.

If you want a wider picture of the political realities of how all this came to pass in Somalia, this film is not the place to come. The clue is in the title: this is a Korean movie about Koreans having to depart a politically unstable country, and after some skullduggery at the start in which the car of South Korea’s Ambassador Han (Kim Yoon-seok from The Fortress, Hwang Dong-hyuk, 2017; 1987 When The Day Comes, Jang Joon-Hwan, 2017) is raided by bandits on its way to a meeting with President Barre the Southerners have taken months to set up, causing them to run to the meeting on foot and arrive 15 minutes late only to find the President can’t see them because he has another meeting immediately afterwards – with North Korea’s Ambassador Rim (Huh Joon-ho from Default, Choi Kook-Hee, 2018) who unbeknown to the Southerners hired the local bandits.… Read the rest

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Detective Chinatown 3
(Tang Ren
Jie Tan An 3,
唐人街探案3)

Director – Chen Sicheng – 2021 – China – Cert. 15 – 136m

****

The Chinese franchise’s super-sleuth and bumbling sidekick join forces with their Japanese and Thai counterparts in Japan – out in cinemas on Tuesday, January 25th and 26th only

No sooner have the brilliant crime-solving sleuth Qin Feng (Liu Haoran) and his likeable if barely competent sidekick Tang Ren (Wang Baoqiang) flown in to Tokyo and met their contact there, the sharp and colourful Hiroshi Noda (Satoshi Tsumabuki), than they find themselves embroiled in one of the most seriously bonkers action sequences in the movies in recent years when members of (at least) two gangs suddenly attack in the airport to the inspired accompaniment of the pop song ‘Welcome To Tokyo’ (which gets rolled out again for a cheerful, cast of thousands, song and dance routine accompanying the end credits). Extensive mayhem ensures. A man rolls down a long flight of steps in an oil drum. Two groups of smartly uniformed and skirted women do battle (one group in red, one in blue – stewardesses from rival airlines, perhaps?). Workmen in hard hats and overalls descend from scaffolding to join the melee.

Knowing this will be an impossible act to follow, the film then throws in a pursuer Jack Jaa (Thai martial arts sensation Tony Jaa from Ong-bak, Prachya Pinkaew, 2003) on the Tokyo subway before having the trio flee him on go-karts while he comes unstoppably and hilariously after them by stealing a child’s bicycle with tiny wheels.… Read the rest