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Tad and the Magic Lamp
(Tadeo Jones
y la Lámpara Maravillosa)

Tad and the Magic Lamp
(Tadeo Jones y la Lámpara Maravillosa)

Director – Enrique Gato – 2026 – Spain – Cert. U – 94m

***1/2

In search of Aladdin’s lamp with a powerful villain in hot pursuit, Tad and his companions are transported back in time to (the) Mummy’s ancient, South American civilization – out in UK cinemas on Friday, October 23rd

Gato’s fourth instalment of the Tad the Lost Explorer franchise starts off in London with Tad pursuing a baby through the clockwork mechanisms of Big Ben, a sequence which recalls the climactic sequence of Disney’s Basil, the Great Mouse Detective (Ron Clements, Burny Mattinson, Dave Michener, Juhn Musker, 1986). It turns out that the baby is his and partner Sara’s, and that Tad is engaged in parenting chores while she is out and about with the Egyptian princess researching the magic lamp reputed to belong to Aladdin and rumoured to be in a room in Buckingham Palace unbeknownst to its royal occupants and accessible via a secret passage.

Entry to the secret passage is though a secret door in a pub, which can only be opened with a special dart which Sara tracks down in a Notting Hill antique shop.… Read the rest

Enys Men

Director – Mark Jenkin – 2022 – UK – Cert. 15 – 96m

*****

A lady environmentalist working on an uninhabited island off the Cornish coast becomes subject to powerful, localised forces from the area’s past – out on UK Blu-ray/DVD combi and on BFI Player on Monday, May 8th

NB The title is pronounced “Enys Main”, the eponymous “Men” being as in “menhir”.

A radio receiver. A bird. An island. A woman in a red coat (Mary Woodvine). A flower. Jenkin seems to love the process of putting little bits of film together to make a whole that’s altogether larger than the sum of its constructed parts. If that same process was evident in his earlier, equally Cornish if less fantastical and black and white Bait (2019), his new film is radically different and, moreover, it’s in colour.

Enys Men is being touted as a horror film – presumably with Jenkin’s blessing if the trailer is any indication – but I’m not sure that’s exactly what this film is. Some horror fans may well come away wondering while they bothered, while viewers put off by the term ‘horror’ may well respond positively to Jenkin’s latest – provided they can be persuaded into the cinema to see it.… Read the rest