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Contempt (Le Mépris)

Director – Jean-Luc Godard – 1963 – France – Cert. 15 – 103m

*****

Review originally published in What’s On In London when the film was reissued in 1996 – reprinted here to commemorate Godard’s passing on Tuesday, 13th September, 2022

Made back in 1963 in the latter days of the French New Wave, Jean-Luc Godard’s Contempt (Le Mépris) anticipates J.G. Ballard’s seminal novel Crash, David Cronenberg’s controversial film of which currently awaits a British distributor. Alongside a director in a film studio (Godard casts the great Fritz Lang, who famously made the silent classic Metropolis at UFA in 1926 before a subsequent career in Hollywood on westerns and crime thrillers), Contempt boasts a central protagonist obsessed by his wife’s sexual peccadilloes, not to mention bleak, domestic, modernist architecture and mythical car crash aftermaths.

The camera lingers lovingly over the latter to George Delerue’s unforgettable and heavily romantic score, but (as apparently in Cronenberg’s Crash) pays little attention to the actual moment of impact.

It’s one of Godard’s best films and possibly his most accessible. Director Lang struggles to film The Odyssey at CineCitta with unsympathetic producer Jeremiah Prokosh (a towering Jack Palance) who waxes lyrical about life and art while seducing Camille (a stunningly contemptuous Brigitte Bardot), wife of hired screenwriter Michel Piccoli.… Read the rest

Categories
Features Live Action Movies

Pan’s Labyrinth (El Laberinto Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest