Tag: Marion Cotillard

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Animation Features Movies

The Inventor

Directors – Jim Capobianco, Pierre-Luc Granjon – 2023 – US, France, Ireland – Cert. PG – 100m

****

Towards the end of his life, inventor Leonardo da Vinci goes to live in France under the patronage of the King – stop frame / drawn animation composite is out in the UK’s Vue cinemas on Friday, March 8th

Rome, Italy, 1516. Leonardo da Vinci (voice: Stephen Fry) happily shows off a giant optical system of magnifying glasses for observing the heavens to his assistant Francesco Melzi (voice: Angelino Sandri). Francesco retorts that Leonardo ought to be worried about the Pope who has spies everywhere (and sure enough, there are eyes watching from nearby peepholes). Leonardo’s other assistant, the hulking, mute Zoroastro sources corpses for him, on which the curious Leonardo performs dissections and studies what he finds through making drawings in his quest for find the animated spirit of man, a search which, in dreams and visions, often leads him into confrontation with a mysterious, gargantuan, dark-hooded figure.

The inventor is summoned to Pope Leo X (voice: Matt Berry) who wants to know, why can’t Leonardo just make pretty things? The arrival of a messenger whose helmet is half crushed by a cannonball leads Leo to suggest Leonardo fashion him machines of war.… Read the rest

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Features Live Action Movies Music

Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

Categories
Features Live Action Movies

A Good Year

Director – Ridley Scott – 2006 – US – 12A – 118 mins

***1/2

A ruthless, successful Square Mile bond trader travels to Provence to sort out the estate he’s inherited from his late uncle – UK release date 27/10/2006

Back in the 1980s, British TV commercials spawned a number of hugely successful feature film directors, with Scott arguably the most talented. A great visual stylist, his impressive filmography includes the seminal (Alien, 1979; Blade Runner, 1982; Thelma & Louise, 1991), the blockbuster (1492: Conquest Of Paradise, 1992; Gladiator, 2000; Kingdom Of Heaven, 2005) and the forgotten (Black Rain, 1989; White Squall, 1996; G.I. Jane, 1997). Scott is perhaps the archetypal ‘style over content’ director: his impressive visuals often threaten to overpower everything else, yet his sense of style invariably makes anything he does worth a look. A film-maker, in other words, of extreme contradictions.

The end of that same era saw highly regarded London advertising man Peter Mayle relocate to the South Of France to pen a series of books about that region starting with the bestselling A Year In Provence.

Scott and Mayle have known each other since the eighties advertising boom.… Read the rest