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Features Live Action Movies

The Railway Children (1970)

Director – Lionel Jeffries –1970 – UK – Cert. U – 109m

****1/2

After their father is arrested and the family plunged into poverty, three siblings and their mother leave London for the Yorkshire countryside – now on BBC iPlayer until around mid-August, also recently back out in cinemas for one day only on Sunday, July 3rd

E. Nesbit’s book The Railway Children, set in 1905, has been filmed several times, most notably as the BBC TV series of 1968 and Lionel Jeffries’ 1970 cinema film, both of which starred Jenny Agutter as the eldest of three children sent from the city to Oakworth in Yorkshire. What is arguably the 1968 and 1970 version’s most memorable sequence has the children stand on train tracks waving red flags to stop an oncoming train and prevent an accident after a tree falls on the line ahead.

My parents used to sit me and my younger brother down and make us watch Sunday teatime BBC classic serials, something which has engendered a deep seated dislike within me for both filmed costume drama and literature considered worthy enough to film. I found the former stodgy and suspect the latter may be more to do with BBC cultural filters than anything else.… Read the rest

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Features Live Action Movies

The Railway Children Return

Director – Morgan Matthews – 2022 – UK – Cert. PG – 98m

***1/2

Almost four decades after the events in The Railway Children, three siblings are evacuated from the wartime bombing raids of Salford to the safer Yorkshire countryside– out in cinemas on Friday, July 15th

In 1944, with Britain at war and German bombing intensifying, children are being evacuated from the cities to the countryside, leaving their parents to live with substitute parents and / or families for the duration. Thus, in Salford, their mother puts Lily (Beau Gadsdon), Angela (Jessica Baglow) and Ted (Zac Cudby) on a train to the small country town of Oakworth in Yorkshire. Arriving with many other children, they wait to be assigned to a family.

However, because there are three of them – and possibly also because Angela has got rid of the smart dress that her mother made her wear for a more comfortable outfit – no family is forthcoming. So grandmother Bobbie (Jenny Agutter, reprising her role from The Railway Children, Lionel Jeffries, 1970) persuades her daughter Annie (Sheridan Smith), the local headmistress, to take the trio even though the latter isn’t sure they can manage three, and the three children move in to their new home, The Three Chimneys.… Read the rest

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Animation Features Movies

The House Of The Lost On The Cape (Misaki no Mayoiga, 岬のマヨイガ)

Director – Shinya Kawatsura – 2021 – Japan – 100m

*****

Two children separated from their respective parents are taken in by an old woman in a benevolent, magical house with a malevolent monster nearby – plays in the Annecy Animation Festival 2022 which is taking place in a 100% on-site edition this year right now in the Official Competition section

A younger girl and an older girl find themselves at Kitsunezaki (Fox Cape) Bus Station that’s been wrecked in the 2011 Tohoku earthquake and tsunami. An old lady appears and takes them under her wing. They walk through forests, then up a hill, until eventually they arrive at a huge bungalow with a thatched roof which is to be the girls’ home. Kiwa, the old lady, claims to be their granny.

There’s something odd about the house, though. The older girl Yui accidentally makes a hole when she puts a finger through a paper wall. Later, the hole has mysteriously vanished. Then there are the drinks which appear out of nowhere when Yui says she’d like such and such a drink. At night, outside, strange turtle spirits (kappa) gather.

The younger girl Hiyori never speaks. This appears to be the result of some sort of trauma.… Read the rest

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Features Live Action Movies

The House Of Us (Woori-Jip, 우리집)

Director – Yoon Ge-eun – 2019 – South Korea – 92m

***1/2

Prepubescent girl forms a surrogate family, as she watches the relationship between her parents collapse – plays in Korean Film Nights (KFN) Summer Nights at the Korean Cultural Centre (KCCUK) on Thursday, June 9th – free admission

Eleven-year-old Lee Hana (Kim Na-yeon) watches her mum and dad argue. The family should be having breakfast, but instead mum finds ways to berate dad every time he opens his mouth. She has a brother, but doesn’t get on with him especially well. When she gets to school, Hana is as surprised as anyone else that she’s won the Good Classmate Award. Her dad is really pleased. But what she really wants is for her parents to get their relationship back on track. To this end, throughout the narrative, she keeps proposing a family trip to the seaside. But her mum is way too busy with her demanding job to spare a weekend any time soon.

One day in the supermarket, Hana observes nine-year-old Yoo-mi (Kim Shi-a) and her seven-year-old younger sister Yoo-jin (Joo Ye-rim). They seem to be happy as sisters: perhaps their family life is better than hers.… Read the rest

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Features Live Action Movies

The Innocents (De Uskyldige)

Director – Eskil Vogt – 2021 – Norway – Cert. 15 – 117m

***

A small group of pre-teen children begin to explore their supernatural powers with devastating results – out in cinemas on Friday, May 20th

Two children live with their parents on a very ordinary housing estate near woodlands leading to a footbridge over a nearby motorway. Ida (Rakel Lenora Fløttum) enjoys going outside to play with other kids of her own age, seven or eight. Often, though, her mum will ask her to take her autistic, older sister Anna (Alva Brynsmo Ramstad), 11, with her, which Ida doesn’t really like having to do.

Anna is autistic and lives largely in her own internal world. When Ida goes outside to play, knowing Anna will likely sit happily in the same place for several hours if left to her own devices, Ida will leave Anna on her own while Ida plays with other kids her own age – Ben (Sam Ashraf) or Aisha (Mina Yasmin Bremseth Asheim). Ida assumes that Anna will still be there when she comes back.

Ben is troubled by a strange ability he possesses which he doesn’t understand. He can control people. Alone in the woods with Ida, he explains this to her.… Read the rest

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Features Live Action Movies

Till We Meet Again (Yue Lau, 月老)

Director – Giddens Ko – 2021 – Taiwan – Cert. 15 – 128m

***1/2

A man ripped from his true love by a fatal lightning strike partners with another dead person as gods of love linking romantic souls together – out in cinemas on Friday, March 11th

A young man is struck by lightning in a thunderstorm and dies. When you die, it seems, you have the choice of reincarnating and going through another life (in whatever form that might take for you) or of staying behind as a god to help people during their lifetimes. For instance, you could be a god of love who helps people to find their soul mate.

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At least this is what happens to lightning-struck Alan Shi (Kai Ko from The Road To Mandalay, Midi Z, 2016) who discovers parts of his face burned off and allocated a bureaucratic caseworker in echoes of movies as diverse as Beetlejuice (Tim Burton, 1988) and After Life (Horokazu Kore-eda, 1998). After some indecision and an encounter with the none too happy girl Pinky (Gingle Wang from Detention, John Hsu, 2019) in the next compartment, he opts to become a god of love and starts training as such.… Read the rest

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Features Live Action Movies

La Mif

Director – Fred Baillif – 2021 – Switzerland – Cert. 15 – 110m

*****

The lives of inmates in a girls’ care home, and the working lives of the staff who look after them – out in UK & Irish cinemas on Friday, February 25th

This ‘docudrama’ (for want of a better term) follows the residents of a Geneva care home for vulnerable young people.

Screaming blue murder, a young woman is escorted from the premises by a policewoman.

Lora (Claudia Grob), the manager of this care home, returns after time off to say “hi” to the girls. (The fact of her returning is thrown in to the narrative almost casually at this point; only later does its significance become apparent.) These girls are vulnerable children in the State’s care, and Lora feels like a mother to them. They, in turn, refer to the home – meaning themselves and the other girls, with their support workers on hand in the background as sort of substitute parents – as La Mif (French slang for “the family”; literally, “The Fam”).

Novinha (Kassia Da Costa) is a sassy, pushy teenager who talks frankly about sex, And everything else. Audrey (Anaïs Uldry) – the arrested girl from the opening – has been caught having sex with a boy three years younger than her; after this, the centre is turned into a home for girls only.… Read the rest

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Live Action Movies Shorts

Ladies Of The Forest (San-na-mul Cheo-nyeo, 산나물처녀)

Director – Kim Cho-hee – 2016 – South Korea – 29m

*****

A woman descends from the heavens in search of a mate, but lands in a forest where the pickings are slim – part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

The source of this plot is a folk tale known as The Fairy And The Woodcutter or The Heavenly Maiden And The Woodcutter. There seem to be a number of variants of the story – a good, much longer summation can be found here – but, broadly speaking, it concerns a woodcutter so poor that no woman will marry him. He lives alone with his mother. One day, he hides a deer from a hunter and in return, the deer offers to grant him a wish. He wishes to be married. The deer tells him of a pool to which beautiful maidens descend from the heavens to bathe. If he steals the clothes of one, she’ll be unable to return and he’ll be able to make her his wife. He must not, however, return her clothes until she has birthed three children, otherwise she will use her clothes to fly back to the heavens.… Read the rest

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Features Live Action Movies

Tokyo Story (Tokyo monogatari)

Director – Yasujiro Ozu – 1953 – Japan – Cert. U – 136m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 24 other Ozu films together with a much wider selection of Japanese movies.

Elderly couple the Hirayamas (Chishu Ryu, Chieko Higashiyama) live in the seaside town of Onomichi, a day’s train ride from Tokyo at the time the film was made. Of their five children, Kyoko (Kyoko Kagawa) still lives at home with them and works locally as a primary school teacher, two live in Tokyo, one in Osaka and one went missing in action during the war, presumed dead. The son and daughter in Tokyo, Koichi (So Yamamura) and Shige (Haruko Sugimura), work as a doctor and a beauty parlour owner respectively. Both are married while the missing son has left behind a widow Noriko (Setsuko Hara). The fifth child is a son Keizo (Shiro Osaki) in Osaka which is on the train between Onomichi and Tokyo. The couple want to visit their offspring and see how they are doing for themselves.… Read the rest

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Features Live Action Movies

Herself

Director – Phyllida Lloyd – 2020 – UK/Ireland – Cert. 15 – 97m

****

A woman leaves her abusive and violent husband and builds a new home for herself and her two young daughters – in UK cinemas from Friday, September 10th

Things come to a head in the marriage of Gary (Ian Lloyd Anderson) and Sandra (Clare Dunne, also co-screenwriter) when he violently assaults her and stamps on her hand, an incident witnessed by their younger daughter Molly (Molly McCann). Sandra has trained her kids well for such a situation and the eldest Emma (Ruby Rose O’Hara) knows what to do, rushing to the local shopkeeper with a lunch box inside the lid of which is the family address to give to the Garda.

Like her mother before her, Sandra works as a cleaner to retired and physically disabled local doctor Peggy O’Toole (Harriet Walter). To make ends meet, Sandra also works in a local pub as a barmaid alongside Amy (Ericka Roe) who lives in a nearby squat. After separating from Gary, she and he have joint custody of the kids while the council put her and her kids up in temporary accommodation in a hotel room.

As it’s four years on the housing list to get a home, Sandra investigates other alternatives and, surreptitiously using Peggy’s internet, discovers that she could build a house for only slightly more than a year’s rent to the council.… Read the rest