Categories
Animation Features Live Action Movies

Karate Kid
Legends

Director – Jonathan Entwhistle – 2025 – US – Cert. 12a – 94m

*****

Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould and come up with something fresh and original – out in UK cinemas on Wednesday, May 28th

All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original The Karate Kid (John G. Avildsen, 1984) clearly struck enough of a chord to spawn more films, some entries, such as The Karate Kid Part III (John G. Avildsen, 1989), have felt worn, tired and clichéd.

That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu Jackie Chan as the trainer in the two decades later remake The Karate Kid (Harold Zwart, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).… Read the rest

Categories
Features Live Action Movies

A Far Shore
(Tooi Tokoro,
遠いところ)

Director – Masaaki Kudo – 2022 – Japan – 128m

****

An underage Okinawa bar hostess attempts to raise her small son while worsening circumstances conspire against her – world premiere in the Karlovy Vary International Film Festival (KVIFF) 2022 which runs from Friday, July 1st to Saturday, July 9th

A man in Okinawa club Night Babylon asks her age of a hostess: “you don’t seem very old”. It turns out the girls in question are under 18 (the legal age limit for working there; in Japan, it’s also illegal to consume alcohol under the age of 20). In fact, these girls are 17 and proud of the fact that in “wild Okinawa”, the hostesses in bars are so young. The hostesses in question are Aoi (Kotono Hanase) and her friend Mio (Yumemi Ishida), and when not working, they like to party hard, for instance to celebrate a friend’s birthday, which involves much drinking and dancing in a club. There don’t appear to be any men in their immediate peer group: they’re all women.

Once she returns home from her club night shift, Aoi calls in on her grandmother to pick up her two-year-old son Kengo (Tsuki Hasegawa).… Read the rest