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Animation Documentary Features Live Action Movies

Give It a Shot

Director – Vaishali Sinha – 2025 – Canada, India, US – uncertificated – 92m

***

An Indian scientist has created a reversible male contraceptive technique, yet a combination of human greed and bureaucracy has so far prevented it reaching the masses – International Premiere at 6.30 pm at the ICA on Tuesday, July 14th in the London Indian Film Festival which runs from Thursday July 9th to Sunday, July 19th in London, Birmingham and Manchester

A man visits a trade show in Las Vegas of healthcare products and technology. He’s touting a male contraceptive, a field in which nothing much has happened since the introduction of the condom in the 17th Century. His product is an injection into the vas deferens of the male reproductive system which can last for ten years, yet is totally reversible within that time. He has date on its use and safety going back to the 1970s. He is not the original developer, but has been refining the formula since then. The product has been used extensively in India.

The film moves to India. “This for the vagina, that for the vagina,” says a woman cheerfully. “And meanwhile, the penis is just sitting in the corner.”… Read the rest

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Features Live Action Movies

The Crime is Mine
(Mon Crime)

Director – François Ozon – 2023 – France – Cert. 12a – 102m

*****

Two young women, an actress and a lawyer, take advantage of casting couch sex abuse of the former to boost both of their fledgeling careers – sharp period comedy with more to it underneath the surface is out in UK and Ireland cinemas on Friday, October 25th

A swimming pool. A lavish, art deco mansion. Out of a door staggers a clearly distressed, young blonde woman. Leaving the estate, she walks down the street, bumping into people. The setting and her clothes indicate the 1930s.

Meanwhile, a middle-aged M. Pistole (Franck de Lapersonne) calls on young brunette tenant Pauline (Rebecca Marder) to demand 3 000 Fr for five months’ back rent. A qualified lawyer, she manages to negotiate 48 hours’ respite on the grounds that a hotshot producer wants to put her flatmate Madeleine in his new play, and money will follow once the contract is signed. However, once Madeleine (Nadia Tereszkiewicz from Only The Animals, Dominik Moll, 2019) comes in to spill her tale of woe – in a manner closer to screwball comedy than rape or crime drama – it rapidly becomes obvious that the situation has changed.… Read the rest