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A Quiet Place Part II

Director – John Krasinski – 2020 – UK – Cert. 15 – 90m

****

A family move out from their isolated farm on an Earth where alien predators hunt by sound – out on 4K Ultra HD, Blu-Ray & DVD from Monday, August 30th 2021

There are obvious differences between this film and its predecessor, the near flawless A Quiet Place (John Krasinski, 2018) about a family surviving alien predators who hunt by sound, put together pretty much by the same director, writers, cast and crew. The first film was – well, a first film with nothing to live up to. When it became a colossal success and Hollywood clamoured for the inevitable sequel, the second film had to somehow be as potent and effective as the first but inevitably doesn’t have the opportunity to introduce the world and the characters because that’s been done.

That much is obvious without seeing the new film. There are other differences though. Firstly, the sequel leaves the safety of the farm where AQP mostly took place as Evelyn Abbot (Emily Blunt) and her two kids Regan (Millicent Simmonds) and Marcus (Noah Jupe) venture out to find out what’s happening beyond their farm. They don’t really have any other option since their farm was overrun by aliens at the end of AQP.… Read the rest

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Settlers

Director – Wyatt Rockefeller – 2021 – UK – Cert. 15 – 103m

****1/2

The lives of a one-child family living on a farm on Mars are changed forever by the arrival of a hostile outsider – out on digital platforms from Friday, July 30th

Reza (Jonny Lee Miller from Regeneration, Gillies Mackinnon, 1997; Trainspotting, Danny Boyle, 1996) and his wife Ilsa (Sofia Boutella from Climax, Gaspar Noé, 2018) have emigrated to Mars to take over a farm which they now run with the help of their nine-year-old daughter Remmy (Brooklynn Prince from The Florida Project, Sean Baker, 2017). Growing vegetables and rearing pigs, they seem very happy with their lot, not least because that the Earth the couple left behind was not in a good way… We hear very little about it beyond a conversation where Remmy learns her parents never encountered whales or elephants, only dogs, even as that planet hangs in the sky as a constant reminder of where they came from.

The light has a reddish glow. Everything around the compound is dirt, rocky outcrops and occasional areas of bush and scrub. There is no-one else around apart from the three of them.… Read the rest

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Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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Possessor

Director – Brandon Cronenberg – 2020 – Canada – Cert. 18 – 103m

*****

A woman possesses other people’s bodies via technology to assassinate selected targets – on Shudder from Thursday, June 10th, as well Digital HD or BFI Player rental

Anyone who’s seen Brandon Cronenberg’s earlier Antiviral (2012) will know that he is a force to be reckoned with, operating in much the same area as his father David (whose Crash, 1996, is currently out on VoD and is released on UHD and BD on December 14th) but with his own, highly individual slant. And equally impressive.

His protagonist here is assassin Tasya Vos (Andrea Riseborough) whose boss Girder (Jennifer Jason Leigh) inserts Vos’ consciousness into others so she can carry out hits on designated targets while occupying their bodies and consciousnesses. Lately, though, things haven’t been going quite to plan. In the body of Holly (Gabrielle Graham), Vos picks up a cutlery knife then repeatedly and bloodily stabs her target with it rather than simply shooting him with the supplied gun. Although Vos gives all the right answers in the psychological evaluation tests following her return, Girder is concerned.

He fears are raised further when Vos asks for time off with her partner Michael (Rossif Sutherland) and young son Ira (Gage Graham-Arbuthnot).… Read the rest

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A Quiet Place

Director – John Krasinski – 2018 – UK – Cert. 15 – 90m

*****

A family live on an isolated farm on an Earth where alien predators hunt by sound – out on DVD, Blu-ray and selected online services

NB This is the original film, not A Quiet Place Part II currently in cinemas.

The world is a changed place. Civilization as we know it has broken down. Earth’s population has been decimated by alien predators. Evelyn Abbot (Emily Blunt) goes through the meds on a shelf in a deserted store in town where her youngest son Beau (Cade Woodward) becomes attracted to a model spaceship because “that’s how we’ll get away from here”. When his dad Lee (John Krasinski, the film’s co-writer and director as well as Blunt’s real life husband) sees this, he removes batteries from the toy and forbids his son to take it. However, his daughter Regan (Millicent Simmonds) takes pity on Beau and slips it to him when her dad isn’t looking. And in similar fashion, when she isn’t looking the boy also takes the batteries. An act which will have fatal consequences for him and, going forward, a huge impact on the relationship dynamics within this family.… Read the rest

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A.I. Rising

Original title: Ederlezi Rising

Director – Ladar Bodroza – 2018 – Serbia – 18 – 86 mins

****

Serbian Sci-Fi shot in the English language in which a male astronaut becomes dissatisfied with the female android programmed to satisfy his every desire on a deep space mission – on Amazon and iTunes

You’ve got to admire the sheer ambition of A.I. Rising, a Serbian sci-fi movie shot in the English language with production values and visual effects on a par – mostly – with anything Hollywood at its most lavish can offer.

I say mostly because there’s an early rocket launch sequence which cries out for exterior shots of the rocket on its launch pad and then taking off, but all we get is an admittedly impressive view from space of the distant ship ascending into the atmosphere. It’s the only time the production misses a trick like this and it doesn’t detract from what follows.

The plot concerns one man and his dealings with women – well, one woman in particular. Milutin (Sebastian Cavazza) is given a new assignment by the Ederlezi corporation. Prior to his flight into deep space, a woman social engineer (Marusa Majer) explains the nature of his mission and that he’ll be required to work in a team of two, the other member being an android modelled after a human woman “but unlike a human woman, she’ll be unable to hurt you.”… Read the rest

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The Invisible Man Vs The Human Fly (Tomei Ningen To Hae Otoko, 透明人間と蝿男)

Director – Mitsuo Murayama – 1957 – Japan – Cert. 12 – 96m

**1/2

The lesser of Daiei’s two Invisible Man movies. Mitsuo Murayama, working from a script by Hajime Takaiwa, delivers not so much a sequel but, much like the different entries in Universal’s Invisible Man series, a different story with a different set of characters built around the concept. Without Eiji Tsuburaya’s guiding hand, the invisibility effects are less memorable but do what they need to. A striking theramin score by Tokujiro Okubo adds an unearthly atmosphere.

This time, the Invisible Man is not a criminal but on the side of the law. It’s a murder mystery with a bizarre twist… [read more]

On a Blu-ray double bill with The Invisible Man Appears (1949). Full review at All The Anime.

Trailer (double bill):

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The Invisible Man Appears (Tomei Ningen Arawaru, 透明人間現る)

Director – Nobuo Adachi – 1949 – Japan – Cert. PG – 82m

****

With a title that seems to proclaim, “look at me, I’ve arrived”, Daiei’s The Invisible Man Appears (1949) is a Japanese manifesto, a statement that they can match American movies. Eiji Tsuburaya‘s effects are as good as anything in Universal’s The Invisible Man (1933) and were almost certainly produced at a fraction of the cost.

Although the concept originates with H.G.Wells’ 1897 novel, images from the Universal version starring Claude Rains are lodged in the popular consciousness. Thinking of The Invisible Man, I immediately recall a hat being removed then bandages being unwrapped from covering a man’s head to reveal… nothing… a shirt collar with no neck inside. The Invisible Man Appears recreates such effects convincingly… [read more]

On a Blu-ray double bill with The Invisible Man Vs The Human Fly (1957). Full review at All The Anime.

Trailer:

Trailer (double bill):

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Synchronic

Directors – Justin Benson, Aaron Moorhead – 2019 – US – Cert. 15 – 102m

*****

Two New Orleans paramedics stumble upon a designer drug causing weird hallucinations and inexplicable deaths in this mind-bending science fiction yarn – – on Blu-ray and DVD from Monday, April 5th

The prior films of creative partners Benson & Moorhead (The Endless, 2017; Spring, 2014; Resolution, 2012) inevitably set the bar high since they’ve consistently astonished audiences with their mind-bending narratives. Normally I watch films once then review them, but on this occasion I’ve had the privilege of wilfully watching Synchronic three times in the last year or so. This in itself tells you something about this film’s narrative pleasures. And given that Marvel recently signed the duo up to direct episodes of Moon Knight for Disney+, it would seem Hollywood is of a similar opinion.

Its extraordinary story involves two New Orleans paramedics whose characters completely engage you and pulls you in. Which is just as well because they stumble on some pretty strange stuff in the course of their work – in particular, calls involving trauma and sometimes death in the aftermath of bad drug trips.

It opens with a couple at home taking some hallucinogenic drugs and seeing / experiencing some extremely weird goings on.… Read the rest

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Ishiro Honda Double Feature: The H Man (Bijo to Ekitai-ningen, 美女と液体人間) and Battle In Outer Space (Uchu Daisenso, 宇宙大戦争)

The H Man

*****

Director – Ishiro Honda – 1958 – Japan – Cert. X – 86m

Battle in Outer Space

*****

Director – Ishiro Honda – 1959 – Japan – Cert. U – 90m

Alongside the standalone release of Mothra (1961) comes a double bill of two more Toho science fiction movies directed by Ishiro Honda with special effects by Eiji Tsuburaya: , The H Man (1958) and Battle In Outer Space (1959). The Toho studio is associated more with monster movies than any other genre, notably Godzilla (1954) and Mothra. The superior entries in this cycle tend to be the ones they directed, including the initial 1954 film which ticked all the right boxes to prove a massive success.

When no-one at Toho was quite sure what had made Godzilla work, the pair collaborated on a number of different SF films before everything came together on Mothra. The H Man is a monster film dressed up in gangster trappings while Battle in Outer Space is an epic with space stations, flying saucers, rocket ships, an alien moon base and alien mind control… [read more]

Over at All The Anime, I review Eureka!’s Ishiro Honda double bill Blu-ray.