Categories
Documentary Features Live Action Movies

Orchestrator
Of Storms:
The Fantastique World
Of Jean Rollin

Directors – Dima Ballin, Kat Ellinger – 2022 – UK – 112m

***

The story of one of Europe’s most idiosyncratic and overlooked directors – on the Arrow Video Channel from Tuesday, February 14th

In the early 1960s when the French New Wave was taking off, the idea was to go out and make movies on the streets, an approach intended to inject them with freshness. That movement is present in the backdrop of this film, because while it was achieving a huge international profile, fledgling French film maker Jean Rollin who similarly wanted to go out and shoot movies without all the old formal constraints was being largely ignored by industry, critics and audiences.

Finance was always a struggle, and he soon found himself making features within European sexploitation cinema, where directors had a great degree of freedom provided they incorporated a certain amount of nudity and sex.

There were lean periods too where he worked directing softcore and hardcore porn to survive; aside from chronicling when these happened in his career, this documentary doesn’t go into them at any length. Overall, it takes a chronological approach to Jean Rollin to give some idea of his life, career and filmography.… Read the rest

Categories
Music

vs Amp

Colin Webster: baritone saxophone, Fender Twin Reverb and Bassman Amps.

All tracks recorded live. No overdubs, effects or edits.

Raw Tonk Records RT050 / 2021

LP + DL

*****

Remarkable. With no overdubs or other studio trickery, Webster manages to make his sax sound variously like a weird electronic effect, a duck, a didgeridoo, a fog horn, the engine of a prop aircraft, a lawn mower and, in the final moments of the last track, the sound of water disappearing down a plug hole. And that’s just side one!!!

The opening of side two sounds like a double bass (but it’s Colin’s sax). At another point, I could swear I was listening to the mating call of a walrus or the much lighter in tone song of some species of bird.

I realise what I’m writing here is probably open to misinterpretation, so just to clarify, this album is really, really impressive. To my ears, at least.

Buy on Bandcamp.

Note: This review started life as a review on my Bandcamp page after I bought the album. Their allowed word count was too small. I didn’t want to cut it as what I’d written would have lost something.