Tag: gridlock

Categories
Features Live Action Movies

Do Not Expect Too Much
from
the End of the World
(Nu Astepta Prea Mult
de la Sfârsitul Lumii)

Director – Radu Jude – 2023 – UK – Cert. 18 – 163m

*****

The daily, working life of an overworked production assistant on a corporate film about victims of industrial accident – plays Glasgow Film Festival which runs from Wednesday, February 28th to Sunday, March 10th, and is out in UK cinemas on Friday, March 8th

Angela (Ilinka Manolache) wakes in her mess of an apartment. Another busy day of overwork. She drives to the homes of serial, prospective interviewees for the corporate film on which she is currently working as a production assistant to evaluate their suitability for the film and take mobile phone videos of them herself.

Whenever she gets a spare moment, she posts on TikTok using a filter that changes her head into that of a man, and under the name Bobita posts colourful and sweary, verbal rants about the British Royal family and other topics. Suffering from sleep deprivation, she dozes during the afternoon production meeting and keeps the radio on while driving to prevent sleeping at the wheel.

Towards the end of the day, she finds time for an in-car assignation with her lover, but that doesn’t last long as she has to go and pick up the production’s corporate commissioning marketing person Doris Goethe (Nina Hoss), direct descendant of the famous writer, from the airport.… Read the rest

Categories
Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest

Categories
Animation Documentary Features Live Action Movies

My Extinction

Director – Josh Appignanesi – 2022 – UK – Cert. 15 – 80m

***

In which director Appignanesi chronicles both his unease at the climate crisis and what happens when he joins Extinction Rebellion to do something about it – world premiere on Thursday, June 29th at the Curzon Mayfair, out in UK cinemas on Friday, June 30th

As well as making small British narrative features (Female Human Animal, 2018; The Infidel, 2010), Aappignasi makes little diary films about his life. The previous two, in which his wife, the author and academic Devorah Baum, is credited as co-director, chart impending parenthood (The New Man, 2016) and their relationship (Husband, 2022). This third entry sees Josh hit a professional lull after a planned feature film falls apart and he wonders if his career as a film maker is over. Actually, he reiterates variants of this question at various points throughout the film.

At the same time, environmental activists Extinction Rebellion (XR) are on the TV news for bringing parts of London to a standstill. Cue a title sequence montage of collapsing ice shelf, burning tar sands, gridlocked London traffic, industrial pollution, a bewildered kangaroo with outback ablaze behind it, a flooded street with parked cars, a polar bear stranded on an ice floe, the UK government declaring a climate emergency in response to XR and Greta Thunberg’s “I want you to… act as if your house was on fire” speech.… Read the rest

Categories
Features Live Action Movies

Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest

Categories
Features Live Action Movies

The Gangster,
The Cop,
The Devil
(Akinjeon,
악인전)

Director – Lee Won-Tae – 2019 – South Korea – Cert. 15 – 109m

****

Better the devil you know. A no-nonsense cop and a ruthless gangland boss join forces to catch a serial killer in this South Korean thriller – on BBC Four Sunday, March 7th 22.00 and for one year after

Violent motorist Kang Kyung-ho (Kim Sungkyu) tailgates cars then after he and they have both pulled over stabs their unsuspecting drivers to death. One night, he picks mob boss Jang Dong-su (Ma Dong-seok) who fights back and gets away, inflicting wounds on the killer despite being first stabbed in the back. Meanwhile, his nemesis, cop Jung Tae-suk (Kim Mu-Yeol), is pursuing the same serial killer. Cop and gangster enter into an uneasy alliance to catch the murderer.

As South Korean gangster and crime movies have developed in recent decades, they’ve generally become slicker and, on one level, technically more proficient. Yet on another level, earlier South Korean gangster movies, while rougher around the edges, often have a lot more going on underneath the surface. This one however, while covering everything with the contemporary, superficially fast-paced and slick veneer with lots of impressive car chases and extremely violent one-on-one or group fights, achieves much more interesting dynamics beneath the slick, mass produced veneer.… Read the rest