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Ghostbusters Afterlife

Director – Jason Reitman – 2021 – US – Cert. 12a – 124m

*****

A single parent mum and her two teenage kids relocate to a small American town to find strange, paranormal goings-on – out in cinemas on Thursday, November 18th

Hollywood loves sequels to or reboots of successful films. The original Ghostbusters (Ivan Reitman, 1984), in which three parapsychologists set up as a team to capture the many ghosts that have inexplicably begun appearing in New York City, was unlike anything that had gone before with its mixture of comedy, action and the paranormal. Deservedly a huge hit, it spawned the inevitable sequel Ghostbusters II (Ivan Reitman, 1989) which didn’t have a strong enough plot to maintain interest beyond the first 20 minutes or so. The reboot Ghostbusters (Paul Feig, 2016), recasting the parapsychologists as women, worked well enough.

Ghostbusters Afterlife, however, is another attempt at a sequel. A very brave attempt it is too, because sequels are often expected to basically rerun the original film in an attempt to serve the audience a second helping of what they enjoyed before. After seeing it, you might argue that Afterlife does that, but going in, you might wonder what on Earth is going on.… Read the rest

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Blithe Spirit

Director – Edward Hall – 2020 – UK – Cert. PG – 95m

***

Adaptation of Noël Coward’s supernatural comedy in which a remarried man is tormented by the ghost of his late, first wife – on VoD from Friday, January 15th

Noël Coward’s original play has always been something of an audience pleaser with its slightly loopy medium Madame Arcati who materialises the late wife or a remarried man who then finds he’s stuck with the unwelcome ghost and his second wife at the same time. The likeable if lightweight property has been filmed numerous times over the years and you might wonder, does the world really need another version?

Anyway, here it is. Edward Hall has had the good sense to cast Judi Dench as Arcati and she clearly has a lot of fun playing the role, just as the audience will enjoy her playing it. The screenplay takes liberties with Coward’s text, but they’re quite smart liberties. It turns main protagonist Charles Condomine (the appropriately sprightly Dan Stevens) into a screenwriter struggling to write a film for his producer. His late and recently rematerialised first wife Elvira (Leslie Mann) all but wrote the series of novels which made his name as a writer and which still living second wife Ruth (Isla Fisher) believes he himself wrote.… Read the rest

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Sleepy Hollow

Director – Tim Burton – 1999 – US – 15 – 105 mins

***

A nineteenth century policeman must solve a series of gruesome murders allegedly by a headless horseman wielding a sword – in cinemas from Friday, January 7th 2000.

Tim Burton’s last few movies have been a real treat, but this adaptation of Washington Irvine’s classic American tale is a disappointment. Murder scene-hardened, late nineteenth century policeman Ichabod Crane (Johnny Depp) is sent to isolated hamlet Sleepy Hollow to solve a mysterious series of murders. As the locals and his own eyes keep telling him, the murderer is no mystery but a headless horseman riding around decapitating victims with his sword.

Splendidly creepy visual designs from regular collaborator Rick Heinrichs (Nightmare Before Christmas, 1993, Edward Scissorhands, 1990) looks as good as any previous Burton, if not better. The proceedings can commendably be accused of neither gratuitous gore nor shirking the necessary quantity or quality of decapitations. But Sleepy Hollow has major flaws. Namely, that one doesn’t feel for Ichabod Crane the way one felt for Johnny Depp playing prior Burton protagonists Edward Scissorhands or Ed Wood. Crane is supposedly a nineteenth century investigator who uses twentieth century investigative methods, yet Burton never properly gets to grips with this essential background material.… Read the rest