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The Uprising
(2026)

The Uprising (2026)

Director – Paul Greengrass – 2026 – UK – Cert. 15 – 128m

****

A farmer, a priest and an ex-soldier lead a march on London that will later become known as the Peasants’ Revolt of 1381 – out in UK cinemas on Friday, October 9th

1381. South East England. Ploughman (Andrew Garfield) stands, a lone figure in a desolate landscape. A commoner.

At a local village, backed up by a small retinue of soldiers representing the Crown, a tax collector is collecting annual revenue from each and every adult male, which has increased to a point where ordinary people who work the land can no longer afford to pay it.

It comes out that Ploughman has lost his wife and kids to the recent outbreak of the Black Death, and he loses his composure and gets into a fracas with a soldier over the latter’s inappropriate treatment of a woman. You expect at this point for Ploughman to get carted off and imprisoned, but somehow his act inspires others to stand up to the soldiers, and he comes through the experience rather better than the official, who is forced to leave.

Meanwhile, the 14-year-old King (Woody Norman) is a spiritually troubled young man beset with nightmares and doubts.… Read the rest

Categories
Features Live Action Movies

The End We Start From

Director – Mahalia Belo – 2023 – UK – Cert. 15 – 102m

***1/2

As parts of the UK are flooded and submerged by an ecological disaster, a woman births a baby she must then bring up – on Digital from Monday, March 4th following its release in UK cinemas on Friday, January 19th

On the one hand, this starts off with a woman (Jodie Comer) giving birth and then experiencing the process of being a new mother, with all the joys and stresses that entails. On the other, this shows the UK being overtaken and flooded by an eco-disaster, and how people respond to that situation both individually and en masse. The second scenario is reminiscent of any number of disaster and / or science fiction movies about flooding, apocalypse or dystopia (When Worlds Collide, Rudolph Maté, 1951; Children of Men, Alfonso Cuarón, 2006; Waterworld, Kevin Reynolds, 1995): if you approach this movie expecting something like that, you’re going to be disappointed, because although that element is very much present in the film, it’s little more than the backdrop.

It plays more like a road movie, in which the heroine – the husband having dropped out of the narrative towards the end of the first reel – meets a series of people on her travels, each of whom offer their own individual insight into the state of things and how the new mother might move forward.… Read the rest