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Animation Movies Shorts

Flesh Of God
(Carne de Dios)

Director – Patricion Plaza – 2022 – Argentina, Mexico, Columbia – France 16+ – 21m

*****

When a travelling monk falls prey to a fever, the folk remedy administered by an old woman causes him to experience bizarre hallucinations – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June

(Warning: not suitable for work or for those of a sensitive disposition. Potentially offensive to religious i.e. Christian viewers. Also, spoilers.)

In a prologue, a young girl races through a field of crops but runs into a monk, who squishes the mushrooms she’s carrying in her bag with his foot, feels her face and checks out her teeth before she flees.

Some time later (or perhaps some time earlier), the profusely sweating monk falls off on his donkey beside his walking guide and wakes in a nearby hovel, or it might be a church, tended by an old woman muttering unintelligible rituals as she attempts to heal him. The perpendicular bars of the roof’s sole window form a makeshift cross on which hangs a Christ figure, but when mushrooms resembling the ones trampled at the start are placed in the initially reluctant monk’s mouth, glowing sprites exit his body and enter the Christ figure, which assumes a monstrous aspect and attacks him.… Read the rest

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Features Live Action Movies

Disclosure Day

Director – Steven Spielberg – 2026 – US – Cert. 12A – 145m

The first two hours *****

The last half hour ***

Hoping to reveal to mankind the hitherto censored truth about aliens visiting Earth, a man and a woman flee their pursuers across the United States – out in UK cinemas on Wednesday, June 10th

The plot is in the title. This is the day we find out. The day when everything is revealed. As in the film’s posters. The man (Josh O’Connor from Rebuilding, Max Walker-Silverman, 2025; The History of Sound, Oilver Hermanus, 2025; La Chimera, Alice Rohrwacher, 2023) and the woman (Emily Blunt from The Fall Guy, David Leitch, 2024; Oppenheimer, Christopher Nolan, 2023; A Quiet Place, John Krasinski, 2018)) saw a deer and a bird. The implication is that that encounter caused them to see and understand; the title further suggests that they want to disseminate that understanding to the wider world. All this sounds very evangelical to me: receive the message, get the word out. You shall know the Truth, and the Truth shall set you free.

Daniel (O’Connor) has been caught with a rucksack containing a bunch of objects.… Read the rest

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Features Live Action Movies

Oh, Canada

Director – Paul Schrader – 2024 – US – Cert. 15 – 94m

From the novel by Russell Banks

***

A documentary filmmaker dying of cancer consents to a filmed interview about his life and work to air his dirty laundry – on UK and Ireland digital platforms on Monday, January 12th

“Remind me why I agreed to do this,” says the ageing Leonard Fife, aka Leo (Richard Gere, from Schrader’s earlier American Gigolo, 1980) setting up for a filmed interview, about his life and work as a documentary filmmaker, at which he has insisted his wife Emma (Uma Thurman), a former student of his, be present. His interviewer Malcolm (Michael Imperioli from Song Sung Blue, Craig Brewer, 2025; The White Lotus, TV series, Mike White, 2021; The Sopranos, TV series, 1999–2007) is another former student, as is Malcolm’s producer Diana (Victoria Hill from First Reformed, 2017; Master Gardener, 2022, both Paul Schrader), another former student conquest of Leo’s; Malcolm’s production assistant is 24-year old Sloan (Penelope Mitchell from Sting, Kiah Roache-Turner, 2024; Hellboy, Neil Marshall, 2019; The Vampire Diaries, TV series, 2014-15; Hemlock Grove, TV series, 2013).

What lies behind Leonard’s acceptance of the gig swiftly becomes clear when he hijacks the first question, framing it with a date in 1968 of great significance in his personal life.… Read the rest

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London Korean
Film Festival
(LKFF)
2025

LKFF, the London Korean Film Festival 2025 runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

The London Korean Film Festival, now celebrating its 20th year, kicks off tonight with its Opening Gala, a World Premiere of Frosted Window (Kim Jong-Kwan, 2025), followed by a Q&A with director Kim and actor Yeon Woo-jin.

It bows out in two weeks time with its Closing Gala, Harbin (Woo Min-ho, 2024), starring Hyun Bin, with cinematography by Hong Kyeong-pyo who shot Parasite (Bong Joon Ho, 2019).

In between these two events comes a Special Screening of Hi-Five, a superhero comedy by Kang Hyoung-chul (Swing Kids, 2018; Sunny, 2011).

Also, this year the Festival launches its first-ever LKFF Audience Award, giving festival-goers the chance to vote for their favourite film and help shape this 20th anniversary edition. Of the four films made available to press in advance, my vote would go to the enigmatically titled 3670 (Park Joon-ho, 2025), a compelling drama about a gay man who has defected from North to South Korea. The film, which picked up four awards at the 26th Jeonju International Film Festival, transcends Korean, gay and religious demographics to speak to a much wider audience, and in this writer’s opinion deserves a proper UK release.… Read the rest

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Valley of the
Shadow of Death
(不赦之罪)

Directors – Jeffrey Lam Sen & Antonio Tam – 2024 – Hong Kong, China – Cert. 15 – 84m

***1/2

The lives of a Christian pastor and his wife become intertwined with that of a youth who believes himself responsible for their teenage daughter’s suicide some years ago – out in UK cinemas on Friday, November 14th

For roughly its first half, this delivers a narrative that sits squarely in an evangelical Christian framework. Unable to keep that up, it shifts focus in its second half to fire off in a number of directions.

Pastor Leung (Anthony Wong) and visits an old lady named Chan who is dying in hospital, asking her on her deathbed to accept Jesus as her Saviour. As he’s leaving, the nurse with him spots her grandson coming in, chained between two police officers. His granny is unconscious, and he finds her clasping a crucifix tight in one hand.

Praying alone, the Pastor talks about ”joining in the sufferings of Christ” as well he might: when interviewed by a lady journalist (Amber Van Cheung) about suffering and his experiences, something he is known for speaking about widely, it’s apparent that he and his family – pictured on a cupboard top photo as father, mother and daughter – suffered terrible grief a few years back.… Read the rest

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3670
(3670)

Director – Park Joon-ho – 2025 – South Korea – Cert. 15 – 124m

*****

A gay man who has defected from North to South Korea must get to grips with Seoul’s gay scene and his own sexual and religious identity – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Sexually active, gay Seoul resident Cheol-jun (Cho You-hyun) grapples with the fact that his partners don’t stick around after physical interaction. Cheol-jun has recently escaped from North to South Korea. He works at a local store counter and attends a class to help defectors adapt to their new way of life. After class, rather than hang out with fellow defectors such as Hak-min (Jeon Du-sik), who is trying to pair him off with pretty class girl Ji-ye (Choi Yun-seol), he follows phone directions to a mixer, a club night to help gay men make friends.

Numbers are assigned. Asked why he is dressed so formally – is he from North Korea, or something – he responds candidly, “I am.” After drinking “love shots” – two men drink with arms intertwined – guests are invited to write “love notes” to the number they fancy.… Read the rest

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Animation Features Movies Music

The Colors Within
Kimi no Iro,
きみの色,
lit. Your Color)

Director – Naoko Yamada – 2024 – Japan – Cert. PG – 101m

*****

A Catholic schoolgirl with synaesthesia inadvertently forms a rock band who find themselves playing a gig at her school – out in UK cinemas on Friday, January 31st

God grant me the serenity
to accept the things I cannot change;
courage to change the things I can;
and wisdom to know the difference.

That’s the Serenity Prayer, and it opens this remarkable story of a schoolgirl in a boarding school as she prays it to a statue of Mary in the school chapel. A scene of her as a small girl attending the dance class, and scenes of her seeing other pupils in the corridor, are rendered in vivid, blinding colour where bright white light constantly threatens to engulf the pastel shades in which the girl sees. For more on synaesthesia, see A Sudden Glimpse to Deeper Things (Mark Cousins, 2024).

If you were to land in the middle of this film with no context, for a frame, or a scene (drawn animation parlance for a single shot), you could be forgiven for thinking there was something wrong with the print, or the colour balance. I am immediately reminded of the reviewer who said of Black Narcissus (Michael Powell, Emeric Pressburger, 1947) that the film was so visually perfect that it could be shown out of focus and upside down and the audience would still be enraptured by its kinetic abstract colour properties.… Read the rest

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Mother’s Kingdom
(Uhm-mah-ui
Wahng-gook,
엄마의 왕국)

Director – Lee Sang-hak – 2024 – South Korea – LKFF Cert. 15 – 97m

*****

A Christian mother, her ‘Christian book’ author son, and her local pastor brother-in-law are haunted by traumas from their collective past – suspense thriller from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

I don’t often preface a film review with a piece of verbal, religious text, but in this exceptional case, the following Old Testament quote may be pertinent, particularly the phrase in bold:

The Lord passed before him and proclaimed, “The Lord, the Lord, a God merciful and gracious, slow to anger, and abounding in steadfast love and faithfulness, keeping steadfast love for thousands, forgiving iniquity and transgression and sin, but who will by no means clear the guilty, visiting the iniquity of the fathers on the children and the children’s children, to the third and the fourth generation.”

– Exodus 34:6–7

Ji-wook (Han Ki-jang) lives with his mother Kyung-hee (Nam Kee-ae), and although he’s earning a respectable living working from home as a writer of self-help motivational books, in many ways he seems deeply unqualified to be peddling such advice to a wider public.… Read the rest

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Firebrand

Director – Karim Ainouz – 2023 – UK – Cert. 15 – 121m

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest

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Firebrand

Directed by Karim Ainouz
Certificate 15
121 minutes
Released 6 September

Reviewed for Reform magazine.

History. The Tudors. King Henry VIII wanted a male heir to the throne. His first wife failed to deliver, so he divorced her. When the Pope excommunicated him, Henry set up the new, Protestant, Church of England. He kept marrying new wives who ended up, as a popular rhyme puts it, ‘divorced, beheaded, died, divorced, beheaded, survived’.

The wife who died, Jane Seymour, gave Henry his desired son – however, Edward (Patrick Buckley) later dies at age 15. The wife who survived, Katherine Parr (Alicia Vikander), is the subject of this movie, which deals with the later period of Henry’s sixth marriage… [Read the rest at Reform magazine]

[Read my longer, alternative review on this site.]

Firebrand is out in cinemas in the UK on Friday, September 6th.

Trailer: