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No Bears (Khers Nist)

Director – Jafar Panahi – 2022 – Iran – Cert. – 106m

*****

An Iranian film director banned from leaving his country rents a house close to the border with Turkey, in which country he is remotely directing a film – out in UK cinemas on Friday, November 11th following its screening in the BFI London Film Festival 2022

In a busy, metropolitian street somewhere in Iran, woman restaurateur Zara (Mina Kavani) is greeted by her partner Bakhtiar (Bakhtiar Panjei), who has secured a fake passport for her. She has only three days to use it before the passport, stolen from a tourist, is stopped. But she doesn’t want to travel outside the country without him: he is the only thing that makes her life bearable.

Then we realise we are watching a movie shoot not in Iran but in neighbouring Turkey. The director is Jafar Panahi (playing himself) and he is not allowed out of Iran, so he is renting a room in an Iranian village not far from the Turkish border and watching the shoot remotely via his computer. He’s been assured that the local internet reception is good, but it isn’t and keeps cutting out, making his job all but impossible, although his first assistant director, cast and crew are doing a good job of getting the shots in the can even when they don’t hear from him.… Read the rest

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Features Live Action Movies

No Bears (Khers Nist)

A repressive Islamist regime

No Bears
Directed by Jafar Panahi
Certificate 12a, 106 minutes
Released 11 November

The Iranian director Jafar Panahi (whose son Panar made the excellent road movie Hit the Road) has been in trouble with the country’s repressive Islamist regime for some time and earlier this year was given six years in prison. The campaign to #freejafarpanahi is worth our support, and this release is timely considering what is happening in Iran now.

In No Bears, Jafar plays a fictionalised version of himself, a film director not allowed to leave Iran… [read the full review at Reform magazine]

Read my alternative, longer review here.

No Bears is out in cinemas in the UK on Friday, November 11th following its screening in the BFI London Film Festival 2022.

#freejafarpanahi

Trailer:

LFF 2022 Trailer:

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Features Live Action Movies

Pickpocket

Director – Robert Bresson – 1959 – France – Cert. PG – 76m

*****

Why is a man compelled to pursue acts of petty thievery – acclaimed, arresting, existential drama is out in cinemas on Friday, June 3rd

I have just rewatched Bresson’s classic and am still not entirely sure I have its measure. Perhaps that’s the thing about great works of art. Oh, to have seen it on its original release, had I been old enough, and watch it without the baggage of it being proclaimed a cinematic masterwork.

Words on the screen proclaim at the outset that this is not the thriller its title might suggest; it’s rather a study of a man who repeatedly commits crimes which is trying to understand why he would do that.

The characters, of whom the main protagonist Michel (Martin LaSalle) is the one who gets most screen time and indeed, is scarcely if ever off the scree, are played deadpan, with Bresson doing his utmost to ensure that his cast perform the roles without acting. He doesn’t want the actors’ craft to come between us and his images of people doing, being, talking. He seeks to avoid the artificiality of acting thereby allowing his performers to realise his images without any acting technique mediating them.… Read the rest

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La Mif

Director – Fred Baillif – 2021 – Switzerland – Cert. 15 – 110m

*****

The lives of inmates in a girls’ care home, and the working lives of the staff who look after them – out in UK & Irish cinemas on Friday, February 25th

This ‘docudrama’ (for want of a better term) follows the residents of a Geneva care home for vulnerable young people.

Screaming blue murder, a young woman is escorted from the premises by a policewoman.

Lora (Claudia Grob), the manager of this care home, returns after time off to say “hi” to the girls. (The fact of her returning is thrown in to the narrative almost casually at this point; only later does its significance become apparent.) These girls are vulnerable children in the State’s care, and Lora feels like a mother to them. They, in turn, refer to the home – meaning themselves and the other girls, with their support workers on hand in the background as sort of substitute parents – as La Mif (French slang for “the family”; literally, “The Fam”).

Novinha (Kassia Da Costa) is a sassy, pushy teenager who talks frankly about sex, And everything else. Audrey (Anaïs Uldry) – the arrested girl from the opening – has been caught having sex with a boy three years younger than her; after this, the centre is turned into a home for girls only.… Read the rest

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Shorta (US title: Enforcement)

Directors – Anders Ølholm, Frederik Louis Hviid – 2020 – Denmark – Cert. 15 – 108m

****

As racial tensions simmer, two white cops become trapped on a vast, no-go housing estate – out in cinemas and on digital from Friday, September 3rd

‘Shorta’ is Arabic slang for ‘police’. An Arab suspect is interrogated and beaten in a Danish police cell, resulting in his hospitalisation. The story is all over the TV news. With tensions running high, and set to run even higher should the questioned man die as seems highly likely, the police are instructed not to enter the area of Svalegarden, a vast housing estate where many Arabs live.

With two officers under investigation for the treatment of the suspect, Jens Høyer (Simon Sears) is partnered with their trigger-happy buddy Mike Andersen (Jacob Hauberg Lohmann) with instructions from the captain to keep Mike on a leash during these difficult circumstances. In the course of their eight-hour shift, they pursue a car with Arab occupants which leads them into the forbidden Svalegarden estate, where after hassling the car’s occupants and getting nowhere, Mike pulls over a teenage boy Amos (Tarak Zayat) for no reason other than the colour of his skin and the way he looks at them.… Read the rest