Tag: tabletop

Categories
Animation Features Movies

Arrietty
(US: The Secret World
of Arrietty)
(Karigurashi no Arietti,
借りぐらしのアリエッティ,
lit. Arrietty the Borrower)

Arrietty

(US: The Secret World of Arrietty)

(Karigurashi no Arietti,

借りぐらしのアリエッティ,

lit. Arrietty the Borrower)

Director – Hiromasa Yonebayashi – 2010 – Japan – Cert. U – 94m

*****

A teenage girl under a foot high is found by a kindly boy with a heart condition who has come to his aunt’s home on the city’s outskirts to convalesce – back out in a 4K remaster in UK IMAX cinemas on Wednesday, October 14th, then in regular UK cinemas on Friday, October 16th through Sunday, October 18th

His Aunt Sadako (voice / 2010 Japanese dub: Keiko Takashita; 2010 StudioCanal UK English dub: Phillida Law) drives (voice / 2010 Japanese dub: Ryonosuke Kamiki; 2010 StudioCanal UK English dub: Tom Holland) to the house on the city’s outskirts he is visiting. On arrival, he sees a crow having a spat with the cat, which in turn is taking an interest in a group of plants in which he spots a teenage girl less than a foot high. After he’s been called inside the house, the girl, Arrietty (voice / 2010 Japanese dub: Mirai Shida; 2010 StudioCanal UK English dub: Saoirse Ronan) escapes the cat through the grille into the basement, where she outruns grasshoppers to enter her family’s cosy, miniature cottage accessible by a small flight of steps.… Read the rest

Categories
Animation Features Live Action Movies

Stopmotion

Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m

***1/2

The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st

Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another Mad God (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or Junk Head (Takahide Hori, 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.

Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)… Read the rest