Categories
Animation Movies Shorts

A Mind Sang (A Mãe de Sangue)

Director – Vier Nev – 2019 – Portugal – 6m 11s

****

In the programme Annecy Awards 2020 – 8 Short Films #2 from the Annecy 2021 Animation Festival hybrid and online editions

This is not a film to watch once. It’s a film to watch over and over and over again. It comprises a series of hugely affecting double images, double meanings. Am I looking at an eye or a person swimming / drowning? A man descending from the sky of a hand pulling a pencil out of water? The profile of a face with eyes and nose of the full length figure of a man sleeping, his head on a pillow?

Double images like this have always worked well in static art or illustration (there’s a famous one of Sigmund Freud’s face which can be read equally easily as a naked woman) while animation – in this case, 2D animation, but it applies to other forms of the medium as well – has a long tradition of portraying transformation of one object or physical state into another. This clever and subtle little film combines the two legacies.

A woman’s hand drawing becomes a person sitting in a bathtub becomes a woman lying prone (in water?… Read the rest

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Features Live Action Movies

The Killing Of Two Lovers

Director – Robert Machoain – 2020 – UK – Cert. 15 – 84m

****1/2

A family man separated from his wife who has agreed they can each see other people is consumed with hate for the other man she is now seeing – in cinemas and on Curzon Home Cinema from Friday, June 4th

Morning. She sleeps soundly, a man beside her in bed. A second man stands at the the foot of the bed pointing a revolver at her. The first two are unaware of this. Someone can be heard using the bathroom. The second man leaves through the bedroom window.

Small town America. Welcome to David’s world. He (Clayne Crawford) and wife Nikki (Sepideh Moafi) are experiencing marital problems. They have four kids, a teenage girl and three younger boys. As agreed, David has moved out to live with his infirm, widower dad a hundred yards down the road. The couple have agreed that, while they try and work things out between them, it’s okay for either of them to see other people.

However while David assents to this on an intellectual level, he doesn’t accept it at all on an emotional one. He has discovered his wife is seeing a man named Derek (Chris Coy) and is furious about it.… Read the rest

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Features Live Action Movies

Apples (Mila, Μηλα)

Where are we now?

Apples
Directed by Christos Nikou
Certificate 12a, 91 minutes
Greece
Released 07 May on Curzon Home Cinema,
17th May in cinemas

A film whose time has unexpectedly come. People are suddenly losing their memories in a pandemic. A man (Aris Servetalis) nods off on a bus and, when he comes to, can’t remember where he was going, where he came from, or even his name and address. The amnesia is permanent and no one has been known to recover. As in our real life pandemic, the health service is set up to deal with the effects of all this.

The man’s pockets are checked for ID but none found. He is given a number: 18482. In hospital, he chats to the man in the next bed until one day the man has gone – having been identified and claimed by his family. Inevitably, some people remain unclaimed, as is the case for our man… [read more]

Full review in Reform magazine.

Trailer:

Categories
Art Features Live Action Movies

Effie Gray

Director – Richard Laxton – 2014 – UK – Cert. 12A – 104m

****

The eponymous heroine marries art critic John Ruskin who then fails to consummate their relationship – in Virtual Cinemas and on VoD from Monday, April 19th and BD/DVD Special Collector’s Edition from Monday, May 31st

The real life story of Effie Gray provides a fascinating footnote to an episode of English art history. At age 19, she married ascendant critic John Ruskin but for reasons we shall probably never fully know, their sexual relationship was never consummated and she had the marriage annulled six years later. Meanwhile, she had got to know Pre-Raphaelite painter John Everett Millais through Ruskin, marrying him a year after the annulment. Effie’s second marriage was to prove a much happier affair and she bore John eight children.

The story has been dramatised numerous times, mostly either on radio or screen, as well as the odd stage play, short story or novel. Emma Thompson’s slow and deliberate screenplay may be the first time the story has been put on the big screen in a full length feature (one of the very first adaptations was the silent short The Love Of John Ruskin, Van Dyke Brooke, 1912).… Read the rest

Categories
Features Live Action Movies

Promising Young Woman

Director – Emerald Fennell – 2020 – US – Cert. US R – 113m

*****

A med school dropout seeks revenge on the students and others complicit in her best friend’s rape years before – on Sky Cinema and Now from Friday, April 16th

Cassie (Carey Mulligan) goes to bars, gets wasted and is picked up by men whose intentions are less than honourable. However, all is not what it seems – before you can shout spoiler alert (and we’re not going to because this is the start of the film, given away in the trailer and effectively part of the narrative set up) she’s not wasted at all, only pretending. Depending on exactly how dishonourable these men’s intentions are, she exacts her revenge accordingly.

These acts are premeditated in the sense that she goes out, entraps men and does what she does, but not in the sense that she knows any of the men beforehand. Indeed, they choose her, so you could argue their fate is self-inflicted. And were any of them to behave chivalrously – take her home, put her to bed, not try to take sexual advantage, perhaps phone the next day to check she was okay – she’d probably look favourably on them for doing the decent thing.… Read the rest

Categories
Features Live Action Movies

True Mothers (Asa ga Kuru, 朝が来る)

Director – Naomi Kawase – 2020 – Japan – Cert. 15 – 140m

*****

An unmarried mum hands her child over to adoptive parents only to later decide that she wants the child back – Japan’s entry for the 2020/2021 Oscars is screening on Curzon Home Cinema from Friday, April 16th

Naomi Kawase’s new film True Mothers deals with the interface between unwanted teen pregnancy and infertility among married couples and was Japan’s entry for this year’s Best International Feature Film at the Oscars. Sadly, it didn’t make the Academy’s shortlist. However, UK audiences up and down the land will now be able to see it on Curzon Home Cinema. It had a brief UK big screen outing late last year at the London East Asia Film Festival (LEAFF), which, after several months of touch-and-go somewhat incredibly went ahead days before the UK went back into total lockdown.

Former documentarian Kawase has been getting a lot of exposure in the UK in recent years with both Sweet Bean (2015) and The Mourning Forest (2007) released here on Eureka! Video and Still the Water (2014) currently available on MUBI and BFI Player. I like Kawase but I must admit True Mothers sounded like it might be terrible.… Read the rest

Categories
Art Documentary Features Live Action Movies Shorts Television

Greenaway By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

Categories
Features Live Action Movies

37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

Categories
Features Live Action Movies

Still The Water (Futatsume no Mado, 2つ目の窓)

Director – Naomi Kawase – 2014 – Japan / France – Cert. 15 – 119m

*****

Two childhood sweethearts living on an island beset by storms must come to terms with the mortality and fallibility of their mothers – on BFI Player (rental) and MUBI.

The ocean roars and then, just as suddenly, is quiet. The wind howls through the trees, then sunlight is glimpsed through tranquil branches. Welcome to the sleepy yet storm-battered island of Amami Oshima, part of the Southern Japanese Archipelago, a place of paradox and contradiction seen through the eyes of two teenaged friends and their families.

Kyoko (Jun Yoshinaga aka Junko AbeSamurai Marathon, Bernard Rose, 2019) loves swimming in the sea. Her friend Kaito (Nijiro MurakamiIsle Of Dogs, Wes Anderson, 2018, Destruction Babies, Tetsuya Mariko, 2016) is less keen – he’d rather be in the safety of a swimming pool. She uses him and his bicycle to get around the island if and when he’s nearby. She is rather keen on him and would happily have sex. He can’t explain why, but is less enthusiastic about the idea.

Once we move on to their parents, there are fascinating observations regarding motherhood – especially in the light of adoption / unwanted pregnancy outing True Mothers (Naomi Kawase, 2020) – and, to a lesser extent, fatherhood.… Read the rest

Categories
Features Live Action Movies

Shape Of Red (Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest