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Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

Categories
Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest