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Freud’s Last Session

Director – Matthew Brown – 2023 – UK – Cert. 12a – 108m

****

Celebrated psychoanalyst Sigmund Freud is visited in the last month of his life, living in Britain, by young Oxford don and Christian apologist CS Lewis – out in UK cinemas on Friday, June 14th

September 1939. Chamberlain has issued his ultimatum to Hitler, and Britain waits to find out whether it will shortly be at war with Germany. Celebrated psychoanalyst Sigmund Freud (Anthony Hopkins), recently moved to Britain from Vienna to escape the Nazis, keeps turning the radio on and off in the hope of an update from the BBC. He is also expecting a visit from a young Oxford don, CS Lewis (Matthew Goode), “the Christian apologist”, with whose views he profoundly disagrees. 

Lewis has written books including a parody of Bunyan’s The Pilgrim’s Progress called The Pilgrim’s Regress, which is mentioned here, and the first book in his science fiction trilogy Out of the Silent Planet, which isn’t. He has however yet to either give his BBC broadcasts about the Christian faith, which will later form the basis of his most celebrated apologetic work Mere Christianity, or write his Narnia children’s fantasy novels.… Read the rest

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Lakelands

Director – Robert Higgins, Patrick McGivney – 2022 – Ireland – Cert. 15 – 100m

****

The health of an amateur player of Irish football suffers after he gets badly beaten up one night, forcing him to withdraw from playing – out in UK cinemas on Friday, May 5th

Football. Violence. This is a film that soft-soaps neither, yet it has no interest whatever in any justice / revenge plot resolution, opting instead for a very different approach.

It’s actually quite a gentle, downplayed affair focusing on the after effects of violence on a person’s life. It’s a rare foray into the landscape of masculine sensibilities, in a far more thoughtful and considered way than is usual in the cinema. For a start, it’s framed by farming, with protagonist Cian (Éanna Hardwicke) working on his dad’s farm caring for livestock, mucking out cowsheds, driving in fence posts and so forth, a slow, seasonal pace of life. And then his involvement in football (in this case, Irish football, which isn’t something this reviewer has seen much of on the screen, or, indeed, anywhere) is presented as a driving passion in marked contrast to the farming; you get the impression of a full, worthwhile existence, punctuated by nights out drinking with fellow players in the local town’s pubs and clubs.… Read the rest

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Lakelands

A time for reflection

Lakelands

Directed by Robert Higgins, Patrick McGivney

Certificate 15, 100 minutes

Released 05 May

We plan our lives, or not, and they proceed, and everything’s hunky dory. Or sometimes things come out of nowhere and throw us for six. And then, no matter how seemingly impossible, we have to deal with those things. As part of the whole deal of being human.

A small, Irish town. Cian (Éanna Hardwicke) is a young man in his early twenties who works on his dad’s farm. He also plays Irish football, which like many team sports demands a level of dedication, and often goes out with mates to pubs and clubs. One night, at a club, he gets into an argument with a stranger over a girl. It’s not really anything of significance; boys, as they say, will be boys.

What happens next is a whole other deal, though… [Read the rest at Reform magazine.]

Read my alternative, less religious review on this site.

Trailer:

Categories
Features Live Action Movies

The Middle Man

Director – Bent Hamer – 2021 – Norway, Denmark, Canada, UK, Germany, Switzerland – Cert. 15 – 95m

****

I hate to be the bearer of bad news, but… A man in a heartland American town becomes a middle man, whose job it is to convey bad news to local people – out in UK cinemas on Friday, March 10th

Curiously for an English language film set in a small American town, this one was funded by a variety of European countries and Canada. While its visuals clearly owe much to the films of David Lynch, particularly Blue Velvet (1986) and Lost Highway (1997) with their heavy night time interiors filled with dark, impenetrable black spaces, it eschews the over the top moments of sex and violence with which Lynch peppers these films with something much less jocular and more deadpan. Like Lynch it feels distinctly odd, yet in a completely different way. Unlike those films, it’s adapted from (part of) a novel.

Opening images. Factories in a town belch smoke. A small, industrial town on a river. This is Karmack, USA.

Frank Farrelli (Pål Sverre Hagen) is the second interviewee by the three person panel (the local sheriff, pastor and doctor played respectively by Paul Gross, Nicholas Bro and Canadian regular Don McKellar) for the town’s job of middle man, the person who has to deliver bad news, e.g.… Read the rest