Categories
Animation Features Movies

Chicken Run

Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m

*****

Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens – review originally published in year 2000

Aardman Animations’ A Close Shave (1995), the third half-hour outing for Nick Park’s popular Wallace & Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor The Wrong Trousers (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.

It’s The Great Escape reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.… Read the rest

Categories
Animation Documentary Features Live Action Movies Shorts

The Picks that spoiled our film critic!

Jeremy Clarke returns to the Tallinn Black Nights Film Festival in order to cover the Critics’ Picks section (which is now on its second year); he encounters what’s probably the strongest section of the event

Some people have a fear of flying. I don’t, but dislike of all the bureaucratic paraphernalia that surrounds airports. Not to mention London’s transport system, which is good most of the time, but not so much when it goes wrong. Coming home from the Festival last year, I got caught up in a tube strike. That didn’t happen this year. Indeed, the travel to and from the airport worked better for a number of reasons.

One was that the Festival’s hospitality team were kind enough to book my flights to and from Heathrow. This meant I could use the Elizabeth Line to travel to and from the airport. I currently live on the Victoria Line, which connects directly with three major rail terminals (Kings Cross, Euston, Victoria) but not the Elizabeth Line. The Elizabeth was all a bit too new last year, but Londoners who frequently travel into the centre of town as I do have got rather more used to it, and the Oxford Circus (Victoria Line) to Bond Street (Central Line) to Heathrow (Elizabeth Line) is reasonably easy to navigate.… Read the rest

Categories
Features Live Action Movies

Top Gun:
Maverick

Director – Joseph Kosinski – 2022 – US – Cert. 12a – 131m

****

The eponymous Maverick (Tom Cruise) returns to the Navy pilot Top Gun school to train a dozen new recruits to fly an impossible bombing mission and come back alive– out in cinemas on Wednesday, May 25th

Welcome back to the world of US Navy aviation where pilots all have their own self-given flying nicknames. While his contemporaries such as Tom ‘Iceman’ Kazansky (Val Kilmer), now an admiral in charge of the Pacific fleet, have advanced in ranks, Pete ‘Maverick’ Mitchell (Tom Cruise) has remained a captain in order to stay on active service in the field. He’s now a test pilot and loves his job.

However, Maverick has got into trouble one too many times, most recently by disobeying orders when he went ahead with a Mojave Desert test flight on a programme which a rear admiral (Ed Harris) wanted shut down. In doing this, and proving that the plane in question can fly not just at the untried Mach 9 but also at Mach 10…10.1… 10.2… Maverick sees himself safeguarding the jobs of all those working on the programme. The Navy, however, sees it as insubordination and want him grounded.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Flee
(Flugt)

Director – Jonas Poher Rasmussen – 2021 – Denmark, France, Norway, Sweden – Cert. 15 – 83m

****

In a series of interviews, a gay man now living in Denmark tries to explain his experience of fleeing Afghanistan – in cinemas from Friday, February 11th

Like The Breadwinner (Nora Twomey, 2017) and The Swallows Of Kabul (Zabou Breitman, Eléa Gobbé-Mévellec, 2019) before it, this is an animated film about life in Afghanistan under the Taliban. At the same time, it’s very different from those films for three reasons.

One, it details not so much the experience of life under the Taliban but the refugee experience of getting out of the country and its psychological aftermath on those who manage to get out.

Two, its central character is not fictional but real, the film being to all intents and purposes a documentary.

Three, although the film incorporates live action archive footage at various points, it’s essentially structured around an interview, visually represented in animation, in which the refugee subject recounts his experiences which are brought to life in a highly effective 2D animation as he speaks.

The style of the animation is almost perfunctory, a far cry from The Breadwinner’s colourful, detailed and rounded rendering which enable meshing with mythological storytelling and an equal distance from The Swallows Of Kabul’s pastel shades which so brilliantly convey a romance doomed by the circumstance of the regime.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Flee
(Flugt)

On being a refugee

Flee
Directed by Jonas Poher Rasmussen
Certificate 15, 83 minutes
Released 11 February

Review for Reform magazine, February 2022.

There have been animated films about life under the Taliban in Afghanistan before, including The Breadwinner (reviewed in Reform, June 2018), but Flee is different. It covers not only the experience of fleeing your home country, but also the psychological aftermath once you successfully settle in another country. And although animated, it’s a documentary based on a real person. Amin (not his real name), a gay Danish citizen due shortly to marry his long-time partner Kasper, is persuaded by a radio journalist to give a series of interviews about his history as a refugee. His experiences have taken their toll and now threaten to undermine his relationship with Kasper.

Amin’s fond memories of childhood are very different from the way we now think of Afghanistan. As a young boy… [Read more…]

Full review in Reform magazine, February 2022.

Read my alternative review here.

Trailer:

Categories
Animation Features Live Action Movies

The Matrix

Directors – Larry and Andy Wachowski – 1999 – US – Cert.15 – 136 mins

*****

The Matrix combines tropes of Japanese animation with live action Hong Kong stunt choreography and groundbreaking ‘bullet time’ special effects.

UK release: June 11th 1999;

Article originally published in Manga Max, Number 8, July 1999.

1999. The Matrix is about to E.X.P.L.O.D.E.

Technically, a matrix is a multidimensional array of locations, with each cell uniquely addressable. Contents not specified. Back in late April, when Hollywood blockbuster The Matrix was first screened for UK press, Warners’ line beneath the film’s title on the publicity flier ran, Blockbusting futuristic thriller with ground-breaking special effects. Perhaps it should have read, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action. Or even, Blockbusting futuristic thriller with ground-breaking special effects and Hong Kong styled action reconceived in terms of anime. Okay, it’s a bit of a mouthful, but it’s closer to the truth.

Ostensibly a megabudget Joel Silver (Lethal Weapon / Die Hard / Predator / Speed / Road House / Assassins) SF actioner well beyond the extremities of this magazine’s remit, directed by the Wachowski Brothers (writer‑directors of Bound, screenwriters for Assassins), The Matrix opens with an incredible sequence wherein Trinity (Carrie‑Anne Moss, who looks for all the world like a Westernised version of a Hong Kong starlet in cat burglar get up… Black Cat’s Jade Leung or Irma Vep’s Maggie Cheung, perhaps?)… Read the rest

Categories
Features Live Action Movies

Copilot
(Die Frau
Des Piloten)

Director – Anne Zohra Berrached – 2021 – Germany, France – Cert. 15 – 118m

*****

The romantic and sometimes not-so romantic life of a woman whose husband will take part in an act that will shake the world – out in cinemas on Friday, September 10th, advance screening with director Q&A at Genesis Cinema, Mile End at 6.10pm on Wednesday September 8th

“Without you, I wouldn’t have the strength to follow my path.”

Asli (Canan Kir) sees Saeed (Roger Azar) for the first time in Germany when she is on a wild fairground ride with her friend Juia (Ceci Chuh). She meets him again at a student party. They fool around on the beach and in the sea.

1st Year. Two students in Germany. She is from Turkey and studying science. He is from the Lebanon and studying dentistry, a subject his parents pushed him into – he’d rather be a pilot. He hangs up on his mother when she berates him about this – he’d been hoping to introduce her to Amli, now his girlfriend. She doesn’t even know how to talk to her mother about the fact she’s dating an Arab, never mind the fact that they are living together.… Read the rest

Categories
Animation Features Live Action Movies

Zu Warriors
From The
Magic Mountain
(Shu Shan
– Xin Shu Shan Jian Ke,
新蜀山劍俠)

Director – Tsui Hark – 1983 – Hong Kong – Cert. 12 – 98m

*****

One of the greatest special effects action movies ever made, this groundbreaking epic delivers non-stop, near unbelievable, visually entrancing vistas of Chinese mythology – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th and available on Blu-ray

There are films which seem almost single-handedly to define cultures. There are plenty of elements in Zu Warriors From The Magic Mountain that can be found elsewhere in Hong Kong cinema – martial arts stunts, flying wire work, period costumes, stock figures, airborne drapery – and yet the precise way this mixes these elements up then adds in others and adds in lots of 2D effects animation makes it a unique work, even by Tsui’s extraordinary standards.

With the ancient world in which he lives in a state of chaos due to constantly warring human factions, a man gets swiftly out of his depth when he sidesteps all that to follow a hero in the hope of becoming his disciple as the hero battles the forces of evil. If this sounds very highbrow… well, perhaps it is. Or perhaps it’s just an excuse to put together a series of truly extraordinary special effects action set-pieces that transport the viewer to mythological otherworlds the exact like of which have never been seen onscreen before or since.… Read the rest

Categories
Animation Features Movies

The Castle
Of Cagliostro
(Rupan Sansei:
Kariosutoro
No Shiro,
ルパン三世
カリオストロの城)

DVD review originally published in Starlog, UK edition.

TO CATCH A THIEF

ANIME OF THE MONTH

THE CASTLE OF CAGLIOSTRO

(REG 2 DVD: ENGLISH / JAPANESE DUBBED, OPTIONAL ENGLISH SUBTITLES)

£19.99, Widescreen (1.85:1), Dolby Digital 2.0 (Manga)

One of Manga Video’s best kept secrets arrives on UK DVD. Arsene Lupin III is manga artist Monkey Punch’s descendant to Frenchman Maurice LeBlanc’s noted thief Arsene Lupin and the subject of copyright controversy in the US where the character had to be renamed Wolf or Rupan. Strong though the character may be, the factor that raises this particular film above much anime is the pedigree of writer-director Hayao Miyazaki.

A superb piece of genre film-making, Cagliostro allows Miyazaki to try out lots of ideas he’d rework later. Monkey Punch’s quasi‑European trappings, evidenced both here and in other Lupin III movies, are perfectly in tune with Miyazaki’s sensibilities. Fairytale plot elements concern a princess (a dead ringer for one of Nausicaä Of The Valley Of The Wind’s characters) trapped in a tower by the evil Count Cagliostro and a castle with a 500-year-old secret (shades of Laputa‘s decaying castle in the sky). Then, for a film about a thief, there’s a surprising nod towards goodness; yet the film never becomes too lofty for its own good, being filled with such detours as banknote forgery, lethal security systems, unexpected trap doors and an impressive autogyro (Miyazaki has a reputation for strikingly designed aircraft and other flying objects).… Read the rest