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Features Live Action Movies

We’re Nothing
at All
(Ngo Mun
Bat Si Sam Mo,
我們不是什麼)

Director – Herman Yau – 2026 – China, Hong Kong – Cert. 18 – 128m

*****

A seasoned forensics expert pieces together the story behind a bus bombing as the lives and motives of those responsible is revealed in interweaving serial flashbacks – out in UK and Ireland cinemas on Friday, May 29th

A police procedural but not exactly a thriller. This starts off with an unforgettable sequence as, below us, a bus silently weaves its way through streets. And then, without warning, explodes. You’d be forgiven for thinking that, after this bravura opening, you’re in for yet another Hong Kong cops and robbers action movie. And yet, while this is undeniably a police procedural, and contains enough gore and grisly bits to earn it a BBFC 18 certificate, it’s far from your standard HK action outing. Given that Herman Yau’s previous work has included a thriller about a cannibal serial killer The Eight Immortals Restaurant – the Untold Story aka Bunman – the Untold Story (1993) and cops and robbers bomber thriller Shock Wave (2017), this is something of a surprise.

Rather, it’s a drama. If you will, a police forensics drama. The matter of fact, real time nature of the opening sequence introduces no characters whatsoever.… Read the rest

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Features Live Action Movies Music

Power Ballad

Director – John Carney – 2025 – Ireland – Cert. 15 – 98m

*****

A rock musician reduced to playing weddings but happy with his lot meets a former boy band star who steals one of his songs – out in UK cinemas on Friday, May 29th

High heeled feet head for the dance floor. “Cel – e – brate Good Times – Come On.” The happy couple are enjoying themselves. You seem like a good crowd, says the frontman Rick (Paul Rudd from Teenage Mutant Ninja Turtles: Mutant Mayhem, Jeff Rowe, Kyler Spears, 2023; Ghostbusters: Afterlife, Jason Reitman, 2021; Ant-man, Peyton Reed, 2015), of the standards band (Rory Keenan from The Guard, John Michael McDonagh, 2011; Ella Enchanted, Tommy O’Haver, 2004; Reign of Fire, Rob Bowman, 2002; Keith McErlean from Flora and Son, 2023, Sing Street, 2016, both John Carney; Paul Reid from Flora and Son). Here’s a song from my last album.

In Rick’s mind, he and his band are on a night stage at a music festival playing to a vast, enthusiastic and indeed magical crowd holding smartphone torch lights. The wedding party don’t share his enthusiasm, however, and the floor is clearing as he inadvertently brings the evening to an end.… Read the rest

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Features Live Action Movies

Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – back out in UK cinemas on Friday, May 29th, and out on 4K UHD on Monday June 22nd

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

Categories
Art Features Live Action Movies

Leonora
in the Morning Light
(Leonora
im Morgenlicht)

Directors – Thor Klein, Lena Vurma – 2025 – Germany, Romania, Mexico, UK – Cert. 15 – 103m

**

In Mexico, France, Spain and the England of her childhood, Surrealist painter Leonora Carrington must confront her personal demons – out in UK and Ireland cinemas on Friday, May 29th

Deserted hillsides, a sliver of a road, eventually a tiny red car moving along it, to the accompaniment of a pulsating electronic score suggesting the present day. Another stretch of road: the car drops off the woman, in stylish trousers and blouse, who smokes observing the landscape. The driver gets out to photograph her, much to her displeasure, but he’s run out of film.

An illustrated title card: Death. Xilitla, Mexico, 1951. The man takes her to the rooming house of Edward (Ryan Gage), leaving her as he promises to look after their son. Outside the window, she can hear the two men discuss all that has happened to her. Her madness.

©Mirjam Kluka, Dragonfly films, Alamode Film

She and Edward are riding with others in the back of a lorry on a road. In Spanish, she asks a woman on the lorry (Yasmira Escárrega) about her amulet – “a sacred stone that illuminated the path through the underworld”.… Read the rest

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Features Live Action Movies

Star Wars
The Mandalorian
and Grogu

Director – Jon Favreau – 2026 – US – Cert. 12A – 132m

****

The mercenary Mandalorian and his infant charge, the Yoda-like Grogu, must rescue the young Rotta the Hutt who has been kidnapped by gangsters – out in UK IMAX cinemas on Friday, May 22nd

The character of the MandalorIan resembles a bounty hunter from the early Star Wars films but is, in fact, a Mandalorian warrior sworn not to remove his mask. And he has an apprentice Grogu, who is to all intents and purposes a baby version of Yoda, the character who first appeared in The Empire Strikes Back, although Grogu isn’t actually Yoda, but a different character of a later generation. For those completely new to Star Wars, Yoda was both a Jedi Master skilled in harnessing the Force and a diminutive, otherworldly creature performed by a puppeteer. Audiences immediately warmed to him. Unlike Yoda, Grogu is too young to talk (although he does make suspiciously verbal sounding utterances from time to time) and you might think he would be unbearably cute and make the film difficult to watch. But he isn’t, not at all.

When franchise creator George Lucas still owned Lucasfilm, Star Wars: Episode I – The Phantom Menace, George Lucas, 1999 introduced the irritating, kiddie-oriented character of Jar Jar Binks, widely regarded as an error of judgement. … Read the rest

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Features Live Action Movies

Eagles of the Republic
(نسور الجمهورية)

Director – Tarik Saleh – 2025 – Sweden, France, Denmark, Finland – Cert. 15 – 129m

****

A top Egyptian movie star finds himself working on a big budget, high concept, state-sponsored propaganda movie – out in UK and Ireland cinemas on Friday, May 22nd

The opening three scenes… The credits run over a montage of Egyptian movie posters. A group of men outdoors in the Egyptian sun listen attentively to radio commentary of a horse race. One of the men lights his lady passenger’s cigarette from his own as their car speeds towards the horizon of what could well be Monument Valley.. “cut” …but is a movie set with back projection. His assistant tells him has son has called three times – it’s the boy’s birthday, so the actor has his assistant buy his son an expensive watch. Not the greatest of fathers. The kissing couple on the side of the outside studio wall proclaims him to be Pharoah of the Screen George Fahmy (Fares Fares from Cairo Conspiracy, Tarik Saleh, 2022; Westworld, TV series, 2018; The Nile Hilton Incident, Tarik Saleh, 2017; Rogue One: A Star Wars Story, Gareth Edwards, 2016; Department Q: The Keeper of Lost Causes, Mikkel Nørgaard, 2013; Zero Dark Thirty, Kathryn Bigelow, 2012) and her Rula Haddad (Cherien Dabis, director of Only Murders in the Building, 6 episodes, 2021-23).… Read the rest

Categories
Documentary Features Live Action Movies

The Balloonists

Director – John Dower – 2025 – UK, Austria, US – Cert. PG – 86m

****

The story of balloonist Bertrand Piccard’s three attempts to circumnavigate the globe in a balloon – out in UK cinemas on Friday, May 22nd

Bertrand Piccard’s house, as his astonished interviewer notes, is a museum, a personal collection of memorabilia from the history of aviation. It grew in a mere 66 years from the Wright Brothers’ pioneering efforts to the Apollo 11 moon landing. His family was in Florida at the time of the Apollo 7-12 launches which he witnessed. Five days before the moon landing, he vowed to become an explorer himself, but then when Armstrong walked on the moon Piccard felt everything had been done. He got depressed.

And then he saw a balloon and discovered that no-one had ever flown round the world in one.

In 1997, His first attempt, the Breitling Orbiter, ditched in the Mediterranean after six hours. Many others tried, including Richard Branson, who knew how to do publicity: in Morocco, Branson’s balloon blew away before it could be launched.

Enter British engineer Andy Elson. But the film switches back to Piccard, whose grandfather was a pioneering balloonist and whose father designed submarines and made a record-breaking dive to the Mariana Trench.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen
Frida Kahlo
Special Edition
with new material from
The making of an icon

Director – Ali Ray – 2020, 2026 – UK – Cert. U – 93m, 101m

*****

The tragic yet resonant life of Mexican artist Frida Kahlo, and her transformation into a modern, cultural icon – out in UK cinemas from Tuesday, May 19th

As dour piano chords play, a title announces that Frida Kahlo held only three solo exhibitions in her lifetime. This is contrasted with an auction where “one of her most complex self portraits” The Dream (The Bed) / El Sueño (La Cama) (1940) auctions for a starting price of $22m and selling for $47m. As of November 2025, this was the highest ever value for a work by a female artist achieved at an auction.

Now, in 2026, the Museum of Fine Arts, Houston and the Tate Modern, London collaborate on a major exhibition entitled Frida: the making of an icon, opening on Friday, June 19th at the Tate. Exhibition on Screen’s Special Edition of their 2020 film concludes with ten minutes of newly shot footage of that exhibition.

Frida works at a writing desk as she (voice: Diana Bermudez) reads the latter she is composing. You notice the ornate rings on her fingers, her lavish earrings, the green and yellow jungle design of her print dress as she talks about “too much pain… It will take me years to get out of this mess I have in my head.… Read the rest

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Features Live Action Movies

Normal
(2025)

Director – Ben Wheatley – 2025 – US – Cert. 15 – 90m

*****

Following the recent death of the town’s sheriff, an interim sheriff takes on the job at Normal, Minnesota – a town harbouring dark secrets related to Japanese yakuza – out in UK cinemas on Friday, May 15th

Osaka, Japan. Three yakuza gang members who have failed to carry out a job properly must atone in front of their boss by cutting off their little finger. The two that do so are sent to the US on their next mission.

Normal, Minnesota. Following the recent death of old Sheriff Gunderson, Interim Sheriff Ulysses (Bob Odenkirk from Nobody, Ilya Naishuller, 2021; Better Call Saul, TV series, 2015-22) is getting to grips with his new job, driving around with Deputy Mike (Billy MacLellan from NobodyMaudie, Aisling Walsh, 2016). Ulysses will be in the town for a mere eight weeks and his philosophy is, don’t upset anything and leave the place as you find it.

Normal may hold a few surprises for Ulysses. Such as the day he discovers a trail of red outside the door which turns out to have been caused by the local moose with a can of red paint dangling from one antler, of which he takes a photo.… Read the rest

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Features Live Action Movies

Cronos
(Cronos)

Director – Guillermo del Toro – 1992 – Mexico – Cert. 18 – 92m

****1/2

An antique shop owner is transformed by a strange, hand-sized device he finds in a small statuette – back out in a 4K restoration in UK cinemas on Friday, May 15th alongside a Guillermo del Toro season at BFI Southbank

The auspicious debut of Guillermo del Toro (Frankenstein, 2025; The Shape of Water, 2017; Pan’s Labyrinth, 2006) upsets the joys of family life in old age by means of a small golden device which confers immortality on the user – at a price. The narrative opens with a preamble about the alchemist (Mario Iván Martínez from Clear and Present Danger, Phillip Noyce, 1994; Like Water for Chocolate, Alfonso Arau, 1992) who created the device and who was found dead beneath the ruins of his vast mansion in Veracruz apparently aged four hundred or so years and with a pallid skin in the 1930s.

The present day. Jesús Gris (Frederico Luppi from Pan’s Labyrinth; The Devil’s Backbone, Guillermo del Toro, 2001) runs an antique shop and enjoys the company of his small granddaughter Aurora (Tamara Shanath). After a suspicious character visits the shop, possibly looking for something, Jesús is playing a board game with Aurora when cockroaches appear from the small statuette in which the stranger has shown an interest.… Read the rest