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Features Live Action Movies

Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – plays as part of Bullets and Brotherhood: the Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

Categories
Features Live Action Movies

A Better Tomorrow
(Yingxiong Bense,
英雄本色)

Director – John Woo – 1986 – Hong Kong – Cert. 18 – 94m

*****

The seminal gangster movie that crystallised John Woo’s now-trademark style of brotherhood, bullets and blood and catapulted Chow Yun Fat to Oriental, big screen stardom – 4K Restoration plays as part of Bullets and Brotherhood: The Films of John Woo at BFI Southbank from Friday, 3rd July to Friday, 31st July 2026

After a decade directing comedies and kung fu movies (many for Golden Harvest), Woo’s last two films had been box office flops when producer Tsui Hark gave him the opportunity to make A Better Tomorrow, loosely based at least in plot and character terms on the gritty The Story of a Discharged Prisoner / Yingxiong Bense (Kong Lung, 1967).

Hong Kong’s cinema owners had no problems with two of the three proposed leading men – Ti Lung (from Drunken Master IILiu Chia-Liang, 1994; Shaolin TempleChang Cheh, Wu Ma, 1976) had achieved great success in director Chang Cheh’s martial arts epics at Shaw Brothers (Woo had worked as assistant to Chang early in his career) and Leslie Cheung (from Happy TogetherWong Kar-wai, 1997; Once a Thief, John Woo, 1991; A Chinese Ghost Story, Tsui Hark, 1987) was a successful singer – but Tsui and Woo had to fight hard for third lead Chow Yun Fat, a big TV star lacking any box office clout.… Read the rest