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Features Live Action Movies

Bullet in the Head
(Diexue Sietou,
喋血街头)

Director – John Woo – 1990 – Hong Kong – Cert. 15 – 126m

*****

Three teenage friends forced to leave Hong Kong by a gang war find themselves in the middle of the horrors of war-torn Vietnam – back out in UK cinemas on Friday, May 29th, and out on 4K UHD on Monday June 22nd

John Woo’s American canon never quite produced anything comparable to his earlier, groundbreaking Hong Kong actioners which, as well as being much more violent, possess a stronger emotional core – perhaps none more so than Bullet In The Head, a Far East Asian cross between Rebel Without A Cause (Nicholas Ray, 1955) and The Deer Hunter (Michael Cimino, 1978) with Salvador (Oliver Stone, 1986) thrown in for good measure.

Arguably Woo’s most personal HK outing, falling as it does outside the cop / triad actioners for which he’s best known, it was originally intended as a prequel to the two A Better Tomorrow films (1986, 1987) Woo made with producer Tsui Hark. However, following creative differences, Tsui retained megastar (and Woo onscreen alter-ego) Chow Yun Fat for A Better Tomorrow III Love and Death In Saigon (Tsui Hark, 1989) while Woo took the material and developed it on his own, acting uncharacteristically as his own producer.… Read the rest

Categories
Features Live Action Movies

Once Upon a Time
in China
(Wong Fei Hung,
黃飛鴻)

Director – Tsui Hark – 1991 – Hong Kong – Cert. 15 – 135m

****1/2

Groundbreaking, period martial arts epic features some of the most spectacular stunt sequences ever filmed, spawned five sequels and made Jet Li a star – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

The real life Wong Fei Hung (1847-1925) was a Chinese practitioner of martial arts and medicine who lived in Foshan and has been the subject of over a hundred films. Tsui Hark’s 1991 production is one of the best known and spawned a series of six movies in total, four of them with Jet Li as Wong, arguably his most iconic role.

Militia-laden American and British and French ships anchored in the harbour put Foshan in an uneasy position and Wong is concerned, as well he might be since it turns out in the course of the narrative that the Americans under a man named Jackson (Jonathan Isgar) are not only tricking local men into debt via getting them to pay for their passage to San Francisco but also trafficking Chinese women into prostitution in the New World. The film isn’t particularly interested in these misdemeanours except as providing motivation for its villain.… Read the rest