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Art Exhibitions Movies Animation Features

LAIKA presents
Wildwood
The Exhibition

LAIKA presents Wildwood The Exhibition

at the Design Museum, Kensington, London, to tie in with the release of their new film Wildwood

Like previous Laika offerings, latest production Wildwood (Travis Knight, 2026) is highly innovative, inventive and imaginative, pushing the boundaries of the cinematic and stop-frame mediums into places audiences haven’t seen them go before. It sounds an unlikely proposition, but if you were to remove the magical spectacle of stop-frame animation from Wildwood – or for that matter from any of Laika’s films – you would potentially have an incredible exhibition of small scale sets, puppets and models.

Photo © Jeremy Clarke

You could augment this using a series of explanatory videos talking about the various processes involved In the filmmaking. In terms of stop-frame, you could show animators at work, bringing puppets into life.

The legendary stop-frame animation company have done exactly that. have done exactly that. Following in the footsteps of the LAIKA Frame x Frame exhibition covering Laika’s first five films at BFI Southbank in 2024, the company have now partnered with Kensington’s Design Museum to put together a fascinating exhibition about the film.

Photo © Jeremy Clarke

I should declare at this point that I was lucky enough to see the exhibition having viewed the film a few days previously.… Read the rest

Categories
Movies Features Live Action

Cronos
(Cronos)

Cronos (Cronos)
Director – Guillermo del Toro – 1992 – Mexico – Cert. 18 – 92m

****1/2

An antique shop owner is transformed by a strange, hand-sized device he finds in a small statuette – back out in a 4K restoration in UK cinemas on Friday, May 15th alongside a Guillermo del Toro season at BFI Southbank

The auspicious debut of Guillermo del Toro (Frankenstein, 2025; The Shape of Water, 2017; Pan’s Labyrinth, 2006) upsets the joys of family life in old age by means of a small golden device which confers immortality on the user – at a price. The narrative opens with a preamble about the alchemist (Mario Iván Martínez from Clear and Present Danger, Phillip Noyce, 1994; Like Water for Chocolate, Alfonso Arau, 1992) who created the device and who was found dead beneath the ruins of his vast mansion in Veracruz apparently aged four hundred or so years and with a pallid skin in the 1930s.

The present day. Jesús Gris (Frederico Luppi from Pan’s Labyrinth; The Devil’s Backbone, Guillermo del Toro, 2001) runs an antique shop and enjoys the company of his small granddaughter Aurora (Tamara Shanath). After a suspicious character visits the shop, possibly looking for something, Jesús is playing a board game with Aurora when cockroaches appear from the small statuette in which the stranger has shown an interest.… Read the rest