compromise Archives - Jeremy C. Processing

Case 137 (Dossier 137)

Director – Dominik Moll – 2025 – France – Cert. 12a – 116m

*****

A member of the internal police watchdog department investigates a complaint of police violence in the 2018 Yellow Jackets riots – out in UK cinemas on Friday, October 16th

Who watches the watchmen? Who polices the police? It’s a question with great relevance to today’s societies, including our own in the UK. In the US, the Police have the Internal Affairs. In France, the police have a branch called the IGPN (L’inspection générale de la police nationale / The General Inspectorate of the National Police). So if members of the public accuse the police of bad or criminal behaviour, they have a department set up to investigate that. An internal department, not an external body.

IGPN inspector Stéphanie Bertrand (Léa Drucker from Mars Express, Jérémie Périn, 2023; Two of Us, Filippo Meneghetti, 2019; The Blue Room, Matthieu Amalric, 2014) is working on allegations of police misconduct during the Yellow Jackets protests of 2018. She tries to be scrupulously fair in questioning an officer who threw stones at rioters, later defending him to superiors as being in a situation that put him under intense psychological pressure.… Read the rest

Savages
(Sauvages)

Savages (Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest