Tag: rampage

Godzilla Minus Zero
(Gojira – 0.0,
ゴジラ – 0.0)

Post author By Jeremy Clarke
Post date November 3 2026
No Comments on Godzilla Minus Zero
(Gojira – 0.0,
ゴジラ – 0.0)

Godzilla Minus Zero (Gojira – 0.0, ゴジラ – 0.0)

Director – Takashi Yamazaki – 2026 – Japan – Cert. 12a – 135m

IMAX version *****

Regular version *****

Japan, slowly recovering from World War Two, must again deal with the seemingly unstoppable menace of Godzilla when it rises again from the depths of the ocean – out in UK and Ireland IMAX cinemas on Tuesday, November 3rd then in regular cinemas on Friday, November 6th

*** Please note: Godzilla Minus One spoiler alert in opening paragraph. ***

“Is your war finally over?”, redeemed Kamikazi pilot Koichi Shikishima (Ryunosuke Kamiki) is asked by Noriko Oishi (Minami Hanabe), the woman who he has taken in to his home along with a baby only for her to be subsequently blasted away when pushing him into a building recess to save him from Godzilla during its attack on Ginza, at the end of Godzilla Minus One (Takashi Yamazaki, 2023). Miraculously, she survived that incident, which scarcely seems possible. Although perhaps writer-director Yamazaki shrewdly included the conundrum to enable him to kick around some ideas as to why she might have survived beyond mere luck.

One such idea makes it into this new film, and a fascinating idea it is too, one of a number of script elements for which Toho have asked journalists to keep the specifics under wraps so as not to spoil the film for audiences – which seems reasonable enough given that critics had the privilege of seeing the film before any reviews had given anything away.… Read the rest

Movies Animation Features

Savages
(Sauvages)

Savages (Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest

Tags 11-year-old, 3D animation, ancestors, animation, animator, Babette De Coster, baby, backing of the authorities, Benoît Poelvoorde, Borneo, bulldozer, capitalism, chainsaw, Charles de Ville, child-eating monster, children struggling to cope, Claude Barras, compromise, contemporary life, cousin, darkness, digitally immersive environment, economics of deforestation, embarrassment, environment, environmental theme, fathers and children, film activities, financial gain, followed by jungle, forest, frog, grandfather, grandfathers and children, habitat destruction, hands-on physicality, harvest fruit, heritage, incoming call, indigenous, infant, jungle forest, learned survival skills, loggers, loss of a parent, loss of the mother, Martin Verset, maternal instincts, miniature, model, model animation, model sets, modern technology, monster in the forest, mother’s death, mothers and children, myth making, native, natural habitat, natural outdoors world, nuclear family, orangutan, orphan, ostracise, Oxbridge graduate, palm oil extraction, peer group, Penan, perceived societal norm, Pierre-Isaïe Duc, police, pre-teenage, puppets blink, rainforest, rampage, rasping, resistance, ringtone, rucksack, Sauvages, savage, Savages, school, single-parent families, smartphone battery died, smartphone obsession, smelly boy, snake, spoken language, stop-frame, stop-motion, struggling to cope, swinging on a branch, Switzerland, trauma, tree, tropic, true to his roots, venomous snake, viral video

Movies Animation Features

Boonie Bears
Back To Earth
(Xiong Chu Mo
Chong Fan
Di Qiu,
熊出沒·重返地球)

Post author By Jeremy Clarke
Post date May 24 2022
No Comments on Boonie Bears
Back To Earth
(Xiong Chu Mo
Chong Fan
Di Qiu,
熊出沒·重返地球)

Boonie Bears: Back To Earth
(Xiong Chu Mo: Chong Fan Di Qiu, 熊出沒·重返地球)

Director – Lin Huida – 2022 – China – Cert. PG – 100m

****

The latest movie in this long-running, animated Chinese franchise, hugely successful at the Chinese (and therefore global) box office, is the first to get a UK cinema release – in a dubbed format for family audiences – out in UK cinemas on Friday, May 27th

Urban bear superhero Bramble (voiced in the English language version by Joseph S. Lambert) successfully battles and defeats a monster formed from the garbage that people in the city have failed to properly throw away, lapping up the ensuing admiration from local child and cute animal residents until rudely awakened from his urban daydream by the human Vick (voice: Paul ‘Maxx’ Rinehart), who wants him to clean up the litter in the rest area of the Pine Tree Mountain forest / national park where they live.

Motivated by the promise of an ice cream on completion, Bramble speedily undertakes the task by racing around gathering the detritus in his arms only to come a cropper at the very end, spilling all the collected rubbish at its allotted bins.… Read the rest

Tags 3D animation, admiration, air defence, alien, animation, arms dealers, bins, black hole, Boonie Bears, brothers, catastrophe, CG, CG animation, China, Christopher Price, civilization, clean up, computer animation, cube, cuboid, destruction, dub, dubbing, ears, Earth, environment, family, Fantastic Four, fighter planes, forest, garbage, ice cream, Joseph S. Lambert, Kaiju, Kieran Katarey, kitten, knowledge upload, lay waste, Lin Huida, litter, Marvel, monster, moon, musical, national park, Olivia Seaton-Hill, outer space, Paul ‘Maxx’ Rinehart, pickup truck, pilots, power, rampage, robots, rubbish, Sara Secora, Saturn, scavengers, sci-fi, science fiction, science fiction and fantasy, scientific knowledge, SF, shoot-to-kill, South Pole, space travel, spaceship, survive, technology, uninhabitable, upload, voice, voice actor, war, weaponry, weapons fetishism

Movies Animation Features Live Action

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest