Tag: Paris

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Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest

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Features Live Action Movies

Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

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Features Live Action Movies

Krzysztof Kieślowski
talks about
Three Colours: Blue

Transcript of interview from 1993 when Kieślowski was promoting Three Colours: Blue. At the time, the other two films in the trilogy had yet to be screened to press.

How far do you consider Three Colours: Blue a separate entity in its own right, and how far the first part of a planned trilogy? “I think it’s a film in its own right.”

Did the initial inspiration come as this film, or rather as the three films? “Well, we started from ideas, from scripts – and since the original idea was such as it was, that included three films. So then we had to answer three questions because there were obviously three problems. We decided fairly early on in our working to make the three separate films, which of course have certain common elements to them. But these are quite carefully camouflaged links, representing my playing around with games for the viewer who also indulges in such games. If the viewer doesn’t like such games, then he’ll just see three entirely different stories. If the viewer likes these, then the films become something more.”

These’ll be something to look forward to later on. “Yes, a few of those feature in Blue, but there aren’t all that many of them.… Read the rest

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Art Documentary Features Live Action Movies

Exhibition on Screen:
Mary Cassatt:
Painting
the Modern Woman

The Tea (c. 1880)

Director – Ali Ray – 2023 – UK – Cert. U – 93m

*****

A look at an often overlooked member of the Impressionists, a US-born, female painter and printmaker who moved from Philadelphia to live in France – out in UK cinemas for one day only on Wednesday, March 8th (International Women’s Day)

I had never heard of Mary Cassatt when I came to this documentary. I’m not really sure why not (apart from the obvious reason, the widespread exclusion of numerous women artists from the annals of art history until recently) and feel indebted to this remarkable study for introducing me to her work. It comes as no surprise that the film was produced by Phil Grabsky for his excellent Exhibition On Screen series about art, although what IS a surprise here is that all the interviewees in this instance are women. Nothing at all wrong with that if they have something of value to say, which they clearly do.

One could argue that the piece has a very strong feminist leaning with its emphasis on women being free to live their lives as they choose. It’s tempting to say that one could forget the gender bias here and simply say that all the interviewees have important insights to share and do a good job.… Read the rest

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Documentary Features Live Action Movies

Orchestrator
Of Storms:
The Fantastique World
Of Jean Rollin

Directors – Dima Ballin, Kat Ellinger – 2022 – UK – 112m

***

The story of one of Europe’s most idiosyncratic and overlooked directors – on the Arrow Video Channel from Tuesday, February 14th

In the early 1960s when the French New Wave was taking off, the idea was to go out and make movies on the streets, an approach intended to inject them with freshness. That movement is present in the backdrop of this film, because while it was achieving a huge international profile, fledgling French film maker Jean Rollin who similarly wanted to go out and shoot movies without all the old formal constraints was being largely ignored by industry, critics and audiences.

Finance was always a struggle, and he soon found himself making features within European sexploitation cinema, where directors had a great degree of freedom provided they incorporated a certain amount of nudity and sex.

There were lean periods too where he worked directing softcore and hardcore porn to survive; aside from chronicling when these happened in his career, this documentary doesn’t go into them at any length. Overall, it takes a chronological approach to Jean Rollin to give some idea of his life, career and filmography.… Read the rest

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Features Live Action Movies

The Road
To The Race Track
(Gyeongmajang
Ganeun Kil,
경마장 가는 길)

Director – Jang Sun-woo – 1991 – South Korea – Cert. 18 – 138m

*****

An academic returns to Korea expecting to hook up with the woman student with whom he lived in Paris, and they meet up, but she now repulses his physical advances – part of a strand of films celebrating actress Kang Soo-Yeon (1966-2022) from LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 3rd to Thursday, November 17th

As soon as R (Moon Sung-keun) arrives at the airport in Korea, he makes contact with J (Kang Soo-Yeon) and they get a room together, but she confounds his expectations by fending off his attempts at physical sex with her. This wasn’t what he was expecting, since she seemed willing enough when they lived together in Paris. He is desperate to have sex with her, but instead she offers to drive him first to the bus station and then to his home town, where he is reunited with his wife (Kim Bo-yeon), kids and extended family.

Whatever affection he once had for his wife has long since evaporated, and he callously repulses her attempts at intimacy in the bedroom. Brief scenes between the husband and wife punctuate the remaining narrative, the wife becoming increasingly hostile.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Hopper:
an American Love Story

Nighthawks, 1942, Edward Hopper

Director – Phil Grabsky – 2022 – UK – Cert. 12a – 94m

*****

The story of American painter Edward Hopper, and how his artistic career was facilitated by his fellow artist wife Jo – originally out in UK cinemas on Tuesday, October 18th 2022, now available on home video (see bottom of review)

The latest entry in Grabsky’s generally excellent Exhibition On Screen series about art and artists covers the career of Edward Hopper to tie in with a major Hopper exhibition (Edward Hopper’s New York) at the Whitney Museum of American Art, New York. The big (and most welcome) surprise is that it charts not just Hopper’s life and work but also that of fellow artist Josephine Nivison, later his wife Josephine Nivison Hopper, whose career was largely eclipsed by his during his lifetime. To be fair, it doesn’t really go into her life before the point at which she became involved in his.

Hopper was born in 1882 and raised in the Nyack, New York house his parents had built (an enviable state, indicative of their and his time, which must surely influence one’s outlook on life). Religion and church were important to the Hoppers, but theirs was the brand of Christianity unafraid to engage with the outside world which at that time meant vast quantities of books and periodicals; the young Edward acquired a love of books from his avid reader father.… Read the rest

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Animation Features Movies

Tad
The Lost Explorer
And The Curse Of The Mummy
(US: Tad
The Lost Explorer And The
Emerald Tablet;
Tadeo Jones 3.
La Tabla Esmeralda;
Tadeo Jones 3.
La Taula Maragda)

Director – Enrique Gato – 2022 – Spain – Cert. U – 90m

****

In Mexico, desperate for recognition as a bona fide archaeologist, our hero unearths an Egyptian sarcophagus and unleashes a mysterious power from an Inca temple – out in UK cinemas on Friday, September 9th

Gato’s third instalment of the Tad The Lost Explorer franchise is a lot better than it sounds, chiefly because it delivers narrative coherence and picks up and runs with numerous opportunities afforded by character and script where the similarly inventive Minions: The Rise Of Gru (Kyle Balda, Brad Ableson, Jonathan del Val, 2022) failed.

Having agreed with girlfriend Sara not to go public about his previous archaeological discoveries, Tad has with her help got on to the Chicago Museum’s dig in Mexico – as a lowly assistant, even though he seems more clued-up than the three qualified archaeologists in charge. Rashly opening a secret door by pushing a part of a wall frieze, he finds himself in a vast chamber containing an Egyptian sarcophagus, his report of which is pooh-poohed by his three superiors until, after firing him, they discover it for themselves and take the credit.

This rivalry between the ‘amateur’ Tad and qualified but comparatively clueless ‘professionals’ is kept up throughout the narrative, although the professionals remain secondary characters.… Read the rest

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Features Live Action Movies

Everything Went Fine
(Tout C’est Bien Passé)

Director – François Ozon – 2021 – France – Cert. 15 – 113m

*****

An elderly man recovering from a stroke enlists his two daughters to help him achieve assisted suicide and die with dignity – out in cinemas on Friday, June 17th

Emmanuèle Bernheim (Sophie Marceau) gets a phone call to say that her dad André Bernheim (André Dussollier), 85, is in hospital recovering from a stroke. She rushes to the hospital to meet her sister Pascale Bernheim (Géraldine Pailhas) in ER where he’s having an MRI scan. When they see him on the ward, mouth elongated on on side of his face, he can’t remember what happened. He has lost many everyday functions of his body.

While a fellow stroke survivor on his hospital ward makes rapid enough progress to soon be discharged, the less fortunate and initially bedridden André is moved to another hospital for more specialist treatment. Nevertheless, he eventually improves and in due course graduates to being sat in a chair in his room. Later still, he learns to use a wheelchair. His dietary abilities improve from initial intravenous drip feed through being spoon-fed mashed veg through to eating accompanied in a restaurant.

On one occasion early on when Emmanuèle visits him in hospital, she’s horrified to discover him lying in bed in his own excrement and immediately summons the manageress, who not only makes excuses about the amount of work required to look after a patient like this and how the hospital is short-staffed but also gives a personal assurance that this won’t happen again (and, indeed, no such further incident recurs).… Read the rest