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Animation Features Movies

Virus Tropical

Director – Santiago Caicedo – 2017 – Colombia, Ecuador – 97m

****

Currently streaming on MUBI: scroll down for the link to subscribe.

Quito, 1976. Paola (voice as child: Martina Toro)is born as the youngest of three sisters, Claudia (Camila Valenzuela) is the oldest and Patty (voice as child: Maria Parada) the middle one. Her father Uriel (Diego León Hoyos) is a Catholic priest supposedly retired from the church but in practice still working. Apart from one daughter’s first communion, we see virtually nothing of his life as a priest. Fairly early on in the narrative he departs for another city to carry on his ministry, leaving his wife Hilda (Alejandra Borrero), the girls and the family housemaid Chavela (Javiera Valenzuela) behind. Although he returns to the family much later on, he is never more than a peripheral figure in what quickly becomes a story of a girl growing up in a mostly female environment.

At home, Paola plays alone with Barbie dolls and a lone Ken while mum struggles with the disobedient Claudia, worried that she’ll ruin her life with the wrong boy. Claudia turns this around to study fashion design in Italy, then unexpectedly marries someone and moves away to the Galapagos Islands at the last minute instead of going to college.… Read the rest

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Features Live Action Movies

Fanny Lye Deliver’d

The new normal?

Fanny Lye Deliver’d
Directed by Thomas Clay
Certificate 18, 110 minutes
Released digitally on 26 June

Shropshire, 1657. The aftermath of the English Civil War and a time when ideas about politics, relationships, religion and society are up for grabs. Fanny (Maxine Peake) is the young wife of Captain John Lye (Charles Dance) who fought under Cromwell and has been given a farmhouse by way of thanks. The puritan couple have a son, Arthur, who is too young to have lived through the war. The God-fearing and articulate John takes the family to chapel weekly (we never see them there, just going and returning) and keeps his son and, particularly, his wife in order using a mixture of Scripture reading, prayer and corporal punishment.

I review Fanny Lye Deliver’d for Reform.

Here’s the trailer:

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Features Live Action Movies

Wet Season
(Redai Yu,
热带雨)

Director – Anthony Chen – 2019 – Singapore – 103m

****1/2

A Singaporean schoolboy becomes obsessed with his Mandarin language teacher – from the BFI London Film Festival and the London East Asia Film Festival (LEAFF) 2019.

It seems to be constantly raining in urban Singapore. Ling (Yeo Yann Yann) is forever sitting in her parked car injecting insulin. She has a job teaching Mandarin to a class in a local boys secondary school. Half a dozen of them are such poor students that she sets up a remedial class after hours to get them up to speed, but while they’re made to attend, they really aren’t interested. With one exception.

Wei-lun (Koh Jia Ler) will be in trouble with his parents if he doesn’t do well in Mandarin. As the other boys bunk off the remedial class with the slightest excuse, it pretty quickly develops into Ling teaching Wei-lun on a one-on-one basis. He doesn’t live that far from her home, so she often gives him a ride home in the car afterwards, unaware that behind her back he has for a long time been taking pictures of her with his mobile phone in class.

Ling has been trying to have a baby with her husband Andrew (Christopher Lee Ming-Shun) for some eight years.… Read the rest

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Shoplifters
(Manbiki Kazoku,
万引き家族)

Director – Hirokazu Kore-eda – 2018 – Japan – Cert. 15 – 121m – Palme d’Or winner

*****

Sleight of hand. A family of small-time criminals takes a little girl into their care – now out on VoD

The nuclear family. Dad Osamu (Lily Franky) takes son Shota (Jyo Kairi) shoplifting at a local convenience store. Mum Nobuyo (Sakura Ando), a former sex worker, dispenses advice to her younger sister Aki (Mayu Matsuoka). Grandma (Kirin Kiki) lives with the family, making a total of five persons in one small living space.

Father and son spot a little girl (Miyu Sasaki) sitting on the street. She’s hungry, so they take to theirs and give her a meal. Taking her home, it’s clear that neither father nor mother wants the child currently nor ever did. So the family decides to take Yuri in as its newest member.

Shota takes Yuri on a shoplifting trip but it doesn’t go so well… [Read the rest]

Out on Thunderbird Video. Also currently on Amazon Prime, BFI Player and Curzon Home Cinema (all rental). This review originally appeared in DMovies.org.

Trailer:

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Features Live Action Movies

Cam

Director – Daniel Goldhaber – 2018 – US – Cert. 15 – 94m

***1/2

An erotic webcam performer discovers to her horror that her online presence has been hacked by an unknown rival, in a film conceived by a real-life cam artist– from the 62nd BFI London Film Festival and on Netflix from Friday, November 16th 2018

Alice (Madeline Brewer) is in charge of her destiny, or so it seems. From a secret and self-contained, fluffy pink studio set up in her apartment, she promotes herself as her online persona Lola who hosts her own live online erotic shows where enthusiastic fans can encourage her to do specific things by sending her virtual currency. Her goal is to become number one on the site which hosts her and many thousands of other hopefuls, but she seems to have got stuck somewhere around the rank of 60th. What’s a camgirl to do in order to boost her ratings?

Clearly, spicing the sex up with a little violence is a winner, so when one of her admirers encourages her to use a knife, while others egg her on and other still try to talk her out of it, Lola cuts her throat online.… Read the rest

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Features Live Action Movies

Alien: Covenant

Director – Ridley Scott – 2017 – US – 15 – 122m

*** 1/2

The latest Alien franchise entry is an effective horror sci-fi, teeming with shocks, scares and twists, but it lacks the mythological depth of Prometheus and the twisted sexual connotations of Alien – in cinemas on 12th May 2017

This is Ridley Scott’s third Alien movie as director. His second Alien (1979) prequel or first Prometheus (2012) sequel – take your pick – is more like the former than the latter. On the one hand, its sci-fi ideas are more coherent and in line with other Alien franchise outings; on the other, unlike Prometheus it doesn’t periodically throw out lots of new ideas mining some of Alien‘s unexplained elements. Yet it does refer back to Prometheus.

A civilisation of charred or petrified bodies amidst otherworldly, ancient classical architecture suggests Scott is revisiting the Roman world of Gladiator (2000) or toying in his head with a film about Vesuvius erupting onto Pompeii. Again, take your pick. [Read more]

Alien: Covenant was out in UK cinemas on 12th May 2107, when this piece was originally written for DMovies.org.

Trailer:

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Secretary

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest

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Features Live Action Movies

Videodrome

Director – David Cronenberg – 1983 – Canada – Cert. 18 – 87m

*****

This review originally appeared in What’s On In London during the film’s revival at the ICA. See also my review for London Calling Internet.

In a career-defining performance from 1983, the young James Woods is Max Renn, glutted on the diet of video porn he watches as buyer for a Cable TV station. Everything he sees is “too soft”. “I’m looking for something tough,” he proclaims, “something to break through the market.”

In the station’s basement, his technician assistant Harlan (Peter Dvorsky) finds the very thing. Videodrome. Women strung up and beaten to death. No cuts. One locked off camera. Nil production values. Here, indeed, is something tough.

Welcome to a world of media personalities like Brian O’Blivion (Jack Creley), a man who no longer exists as flesh but merely as viewable video images. Like Nikki Brand (Debbie Harry), who agrees with Renn on a TV chat show slot that her red dress is a come on, later vanishing after declaring she should audition for the Videodrome show.

A world where hands mutate into guns, men literally bury their heads in eroticised television screens and one person loads a videocassette into another’s stomach to programme him.… Read the rest

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Videodrome
(Director’s Cut)

Director – David Cronenberg – 1983 – Canada – Cert. 18 – 85m

*****

UK PAL laserdisc review.

Originally appeared in London Calling Internet. See also my review for What’s On In London during the film’s revival at the ICA.

Distributor Pioneer LDCE

Cat No: PFLEB 36041

£19.99

BBFC Certificate 18

Director David Cronenberg (1982)

Starring James Woods, Sonja Smits, Debbie Harry

Running Time 85 min

Mono

Widescreen: 1.85:1

Chaptered? Yes

CLV (Side 1)/CAV (Side 2)

2 Sides

A decade and a half on and still retaining its incredible power to shock, this is the film in which David Cronenberg first coined his battle cry, “Long Live the New Flesh.” If a clear lineage can be traced in his films from Shivers’ aphrodisiac turds through to Crash‘s orgasmic collision of swingers and twisted metal, Videodrome remains unique in Cronenberg’s oeuvre – a black joke, a come on to the censor.

Just suppose, runs the pitch, violent porno (television signals) directly affected people causing them to hallucinate. This is the fate which befalls sleazoid Channel 83 cable television executive Max Renn (a young Woods in his best – and edgiest – role to date) who tells porno programme sales agents their merchandise is “too SOFT…I’m looking for something TOUGH.”… Read the rest

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Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest