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Movies Animation Features

Tad and the Magic Lamp
(Tadeo Jones
y la Lámpara Maravillosa)

Tad and the Magic Lamp
(Tadeo Jones y la Lámpara Maravillosa)

Director – Enrique Gato – 2026 – Spain – Cert. U – 94m

***1/2

In search of Aladdin’s lamp with a powerful villain in hot pursuit, Tad and his companions are transported back in time to (the) Mummy’s ancient, South American civilization – out in UK cinemas on Friday, October 23rd

Gato’s fourth instalment of the Tad the Lost Explorer franchise starts off in London with Tad pursuing a baby through the clockwork mechanisms of Big Ben, a sequence which recalls the climactic sequence of Disney’s Basil, the Great Mouse Detective (Ron Clements, Burny Mattinson, Dave Michener, Juhn Musker, 1986). It turns out that the baby is his and partner Sara’s, and that Tad is engaged in parenting chores while she is out and about with the Egyptian princess researching the magic lamp reputed to belong to Aladdin and rumoured to be in a room in Buckingham Palace unbeknownst to its royal occupants and accessible via a secret passage.

Entry to the secret passage is though a secret door in a pub, which can only be opened with a special dart which Sara tracks down in a Notting Hill antique shop.… Read the rest

Categories
Movies Features Live Action

Woman of Fire
(Hwanyeo,
화녀)

Director – Kim Ki-young – 1971 – South Korea – Cert. 18 – 98m

*****

A married couple’s housemaid seduces the husband, ensnaring him in a love triangle from which there is no escape – 4K Restoration played at the London East Asia Film Festival (LEAFF) (European Premiere) and screens again 6.30 at the ICA on Friday, November 5th book here as part of a strand dedicated to actress Youn Yuh-jung (Best Supporting Actress, Minari) at the London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young is probably better known for his breakthrough film The Housemaid (1960) than any other title. Not only did the film establish him as a maker of dark films about twisted relationships, it also inaugurated something of his trademark style. While a real watershed in Korean cinema generally and Kim’s career in particular, the material was something he felt he could do a lot more with: he remade it directly not once but twice as Woman of Fire (1971) and Woman of Fire ‘82 (1982). Where the highly effective original was shot in both black and white and the old 4:3 Academy format, the two remakes like many of his later films were both colour and scope, and made full use of both, giving them additional qualities lacking in the original.… Read the rest

Categories
Movies Features Live Action

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest