Tag: violence

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Features Live Action Movies

Goryeojang
(고려장)

Director – Kim Ki-young – 1963 – South Korea – 89m

2019 Korean Film Archive (KOFA) Restoration (two reels missing)

****

Goryeojang is the concept of taking your elders up a mountain when they reach 70 so that they can face death – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Over fifty years old, Goryeojang is sadly available as only a print with two reels (three and six) missing. The LKFF screened the version where the missing scenes are explained by a brief series of intertitles so that the rest of the film can make sense. It’s a tough film to pigeonhole. A description like period drama, which genre it absolutely fits, proves woefully inadequate. To a Western viewer, it plays out like a classic fairy tale, with archetypal characters and considerable amounts of cruelty. The art direction is light years away from any sort of social realism with its rural sets obviously artificially constructed in a studio, recalling (to name but one obvious example) The Singing Ringing Tree (Francesco Stefani, 1957), especially for all those British people who saw that latter film in black and white on BBC children’s television in the 1960s.… Read the rest

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Features Live Action Movies

Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

***

Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest

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Features Live Action Movies

Hard Target

Director – John Woo – 1993 – US – Cert. 18 – 100m (UK version), 86m (US version)

****

John Woo’s US debut is a New Orleans remake of The Most Dangerous Game with action star Jean-Claude Van Damme – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Essentially the first of two remakes of The Most Dangerous Game / The Hounds Of Zaroff (Ernest B. Schoedsack, Irving Pichel, 1932, shot using the same cast, crew and jungle sets as King Kong, (Merian C. Cooper, Ernest B. Schoedsack, 1933) – the second being Surviving The Game (Ernest R. Dickinson, 1994) – this updates the original’s remote island to the urban jungle of and countryside surrounding New Orleans, making its mad game hunter (Lance Henriksen taking on the role originally played by Leslie Banks) prey not on lost seafarers but unemployed down and outs on dry land.

In true New Right nineties spirit, the hunter of humans has now graduated from being merely a gratifying personal sport for deranged psychopaths to a lucrative business attracting high rolling, thrill-seeking clients who get to pull the trigger themselves.… Read the rest

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Features Live Action Movies

The Body
(2024)
(Il Corpo)

Director – Vincenzo Alfieri – 2024 – Italy – 115m

*****

The body of a rich industrialist’s wife vanishes from the morgue after her death – stylish giallo premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

An unashamed genre piece, The Body is a giallo – an Italian crime and murder mystery named after the yellow book covers of their literary equivalents. While it absolutely fits into that very specific Italian genre, it’s actually the fourth remake of Spanish murder mystery The Body (Oriol Paulo, 2012) following remakes in India (twice, as Game, A.M.R. Ramesh, 2016 and The Body, Jeethu Joseph, 2019) and South Korea (The Vanished, Lee Chang-hee, 2018).

The current version juxtaposes stock elements from gialli and popular fiction with some highly original ideas which may or may not have been used in the earlier versions as yet unseen by this writer. The stock elements include: the womaniser suspected of murdering his wife, the hard-bitten inspector investigating the case, the man who has married into wealth, and the university professor having an affair with a student. The highly original ideas: a man running out in front of a car, a corpse disappearing from a morgue, and a married woman who is also a practical joker.… Read the rest

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Features Live Action Movies

Nowhere to Hide
(Injeong Sajeong
Bol Geot Eobtda,
인정사정 볼 것 없다)

Director – Lee Myung-se – 1999 – South Korea – Cert. 15 – 100m, 113m

***1/2

A cop determinedly pursues a gangland killer in a city where, since he committed the murder for which he is bing hunted, it always appears to be heavily raining – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank

Effectively a four-hander – an impulsive detective, his partner on the force, a ruthless killer gangster and his long-suffering girlfriend. Like a slobbish, South Korean version of Chow Yun-fat without the charm, Park Joong-Hung is the Oriental action movie homage-named Inspector Woo, who before the titles have rolled has pursued a black-clad gang into an underground train for a machete fight, shot in stylish, bleached black and white for no apparent reason.

The ground is covered in Autumn leaves, recalling The Conformist (Bernardo Bertolucci, 1970). The downtown location of public stairway 40 Steps has a schoolgirl look up and see it begin to rain, the torrential downpour continuing for the two months and more of the remainder of the narrative. A man leaves his car to ascend the steps; halfway up, he approaches another man (Song Young-chang) and kills him, even as the victim stretches out his hand in a futile attempt to keep his murderer’s knife at bay.… Read the rest

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Animation Features Movies

Watership Down
(new 4K restoration)

Directed by Martin Rosen
Certificate PG
92 minutes
Released 25 October

Reviewed for Reform magazine.

Now fully restored in a new 4K restoration, this 1978 tale of rabbits on the run proved that an animated film need be neither made by Disney nor sugar-coated for children. Watership Down, although a children’s film, came from the producer of the Oscar-winning DH Lawrence adaptation Women in Love (1969), Martin Rosen. He ended up directing it too.

A prologue details the relationship between the creator-god Frith – represented as the sun – and rabbitkind. As with most creation myths outside the Judeo-Christian, there’s quite a bit of sex and violence. The rabbits breed furiously; hitherto non-carnivorous animals are given teeth to keep the rabbit numbers down. The rabbits are given powerful hind legs to outrun their predators.

Having established rabbits as intelligent creatures possessing a mythology and a world view, the main story… [Read the rest at Reform magazine]

[Read my alternative, longer review for this site.]

Trailer:

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Features Live Action Movies

Starve Acre

Director – Daniel Kokotajlo – 2023 – UK – Cert. 15 – 98m

***

As a couple become mired in grief following the death of their son, their behaviour turns increasingly obsessive, erratic and violent – terrifying and unsettling folk horror is out in UK cinemas on Friday, September 6th and on Blu-ray, DVD and BFI Player from Monday, October 21st

Thinking the fresh air of the countryside will benefit their son’s health, the family of Richard (Matt Smith), Juliette (Morfydd Clark), and their young son Owen (Arthur Shaw) move from their urban home to the wilds of the Yorkshire countryside and the house, named Starve Acre, in which Richard grew up. Owen doesn’t respond too well to the new environment. An unfortunate incident occurs offscreen at a village event, in which an animal gets stabbed in the eye and Owen’s clothing is stained with blood.

His understandably concerned parents take him to Dr. Monk (Roger Barclay) for advice. It isn’t immediately obvious as to what exactly is wrong, and the situation is set to worsen for the couple.

In Richard’s opinion, it doesn’t help that their hardened, elderly neighbour Gordon (Sean Gilder) visits quite often to fill the boy’s head with tales of a mysterious Jack Grey.… Read the rest

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Animation Features Movies

Watership Down
(new 4K restoration)

Director – Martin Rosen – 1978 – UK – Cert. PG – 92m

*****

When a young rabbit visionary foresees doom for those who remain, some of the rabbits leave their warren in search of a safer home, encountering many life-threatening perils along the way – new 4K restoration of animated feature is out in UK cinemas on Friday, October 25th, following its World Premiere in the London Film Festival on Saturday, October 12th

LFF: Sat 12 Oct 12:20 World Premiere, Tues 15 Oct 12:15,
both BFI Southbank NFT1.

This opens with a mythological segment involving a powerful God, represented as the sun, and rabbitkind, specifically the archetypal rabbit El-ahrairah. It’s drawn and painted in an arresting, non-naturalistic style involving coloured lines animated against a white background to create the impression of moving, primitive drawings, due in large part to uncredited director John Hubley, whose vision for the film was at odds with that of producer Martin Rosen. The latter ended up firing the former as he wanted something grittier and less lightweight.

It’s arguable this has worked to the film’s advantage: the fable sequence works as otherworldly rabbit mythology, suggesting a race of intelligent creatures capable of constructing creation myths about their species much as human beings do.… Read the rest

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Features Live Action Movies

Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Features Live Action Movies

Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic is out in UK cinemas on Friday, August 23rd

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest