Austin Abrams Archives - Jeremy C. Processing

Director – Brian Duffield – 2026 – US – Cert. 15 – 106m

The abusive father drama (about half an hour) ***

The whale scenes (most of the film) *****

A man’s memories of his emotionally abusive father help him to survive when he is swallowed by a whale – out in UK cinemas on Friday, October 16th

This is very much a film of two elements. On the one hand, it’s about a bereaved man coming to terms with his memories of his recently deceased, abusive father. On the other hand, it is the spectacle, indeed, the experience, of a man being swallowed by a sperm whale. The whole thing, based on a novel by Daniel Krauss, is set in a coastal town and, mostly, in the nearby ocean.

In the opening 10 minutes, Mitt Gardiner (Josh Brolin from Dune & sequels, 2026, 2024, 2021, Sicario, 2015, all Denis Villeneuve; No Country for Old Men, Joel and Ethan Coen, 2007), an experienced diver losing his fight against a rare cancer named mesothelioma, steps off the side of a boat into the ocean and is never seen again. (Except in flashback.) Before jumping into the water, he seals a number of letters and puts them in a box on the deck.… Read the rest

Weapons

Director – Zach Cregger – 2025 – US – Cert. 18 – 128m

****

One night, all but one of the children in one class in the town school disappear into the dark, leaving the townsfolk baffled as to what happened to them… – Fortean-sounding mystery is out in UK cinemas on Friday, August 8th

One night at 2.17am, the 17 other kids in Alex’s class got up out of their beds, went downstairs, opened their front doors, and ran out into the night. As a child relates the incident, we observe it in flashback. The kids run with arms half outstretched at an angle, as if playing at being aeroplanes in the school playground. If you’ve seen the film’s poster, this strange angle of the arms is also apparent. As it also is in the film’s trailer, which starts with this flashback. But what is in the mind of these kids? Where are they going? To what purpose?

For that matter, why the title Weapons? I don’t think it’s a spoiler to say that you’ll know the answer once you’ve seen the film.

Thus begins one of the most intriguing cinematic mysteries of recent years. To unpack his prologue, writer-director Cregger opts for an astute, six-part, character-based structure.… Read the rest