Category: Movies

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Documentary Features Live Action Movies

The Tale of Silyan
(Приказната за Силјан)

Director – Tamara Kotseva – 2025 – North Macedonia – Cert. 12a – 81m

*****

A farmer, whose livelihood has collapsed thanks to economics and government policy, cares for a stork with a broken wing – in cinemas from Friday, December 12th

This begins with a simple voiceover story. Silyan, ostracised from the other storks because he was different, is noticed by a similarly lonely father who takes pity on the stork and invites it to live with him.

Then it swiftly switches to two parallel narratives within the same geographical area.

In one, a man’s extended family builds a new storey onto their house for the son and daughter in law. The act of building is very much a family affair, with even the man’s small granddaughter mucking in.

In the other, a flock of storks build their nests on the roof of an old farmhouse building nearby.

The man is a farmer (Nikola Conev); his extended family help him pick this year’s harvest of vegetables, then accompany him to a string of local farmer’s markets to sell his produce. At this point, the man hits a problem; the going rate has dropped. And he can’t get a decent price for his produce.… Read the rest

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Documentary Features Live Action Movies

Dark Star

Director – John Carpenter – 1974 – US – Cert. PG – 83m (71m Directors Cut)

*****

Let There Be Light: The Odyssey of Dark Star

Director – Daniel Griffith – 2010 – US – 118 mins

*****

A bored crew of astronauts travel through space blowing up unstable planets – out now as a 4K Ultra-HD and Blu-ray Box Set, and a standalone Blu-ray

Carpenter’s 71-minute cut of his extraordinary debut feature is a lean, if tacky, sci-fi comedy that succeeds because of clever characterisations in the script and exemplary use of minimal resources in its production. Begun as a student film at USC, it preceeds his more polished, widescreen thriller efforts of the 1970s starting with Assault on Precinct 13 (1976) and Halloween (1978) with their relentless, pounding scores which he also composed and which would enable him to reinvent himself as a performing musician much later in his career. With no driving beat, Dark Star’s keyboard tones merely hint at what is to come musically.

The spaceship interiors are deceptively simple. One is a small room with four seats crammed side to side alternately facing from which four crew members operate the ship. Or, rather, three – Lt.… Read the rest

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Winners
(Barandeha,
برنده‌ها)

Director – Hassan Nazer – 2022 – UK, Iran – Cert. PG – 85m

****

A missing Oscar statuette is found by two kids in the Iranian provinces who work scavenging rubbish dumps – the UK’s official entry for the 95th (2023) Academy Awards Best International Feature plays one night only, Monday, December 8th, 6.15pm, as the second part of a triple bill with The Pearl Button at 4pm and Goodbye, Dragon Inn at 7.45pm, as part of Film Tottenham celebrates 100 years of community cinema, which runs until Sunday, December 21st 2025

An Oscar statuette goes missing in Tehran when the woman charged with bring it to the production company office somewhat foolishly leaves it in the back of a taxi while she nips out at her home to collect something. While she is out of the vehicle, a policeman instructs the driver to move on as he isn’t allowed to stop there. She comes back and the taxi is gone – and the statuette with it.

It ends up in the taxi company’s lost parcel office, where an employee who has no idea what it is decides to borrow it for the evening as it will look good in his home, wrapping it in a towel before placing it in his bag.… Read the rest

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Invisibles
(Invisibles)

Director – Junna Chif – 2025 – Canada – 94m

****1/2

A sex worker turned exotic dancer starts providing sexual services to disabled people – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

“Blow jobs are real jobs – and real jobs suck” reads a slogan held by three boisterous young women on a protest march. In a nightclub, we watch one of them perform a burlesque striptease to rapturous applause from the audience, seated in male and female blocks. ‘Ella’ (Nadia Essadiqi from Incendies, Denis Villeneueve, 2010) later gets an email from the disabled brother of a friend stating he is now “ready for full sexual intercourse”.

She decides to meet the challenge, so the sender turns up in a van with his carer Marco (Victor Andres Turgeon-Trelles) who hoists him onto the bed, then departs for an hour leaving a contact number. Floyd (Floyd Lapierre-Poupart) can’t move much and has club hands and feet, and their initial encounter proves less than successful, resulting in his premature ejaculation. You sense that the whole exercise is way outside both their comfort zones. In the tense exchange that follows with Marco, he emphasises that the correct term is “people with a disability, Miss” and she retorts with, “sex workers, Sir.”… Read the rest

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Documentary Features Live Action Movies

Prime Minister

Directors – Michelle Walshe, Lindsay Utz – 2025 – US, New Zealand – Cert. 12a – 102m

*****

A portrait of Rt Hon Dame Jacinda Ardern, New Zealand’s 40th Prime Minister – out in UK and Irish cinemas on Friday, December 5th

There has never been a documentary quite like this before, and perhaps there never will be again. For one thing, it turns out that Jacinda Ardern’s partner Clarke Gayford is an established TV producer who shot a wealth of home movie footage, albeit with professional equipment, throughout the period for which she served as New Zealand’s Prime Minister. For another, this home movie footage covers her pregnancy and the early years of her daughter Neve. For a third, as an MP she became involved with a project in which MPs would record their thoughts at various points during their tenure. When she agreed to this, no-one, including herself, had any idea that she would subsequently become Prime Minister. And that’s the fourth reason: this is a portrait of a PM in office who had no intention of being either a party leader or the Prime Minister of a country. And then who suddenly found herself the sole candidate for the post of leading New Zealand’s Labour Party weeks ahead of a General Election, in which she led the party to victory,

In this documentary, Jacinda (as I shall call her) describes being the leader of a country as “the worst job in politics”.… Read the rest

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It Was Just an Accident
(Yek Tasadef Sadeh,
یک تصادف ساده)

Director – Jafar Panahi – 2025 – Iran, France, Luxembourg – Cert. 12a – 105m

*****

When a man hits an animal driving on country roads late at night, unforeseen consequences ensue – out in UK cinemas on Friday, December 5th

It’s late at night and the family are returning by car. Eghbal (Ebrahim Azizi), who is driving, and his wife (Afssaneh Najmabadi) keep their small daughter (Delnaz Najafi) amused with raucous, Iranian dance music. Then there’s a bang as the car hits something. Dad stops, gets out and finds he’s hit an animal. “Animals just walk onto these roads,” he explains to his traumatised daughter. The mother tries to pacify the child, saying this happens all the time and is nothing to worry about. The little girl is upset; she was enjoying the loud music before, but now she isn’t. At her request, dad turns it off. A sombre mood settles over the car.

The vehicle isn’t right since the collision, so dad takes it to a garage for them to have a look at it. One of the mechanics Vahid (Vahid Mobasseri) spots him, keeps out of sight, then borrows his boss’ van keys for a emergency to follow the departing vehicle.… Read the rest

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That Burning House
(Shi Le Yuan,
火宅之犬)

That Burning House

Director – Tsai Yin-chuan – 2025 – Taiwan – 133m

****1/2

Teachers in a juvenile care home attempt to break the cycle of violence among their charges – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This is one of those films that takes place in several different times in the characters lives, including when they are children, teenagers and adults. That means that you need more than one actor to play each character at different times in their lives, and if you’re going to attempt that, you’d better get your casting right, so that when you see the second actor playing an older or younger version of the character, you instantly recognise that character.

I wanted to rate this compelling film as five stars, but it has severe problems in this area – it’s really hard working out which character is which in the various different times in which events take place. Studying the end credits helped somewhat in this regard, but that information really ought to be expressed more clearly within the film narrative itself. (To see an example of a film that tackles this multiple character casting brilliantly, see Moonlight (Barry Jenkins, 2018).… Read the rest

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Past Lives

Director – Celine Song – 2022 – US, South Korea – Cert. 12a – 105m

*****

After emigrating with her family from South Korea to North America, a Korean-American is sought out in New York by her now-adult childhood sweetheart from back in Korea – streaming exclusively on StudioCanal Presents

Have you heard the one about the Korean woman sitting between a Korean man and a WASP man in a bar in New York? Is the Korean man her partner? Is the WASP man her partner? Following this unforgettable opening image and a voice-over in which someone tries to work out the loyalties and relationships pictured, flashback 24 years to Korea’s Seoul for a chunk of narrative also involving Canada’s Toronto. Then jump forward 12 years for a further chunk of narrative in both Seoul and New York. Finally, jump forward a further 12 years to the present day for a final chunk of narrative in New York.

Intrigued? You’ll get to know two very Korean kids, who at age 12 or thereabouts in Seoul start dating. The girl, Na Young (Moon Seung-Ah), is already choosing a Westernised name, Nora Moon, in preparation for her family’s emigration to Toronto; the boy Jung Hae Sung (Leem Seung-min) has no such conflict and is firmly locked into a Korean identity.… Read the rest

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Street Wanderers
(Los Caminantes
de la Calle)

Director – Juan Martin Hsu – 2025 – Argentina, Peru – 90m

*****

Argentinian cops and robbers procedural is set largely in the world of Mendoza’s immigrant Chinese community – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

2010. Mendoza, Argentina. The family-run, Chinese restaurant of Dageng (Kon Yam Pin) receives telephone threats for protection money. When they don’t pay up within 24 hours, a motorbike with two riders pulls up on at their door which opens onto the main street and fires four shots. So Dageng’s son (Willy Kon Chin Yi) delivers a rucksack containing $50 000 to the gang. But later, the riders complain there was only $30 000 and demand another $20 000.

Lots of similarly threatening phone calls overlap on the soundtrack as we see numerous yellow cables plugged into a telecoms hub, recalling similar motifs in movies as diverse as Three Colours Red (Krzysztof Kieślowski, 1994) and Dial M for Murder (Alfred Hitchcock, 1953).

The prosecutor’s office is monitoring phone calls, but faces challenges. One such is that the calls are in Cantonese so require an interpreter to turn them into intelligible Spanish. Another is illustrated when the current interpreter quits, terrified what might happen to her family if word about the nature of her work gets out.… Read the rest

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The Silent Virgin
(La Virgen Silenciosa)

Director – Xavi Sala – 2025 – Mexico – 127m

*****

A legal secretary frustrated in her job embarks on a relationship with another woman, but her possessive mother does not approve – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This certainly knows how to grab your attention at the start. An icon of the Blessed Virgin Mary (BVM) hangs on the wall. On the bed, a grown woman pleasures herself until… The earth moves! Everything is shaking, and she quickly recovers her composure as her middle-aged mother runs in to get her out of the house as the earthquake alarm goes off.

After, they eat at the meal table, and her mother (Mercedes Hernández from New Order, Michel Franco, 2020) asks Vale (“Va-lay”; Zamira Franco also from New Order), who she’ll later address as Valeria, to pick up prescriptions while she’s out and makes sure she doesn’t forget her packed lunch. Then it’s train, bus and the walk past colourful stalls to work. Vale’s office with about half a dozen or so people seems to be piled high with paperwork. They are dealing with the cases of people being arrested.… Read the rest