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Documentary Features Live Action Movies Music

Broken English

Directors – Iain Forsyth, Jane Pollard – 2025 – UK – Cert. 15 – 96m

*****

Musician and cultural icon Marianne Faithfull is interviewed at length, and her life and artistic achievements examined from several angles – compelling documentary is out in UK and Ireland cinemas on Friday, March 20th

Who is Marianne Faithfull? Given that, sadly, she died during the making of this documentary about her, we should ask another question. Who was Marianne Faithfull? 

Marianne appears extensively here as a real life, a 78-year-old interviewed by actor George MacKay (from The Beast, Bertrand Bonello, 2023; Femme, Sam H. Freeman, Ng Choon Ping, 2023; 1917, Sam Mendes, 2019) for The Ministry of Not Forgetting, an institution created specially for this film narrative where it is run by Tilda Swinton (from Memoria, Apichatpong Weerasethakul, 2021; SnowpiercerBong Joon Ho, 2013; Orlando, Sally Potter, 1992) in a suit and tie who delivers all manner of fascinating pronouncements about Marianne’s life and work, and at one point even explores that territory by choreographing a dancer’s movements.

While The Ministry of Not Forgetting provides a structure within which Faithfull’s humanity and legacy can be explored, this latest film from Forsyth and Pollard (20, 000 Days on Earth, 2014; The Extraordinary Miss Flower, 2024) is characteristically kaleidoscopic.… Read the rest

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Features Live Action Movies

How to Make a Killing

Director – John Patton Ford – 2026 – UK, France – Cert. 15 – 105m

****

A disinherited son culls the seven family members standing between him and the fortune of his super-rich family one by one – US reimagining of Kind Hearts and Coronets is out in UK cinemas on Friday, March 13th

Sentenced to death for murder, Becket Redfellow (Glen Powell) asks for a priest to visit his cell on death row so he can recount the long story behind his incarceration. The priest arrives, and Becket starts to tell his tale…

Mary Redfellow (Nell Williams) has a child, Becket (Grady Wilson), with a man her wealthy family, the Redfellows, consider beneath her station. As a result, they cut her off. She nevertheless teaches the child to be mindful of gaining his true inheritance. She has him learn archery and piano. At a piano recital as a child, he meets Julia (Maggie Toomey), a monied girl his own age, and the two immediately hit it off.

As an adult, the family’s rejection of Becket and his mother is made crystal clear to him when his mother dies and he attempts to get family funding for her funeral, the refusal coming in the terse form of a three-line letter delivered by chauffeur-driven car to the family estate gates where Becket is waiting.… Read the rest

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Features Live Action Movies

Resurrection
(Kuangye Shidai,
狂野时代,
lit. Wild Times)

Director – Bi Gan – 2025 – China – Cert. 15 – 160m

****

An authority figure pursues a Deliriant – a man who escapes the authorities and his own social responsibilities by dreaming – through a period of a hundred years – out in UK cinemas on Friday, March 13th

This opens with a long series of intertitles about people discovering that the secret to eternal life is to stop dreaming. Rebels who refuse to do this are known as Deliriants, and they cause all manner of disruption to wider society. Then, the celluloid image catches fire…

revealing people watching stupified from the cinema stalls only to be rushed out by a truncheon-wielding policeman as music plays in the manner of a silent film. A lady photographer (Shu Qi from The AssassinHou Hsaio-hsien, 2015; The Transporter, Louis LeTerrier, Corey Yuen, 2002; Millennium MamboHou Hsaio-Hsien, 2001) appears to take a picture of the unseen projector (where we, the audience, are sitting).

The intertitles continue. One Deliriant (Jackson Yee from The Battle at Lake Changjin II: Water Gate BridgeTsui Hark, 2022; The Battle at Lake ChangjinChen Kaige, Dante LamTsui Hark, 2021) has been forgotten because he’s hiding in an ancient, distant past – that is film.… Read the rest

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Features Live Action Movies

YMCA Baseball Team
(YMCA Yagudan,
YMCA야구단)

Director – Kim Hyun-seok – 2002 – South Korea – Cert. – 104m

***

In 1905, as the Japanese take over the running of their country, a small group of Koreans form a baseball team to defeat the Japanese – from LKFF, the London Korean Film Festival 2025 which runsin cinemas from Wednesday, November 5th to Tuesday, November 18th

A lightweight sports comedy loosely inspired by historical events, this is set in 1905, by which time the Japanese were moving to occupy Korea. Lee Ho-chang (Song Kang-ho) is playing soccer on a local plateau when the ball goes off the edge and into the local YMCA missionary compound below. While retrieving the ball, he is confronted by US-schooled baseball enthusiast Min Jung-rim (Kim Hye-soo).

Much comedy is derived (albeit not that successfully for Western audiences) from Ho-chang’s taking a romantic liking to her, even though she has not the slightest interest in him, preferring (when he turns up later in the narrative) Japanese-schooled Oh Day-hyun (Kim Joo-hyuk) who is already highly skilled at baseball, which arrived in Japan in 1872, some 30 years before it came to Korea. Also in the team is bespectacled Ryu Kwang-tae (Hwang Jung-min), whose bureaucrat father is collaborating with the Japanese administration.… Read the rest

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Features Live Action Movies

The Choral

Director – Nicholas Hytner – 2025 – UK – Cert. 12a – 113m

*****

Against the backdrop of WW1 and a dwindling male population, the choral society of a small Yorkshire village attempts to mount a performance of Elgar’s The Dream of Gerontius – out in UK cinemas on Friday, November 7th

The fictional town of Ramsden, Yorkshire, 1916. World War One has been raging almost two years in France, but that almost seems like a distant world to 17-year-old lads Ellis (Taylor Uttley) and Lofty (Oliver Briscombe) whose main concern is eyeing up the local girls and working out their chances. Almost. Because Lofty’s job as a telegram boy, on which rounds Ellis accompanies him, means he’s delivering news of deaths from the Front to wives waiting anxiously at home and, following the 1916 Conscription Act requiring men aged 18 and above to join the armed forces, conscription notes to households from the King. (Prior to the Act, joining up had been voluntary although there was considerable moral and social pressure on men to do so.)

Closer to home, a more immediate concern looms for Ramsden in the form of the local choir, which has just lost its musical director to the army.… Read the rest

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Features Live Action Movies

Darling

Director – John Schlesinger – 1965 – UK – Cert. 15 – 128m

*****

A young woman abandons her dull marriage to navigate life and love in 1960s swinging London – back out in UK cinemas on Friday, May 30th, and on 4K UHD & Blu-ray on Monday, 16th June

Today, this stands as a testament to the 1960s, when social class in Britain began to break down and people began experimenting with lifestyle and morality in hitherto unthinkable ways. It plays as a fascinating snapshot of its contemporary time and mores, providing a glimpse into the sixties, the decade of Swinging London when, for a brief moment, this city was the coolest in the world.

Yet, for Darling’s characters, London is just where they happen to live. In a loose framing device, Diana Scott (Julie Christie) recounts her memories into a tape recorder, presumably for an unseen interviewer or biographer, although while this dramatic device anchors the narrative charting of the young woman’s life and career, it does little beyond ease the viewer into her story and allow her to interject pertinent comments at various points.

As a child in the school play, people are already referring to Diana as Darling.… Read the rest

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Art Documentary Features Live Action Movies

War Paint
Women at War

Director – Margy Kinmonth – 2025 – UK – Cert. 12a – 89m

*****

A look at the output of various women artists who have documented and dissected war, and what they can tell us – out in UK cinemas on Friday, March 28th

Although being promoted, reasonably enough, with an image from World War Two of women working with barrage balloons, right from the start in narration over its opening titles this breaks the mould for anyone expecting it to cover any one specific historical or geographical war. “I’m going to talk to women all round the world”, says director Kinmonth in regard to the concept of war as a catalyst for creativity. “What do women see that men don’t?” Quite apart from her gender, she is well-placed to tackle such a subject having recently made two documentaries on the subject of war artists: Eric Ravilious: Drawn to War (2022), War Art with Eddie Redmayne (2015), and many more before that on the subject of art in assorted social contexts.

The film is a compendium of interviews with living female artists or, in the cases of artists who’ve passed on, their descendants or proponents. Some of the names are familiar, such as Lee Miller, Maggi Hambling or Dame Rachel Whiteread, others much less so.… Read the rest

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Features Live Action Movies

Lee

Director – Ellen Kuras – 2023 – UK – Cert. 15 – 116m

****

Former fashion model Lee Miller, played by producer Kate Winslet, reinvents herself as a war photographer for London Vogue at the start of World War Two – out in UK cinemas on Friday, September 13th

It’s all too easy to assume (as per the ‘auteur’ theory espoused by the French ‘Cahiers du Cinema’ critics of the 1950s) that films are the works of directors. If one had to pick a single creative force behind this film, however, it would be the person who put it all together as producer before any director or writer were involved as collaborators.

That producer was the actress Kate Winslet who wanted to make a film about Vogue model turned photographer Lee Miller. Winslet doesn’t look much like the tall statuesque beauty that Lee Miller was in her younger days, and it didn’t occur to her to portray Lee Miller herself until some way into the process of putting the film together.

To direct the film, Winslet has chosen former cinematographer Ellen Kuras, an appropriate choice since Kuras has worked on documentaries shooting such musicians as David Byrne, Bob Dylan, Lou Reed and Neil Young, lensed narrative features on the such diverse cultural figures as Jane Goodall and Andy Warhol, and worked with unique film director Michel Gondry.… Read the rest

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Documentary Features Live Action Movies

Fantastic Machine
(original title:
And the King Said,
What a Fantastic Machine)

Directors – Axel Danielson, Maximilien Van Aertryck – 2023 – Norway, Sweden, Denmark – Cert. 15 – 88m

****

An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

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Art Documentary Features Live Action Movies

Exhibition on Screen:
John Singer Sargent
Fashion & Swagger

Director – David Bickerstaff – 2024 – UK – Cert. U – 93m

****

Late nineteenth century society portrait painter John Singer Sargent was fascinated more by their clothing and the possibilities of paint than he was by the women he painted – documentary is out in UK cinemas for selected screenings from Tuesday, April 16th

Based on the exhibition first at the Museum of Fine Arts, Boston (MFA) and now at Tate Britain, this opens with incidental music that conjures a contemporary dance floor, a soundtrack which provokes a strange tension with paintings hanging on walls and costumes displayed in glass cases as the camera moves through the physical spaces in which they are displayed. But then, the title suggests this might be a little different from Exhibition on Screen’s usual fare.

John Singer Sargent’s A Portrait of Miss Elsie Palmer (A Lady In White), 1889-90, shows the energy and intensity of his portraiture. The brushstrokes are arresting and like nothing else being done at the time. The paintings might be perfect, but the people within them most definitely are not: Sargent captures their imperfections in a most compelling way. He looked deeply at people, and some of his sitters were afraid to sit for him because of what he might see.… Read the rest