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Features Live Action Movies

Lee

Director – Ellen Kuras – 2023 – UK – Cert. 15 – 116m

****

Former fashion model Lee Miller, played by producer Kate Winslet, reinvents herself as a war photographer for London Vogue at the start of World War Two – out in UK cinemas on Friday, September 13th

It’s all too easy to assume (as per the ‘auteur’ theory espoused by the French ‘Cahiers du Cinema’ critics of the 1950s) that films are the works of directors. If one had to pick a single creative force behind this film, however, it would be the person who put it all together as producer before any director or writer were involved as collaborators.

That producer was the actress Kate Winslet who wanted to make a film about Vogue model turned photographer Lee Miller. Winslet doesn’t look much like the tall statuesque beauty that Lee Miller was in her younger days, and it didn’t occur to her to portray Lee Miller herself until some way into the process of putting the film together.

To direct the film, Winslet has chosen former cinematographer Ellen Kuras, an appropriate choice since Kuras has worked on documentaries shooting such musicians as David Byrne, Bob Dylan, Lou Reed and Neil Young, lensed narrative features on the such diverse cultural figures as Jane Goodall and Andy Warhol, and worked with unique film director Michel Gondry.… Read the rest

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Features Live Action Movies

Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

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Animation Features Movies

The Inventor

Directors – Jim Capobianco, Pierre-Luc Granjon – 2023 – US, France, Ireland – Cert. PG – 100m

****

Towards the end of his life, inventor Leonardo da Vinci goes to live in France under the patronage of the King – stop frame / drawn animation composite is out in the UK’s Vue cinemas on Friday, March 8th

Rome, Italy, 1516. Leonardo da Vinci (voice: Stephen Fry) happily shows off a giant optical system of magnifying glasses for observing the heavens to his assistant Francesco Melzi (voice: Angelino Sandri). Francesco retorts that Leonardo ought to be worried about the Pope who has spies everywhere (and sure enough, there are eyes watching from nearby peepholes). Leonardo’s other assistant, the hulking, mute Zoroastro sources corpses for him, on which the curious Leonardo performs dissections and studies what he finds through making drawings in his quest for find the animated spirit of man, a search which, in dreams and visions, often leads him into confrontation with a mysterious, gargantuan, dark-hooded figure.

The inventor is summoned to Pope Leo X (voice: Matt Berry) who wants to know, why can’t Leonardo just make pretty things? The arrival of a messenger whose helmet is half crushed by a cannonball leads Leo to suggest Leonardo fashion him machines of war.… Read the rest

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Features Live Action Movies

Driving Mum
(Á Ferð Með Mömmu)

Director – Hilda Oddsson – 2023 – Iceland, Estonia – Cert. 12a – 112m

****1/2

After his mum dies, a man must honour her last wish by driving her to her final resting place… On the way, she talks to him… – out in UK cinemas on Friday, March 1st

The 1980s. Jón (Þröstur Leó Gunnarsson) lives with his mother (Kristbjörg Kjeld) and his faithful dog Brezhnev in a remote part of rural Iceland. Days are spent sitting in the house knitting sweaters and listening to the radio – actually audio cassette recordings of the radio which run out in mid-sentence. These are periodically received in batches in boxes from a visiting trader in a boat in exchange for Jon and his mum’s home-knitted sweaters. Mum regrets never having been to Gullfoss, and Jon points out it’s unlikely to happen now. He is also a keen amateur photographer who operates his own darkroom. Rightly or wrongly, his mum worries about how he will survive after she’s gone.

One morning, he wakes to discover she has died in her sleep. He makes her corpse up as best he can, which leaves much to be desired, since her resultant look is somewhere between a clown and a zombie.… Read the rest

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Art Documentary Exhibitions Features Live Action Movies

Exhibition on Screen:
Painting
the Modern Garden
– Monet to Matisse

Director – David Bickerstaff – 2016 – UK – Cert. U – 93m

***1/2

The relationship of Claude Monet’s late water lily paintings to the history of horticulture, along with a few other artists and their gardens – out in UK cinemas for one day only on Tuesday, February 27th

Originally made to coincide with the Royal Academy’s 2016 exhibition of the same name, this basically does what it says on the tin. With Exhibition on Screen’s excellent series of documentaries about art and artists receiving brief cinema outings in recent years, this entry from the back catalogue is given a big screen outing. While the exhibition has long since been and gone, French Impressionist painter Claude Monet is one of those figures from the history of art who is incredibly popular, especially the late garden or water lily paintings, so a documentary about those late paintings ought to be a fairly easy sell.

Those Monet works and the garden he built at his house in Giverny – rented from 1893, owned from 1900 thanks to a loan from his dealer – are very much the spiritual centre of the film, along with Monet’s skill as a horticulturalist, which is explored at quite some length.… Read the rest

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Features Live Action Movies

The Taste of Things
(The Pot-au-Feu)
(La Passion
de Dodin Bouffant)

Director – Tran Anh Hung – 2023 – France – Cert. 12a – 145m

*****

A nineteenth century, French gastronome tries to persuade his live-in cook to become his wife – in cinemas in the UK and Ireland from Wednesday, February 14th

1885. Eugénie (Juliette Binoche) is the live-in cook for celebrated gastronome Dodin Bouffant (Benoît Magimel). Over the years, he and his male friends have enjoyed her culinary skills. They are in a relationship: some nights, her bedroom door is unlocked and he can gain admission, other nights, it’s locked. She likes things the way they are and has no plans to marry him. However, he has other ideas…

This opens with a bravura cooking sequence in a huge, French chateau kitchen as Eugénie and her assistant Violette (Galatéa Bellugi) and Violette’s younger, visiting cousin Pauline (Bonnie Chagneau-Ravoire), with a degree of assistance from Dodin, prepare the most amazing French meal you’ve ever seen. You start to think you’re in for two and a half hours of hunger-inducing food porn when the tone starts to shift, and the threads of a plot impose themselves ever so subtly on the proceedings.

Dodin accepts a challenge from a foreign prince, used to lengthy meals that last longer than 24 hours, to cook a meal the challenger will never forget.… Read the rest

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Features Live Action Movies

Fez Summer ’55
(” 55″ خمسة وخمسين)

Director – Abdelhai Laraki – 2023 – Morocco – Cert. none – 114m

****

An 11-year-old boy navigates the rooftops of a Moroccan city while insurgents plot the overthrow of French colonialists in private courtyards and sometimes confront the occupying police in the streets – premieres in the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

The old medina of Moroccan city Fez, a lattice of narrow streets where there is room for no more than pedestrian traffic. Or, to 11-year-old boy Kamal (Ayman Driwi), a network of rooftops and walkways allowing him to go anywhere. His freedom on the top of the city stands in sharp contrast to the country’s political reality: occupied by France, with their police patrolling the streets. The locals either keep their heads down or agitate for the return of their exiled ruler, Sultan Mohammed V.

The story is very much told from Kamal’s point of view. He is at once possessed of a child’s enthusiasm for life and from his rooftop vantage point able to see things unseen by most of the narrative’s adults most of the time. Yet, he is hampered by his immaturity and lack of understanding of what’s really going on.… Read the rest

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Features Live Action Movies

Paris Memories
(Revoir Paris)

Director – Alice Winocour – 2022 – France – Cert. 15 – 105m

****

A woman tries to recall her memories of a Paris terrorist attack – out in UK cinemas on Friday, Aug 4th

Were it not for a singularly unconvincing sex scene (as in, why are these two characters having sex?) about ten minutes before the end, this might have been one of my films of the year. That knocks it down from ***** to ****. That gaffe aside – and it’s a monumentally huge one – this is, otherwise, most impressive.

It starts off with Mia (Virginie Efira) in her Paris flat, feeding the cat, dropping and clearing up a glass, and talking with her partner Vincent (Grégoire Colin), a surgeon who heads up a hospital department. She rides her motorbike to her radio station workplace, where she has a gig as a Russian-French translator. Afterwards, in the evening, she meets Vincent in a restaurant for a meal, but he gets a call from the hospital and has to go back in. After a bit, she heads for home, but it’s raining heavily, so she stops off at another restaurant to have a drink and wait out the rain.… Read the rest

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Features Live Action Movies

Return to Seoul
(Retour à Séoul)

Director – Davy Chou – 2022 – France, Belgium, Germany, South Korea – Cert. 15 – 118m

****1/2

A woman born in South Korea and fostered by parents in France unexpectedly returns to the land of her birth – on MUBI from Friday, July 7th

Although it looks at first glance like a South Korean movie, this is actually a predominantly European production, and within that, predominantly French. Its central character is South Korean by birth, but adopted at a very young age and raised by foster parents in France, who she considers her parents. She also may look Korean, but considers herself French. She speaks French, and English too, pretty well, but no Korean. (In South Korea, English appears to function as the go-to language for communicating with foreigners.) She feels French. The film takes place in South Korea, and most (but not all) of the characters are South Korean.

Freddie aka Frédérique Benoît (Park Ji-min) sits chatting in the restaurant of the Francophile guest house with her new-found friends Tena (Guka Han) and Dongwan (Son Seung-beom). They explain you don’t pour yourself soju – you wait for your friends to pour it, because if they don’t keep you supplied, what kind of friends would they be?… Read the rest

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Features Live Action Movies

Julie Delpy
talks about
Three Colours: White

Transcript of interview from 1994 with actress Julie Delpy on Three Colours: White. She plays the short but pivotal role of the main character’s ex-wife, whose appearances bookend the film. At the time, the third film in the trilogy had yet to be screened to press.

She was based in LA., on which subject our conversation started:

“I’m doing everything. Both European and American films. My project there is similar to what I was doing before – American films and European films and co-productions, whatever. I’m not trying to see where I should be, I’m just trying to find something that I like to do. It’s a bigger choice when you’re over there.”

Three Colours: White is very much a European film – not a film set in any one country but partly in Paris and largely in Poland. How did she get involved?

“I knew Kieślowski, I met him a few times, he’s a friend of Agnieszka Holland with whom I had worked on Europa Europa. I had tested on The Double Life Of Veronique, but knew that I wouldn’t get that part because he told me before the casting began that I wasn’t right for it, but he wanted to audition me because he was thinking of something else later.… Read the rest