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Greenaway By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.

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Music

Raf And O as The Kick Inside play the songs of Kate Bush

Bar & Co, Temple Pier, Embankment, opposite Temple tube between Blackfriars and Waterloo Bridges, London.

2018.02.25

*****

This article was originally written as a post on Facebook 2018.02.26.

Raf And O’s debut appearance as The Kick Inside to play the songs of Kate Bush, now relaunched as online gigs, 12.00, 20.00 hrs on Saturdays from September 26th. Booking info here.

This was an amazing evening in which Raf Mantelli and O Richard Smith (aka Raf And O) performed the songs of Kate Bush under the moniker The Kick Inside launch: The Kick Inside play the songs of Kate Bush.

I can’t honestly say I really got Kate Bush back in the day when EMI first pumped lots of money into her career: I remember enjoying the Hounds Of Love album (her fifth) when it came out but I only really clicked some years later when I was given an unexpected copy of Aerial for Christmas (thanks again Sue), a fantastic (double) album.

That’s a long time after the songs represented here which covered, I think, the first five albums. The early stuff. (If there was anything later than Hounds Of Love, someone can correct me.)

Anyway, the gig itself: the venue was London’s Bar & Co.,… Read the rest