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Features Live Action Movies

I, the Song

Director – Dechen Roder – 2024 – Bhutan, Norway, Italy, France – 112m

*****

A woman fired from her teacher’s job for appearing in an online sex video she claims is of someone else sets out to find her doppelgänger and clear her name – winner of Best Director in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

This starts off deceptively with singing children’s voices, cutting into accompanying images of a school play with the children costumed as various types of flowers. The camera moves slowly to the back of the school hall where watching teacher Nima (Tandin Bidha) is told she is urgently needed in the office of the principal (Kezang Dorjee aka Kazee), where she finds herself being fired because of the video, now widely seen online, in which she appears. She protests that the person in the video isn’t her, but the principal says he can’t have her seen on school premises with so many parents about today.

She phones her boyfriend Penjor (Dorji Wangdi), who is in the middle of a gig hosting traditional Bhutanese folk plays. She goes to see him. His reaction is, “so, I’m not the only person who thinks it’s you.”… Read the rest

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Features Live Action Movies

A Woman Judge
(Yeopansa,
여판사)

Director – Hong Eun-won – 1962 – South Korea – 87m

***

A woman becomes a judge at a time when the idea of women in such professions is unheard of – plays in Echoes In Time | Korean Films of the Golden Age and New Cinema which runs from Monday, October 28th until the end of 2024 at BFI Southbank – from the London Korean Film Festival 2019

Heo Jin-suk (Moon Jeong-suk from Aimless Bullet, Yu Hyun-mok, 1961; The Devil’s Stairway, Lee Man-hee, 1964) wants to be a judge, traditionally a male profession. Her childhood sweetheart Wan Dong-hoon (Park Am from Promise of the Flesh, Kim Ki-young, 1975; The March of Fools, Ha Gil-jong, 1975) always assumed they were destined to be married. He too has entered the professions, in his case as a doctor. That’s okay for him, being a man, but for her, he thinks it will conflict with her duties as a wife and mother. So she dumps him. 

This looks like being a mistake since, on some level, his motives are pure. Instead, she ends up married to Chae Gye-sik (Kim Seok-hun) – not so much because of the man but because his social climber father, CEO of Sangyeon Construction Chae Sung-jin (Kim Seung-ho) thinks marrying off his son to one of the first female judges would be a really good idea, not least since it might put him in a useful position to be able easily bribe a member of the judiciary. … Read the rest

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Features Live Action Movies

Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest

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Features Live Action Movies

The Critic

Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m

The first four fifths of The Critic *****

The final fifth of The Critic *

In the 1930s, a London theatre critic, a flamboyant homosexual known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor – out in UK cinemas on Friday, September 13th

This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.

Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.… Read the rest

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Features Live Action Movies

Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Features Live Action Movies

DÌDI (弟弟,
translates as
‘little brother’)

Director – Sean Wang – 2023 – US – Cert. 15 – 94m

*****

A young, Taiwanese-American teenager must deal with issues of ethnicity, family and love in 2008, when social media has become a significant element of growing up – out in UK cinemas on Friday, August 2nd

2008. California. Summer. 13-year-old Taiwanese-American Chris (Izaac Wang), who prefers to go by the nickname Wang Wang, is rebelling. Mandarin is spoken at home by Nai Nai (‘grandma’; Chang Li Hua) and mum (Joan Chen), but that doesn’t stop mega-sweary English language shouting contests at the supper table between Wang Wang and elder sister Vivian (Shirley Chen) who is due to attend UCSD later in the year. When she’s out, Wang Wang hangs out in her room and posts as her on her Facebook (about which, amazingly, she never comes back to him). In the bathroom, he pees into her moisturising cream (leading to her threatening to period him in the mouth if he ever does it again).

Outside the house, he hangs out with his peers Farhad Mahmood (Raul DIal) and Jimmy Kim aka SOUP (Aaron Chang). Egged on by them in the manner of pubescents everywhere, he attempts to hang out with Madi (Mahaela Park), the girl he fancies.… Read the rest

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Features Live Action Movies

Kinds of Kindness

Director – Yorgos Lanthimos – 2023 – UK – Cert. 18 – 144m

***

A triptych of stories from rising star cult director Lanthimos performed by the same intimate, ensemble cast – baffling auteur exercise is out in UK and Ireland cinemas on Friday, June 28th

Beyond a description of its structure – three separate stories performed by the same ensemble cast directed by one of today’s more idiosyncratic directors – Kinds of Kindness is not an easy film to synopsize. If the term ‘kindness’ in the title is meant to relate to the stories, it’s not immediately obvious as to how that should be (unless kindness is being used in the sense of “type of category” as the stories seem to function, on one level at least, as exploration of categories of transgressive behaviour). In terms of actors giving performances, the film is a masterclass; in terms of technical achievement – camera, editing, sand so on – it’s top of the line stuff; yet, in terms of what the film is about, the point of it, why anyone would want to make this film, you may find yourself completely baffled.

The main cast comprises Emma Stone, Jesse Plemons, Willem Dafoe and Margaret Qualley with support from Hong Chau, Joe Alwyn, Mamoudou Athie and Hunter Schafer.… Read the rest

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Animation Features Movies

Ponyo
(Gake no Ue no Ponyo,
崖の上のポニョ,
lit. Ponyo on the Cliff)

Director – Hayao Miyazaki – 2008 – Japan – Cert. U – 103m

*****

A girl fish spirit takes on human form to become a companion to a human boy – reviewed for Third Way, February 2010

Miyazaki’s animated filmography prior to international crossover item Spirited Away (2001) has scarcely graced UK screens, despite colossal success in his native Japan. Tragically, this includes much of his best work – such films as Nausicaä of the Valley of the Wind (1984), My Neighbour Totoro (1988) and Kiki’s Delivery Service (1989) – all released, happily, on posthumous UK DVD – beside which the more recent works pale. Until now: his latest film Ponyo compares favourably to those earlier works, just when one had given up hope he’d ever make another truly great film.

Loosely speaking, it’s Hans Christian Andersen’s The Little Mermaid as eponymous underwater girl fish spirit Ponyo, rescued after being beached by small boy Sosuke then recaptured by her zealous, over-protective Sorcerer’s Apprentice magician-like father, decides she wants to return to shore and become a human girl companion to the boy. Sosuke lives with his mother Lisa in an isolated, coastal house, while his ship’s captain father Koichi is frequently absent due to work commitments.… Read the rest

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Next Sohee
(Da-eum So-hee,
다음 소희)

Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

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If Only I Could Hibernate
(Baavgai Bolohson)

Director – Zoljargal Purevdash – 2023 – Mongolia, France, Switzerland, Qatar – Cert. 12a– 96m

****

A gifted Mongolian boy is torn between providing for his siblings and pursuing his studies – out in UK cinemas on Friday, April 19th

Teenager Ulzii (Battsooj Uurtsaikh) lives with his mum and his three younger siblings in the yurt district of Ulaanbaataar, Mongolia’s capital city, their father having long since disappeared. Mum (Ganchimeg Sandagdorj) is illiterate and struggles to find work, and there is much antagonism between her and Ulzii, who is going through the school system his mother never experienced and took money from his summer job to buy sneakers before giving the remainder to his mum, who needs it to buy coal for their yurt’s stove to keep the family warm in severe, subzero wintry conditions. Sometimes it’s all too much for their mum, who often gets drunk at night.

In class, Ulzii is the star pupil at physics, often completing complex equations using solutions his teacher wouldn’t expect from anyone less than two years older. His teacher (Batzorig Sukhbaatar), finding a prodigy on his hands, starts to coach him to do well in the National exams in order to win a free university scholarship to study physics, which the boy wouldn’t otherwise be able to afford.… Read the rest