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Live Action Movies Shorts

Bright Spring Days

Director – Yeh Ka Lun – 2018 – Hong Kong – Cert. N/C 12+ – 25m

****1/2

The son of the family returns from his father in Canada to his mother in Hong Kong – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

A block of flats seen from the walkway. Middle-aged Lai-kuen (Ellen Liu Oi Ling) spots him down below, her son Ka-kei (Sham Ka-ki from Weeds On Fire/Dian Wu Bu, Chan Chi Fat, 2016)) arriving from Canada (where he lives with his dad) pulling a wheeled suitcase. In the cramped interior of her flat, he asks about the broken door. It got stuck and the locksmith will charge $300. He shows her a mike he found on the street “so you can sing in the flat.” She asks if he wants to see Auntie Kit tonight.

So they go down to a small club with tacky illuminations on Temple Street where she sings to the audience area from a book on a music stand. While Lai-kuen and Kit (Shui Jie from Mad World / Yat Nim Mou Ming, Chun Wong, 2016 and again Weeds On Fire/Dian Wu Bu, Chan Chi Fat, 2016) chat, he helps young Chun (Lau Ching-yu) with his homework.… Read the rest

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Live Action Movies Shorts

Conditioned

Director – Chan Kam-hei – 2015 – Hong Kong – Cert. N/C 15+ – 24m

****

A schoolgirl pretends to be a boy at home because her mother can’t deal with her being a girl – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Teenager Nam takes off a feminine top and changes into his/her boy’s school uniform. As a boy, s/he calls in on her grandpa to pick up a plate, waiting ’til she’s out of sight of the house to dispose of the contents in a dumpster, then proceeds home to where her mother has turned the apartment upside down ina hunt for earring. Her mother is only interested in her own looks. Does she look okay? He likes me in earrings, she says.

At night, Nam sneaks round to her friend’s, a boy who lets her wash her smalls – bra, knickers – in bowls in his bedsit sink. Only at thisa point does it become clear Nam is a she. She helps him with homework. He jokes, asking her to move I with him or can he walk her home.… Read the rest

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Love You Forever
(Wo Zai Shijian
Jintou Deng Ni,
我在时间尽头等你)

Director – Yoyo Yao Tingting – 2019 – China – Cert. PG – 115m

***1/2

Exclusively in cinemas from Tuesday, August 25th (Chinese Valentine’s Day this year).

Hands write in a notebook. In a voice-over, Lin Ge (Lee Hongchi) describes himself as “a man who doesn’t exist… No memories of me in this world.” He will repeat these words later on. He talks of the past and we see the images of the day in 1991 when his mum died, he got beaten up by a bunch of other little boys and he was rescued by little girl Qiu Qian who became his playmate that summer.

Ge loses a marble in a pond and, looking for it, finds an old, stopped watch. He and Qian start playing the game of “Wolf, Wolf, what’s the time?” until one day her family moves and he runs after the departing car until his little legs will run no more.

As a teenager to the horror of both his teacher and his bereaved father he and two friends set up a business selling “magic bottles”, running breathlessly along multi-storey school walkways to avoid being caught until they / he chance(s) upon a group of boys blocking a gangway, looking at the beautiful new girl recently transferred to the school and doing ballet training.… Read the rest

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Default
(Gukgabudo-ui Nal,
국가부도의 날)

Director – Choi Kook-Hee – 2018 – South Korea – Cert. 12 – 114m

****

Drama fictionalises the economic crisis of mid to late 1990s South Korea and the role played by banking, government and speculators – teaser screening from the London Korean Film Festival (LKFF) 2019

The year is 1996. The news media are championing South Korea’s economy as it seemingly goes from strength to strength, never questioning whether financial institutions might in fact be pursuing practices which are sooner or later going to have disastrous economic results. Ms. Han Si-hyun (Kim Hye-su) who runs a fiscal policy unit at the Bank of Korea submits a devastating report to the Bank’s governor, explaining that she and her small department have procedures set in place to save the economy and protect ordinary Koreans from disaster.

The politicians have a very different agenda, however, specifically the smarmy Vice-Minister of Finance (Jo Woo-jin) who views financial collapse as a way to weaken the rights of the working class and restructure the economy in favour of large business interests. Although it’s not name checked, there are echoes here of Naomi Klein’s book The Shock Doctrine and the film based upon it.… Read the rest

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Shoplifters
(Manbiki Kazoku,
万引き家族)

Director – Hirokazu Kore-eda – 2018 – Japan – Cert. 15 – 121m – Palme d’Or winner

*****

Sleight of hand. A family of small-time criminals takes a little girl into their care – now out on VoD

The nuclear family. Dad Osamu (Lily Franky) takes son Shota (Jyo Kairi) shoplifting at a local convenience store. Mum Nobuyo (Sakura Ando), a former sex worker, dispenses advice to her younger sister Aki (Mayu Matsuoka). Grandma (Kirin Kiki) lives with the family, making a total of five persons in one small living space.

Father and son spot a little girl (Miyu Sasaki) sitting on the street. She’s hungry, so they take to theirs and give her a meal. Taking her home, it’s clear that neither father nor mother wants the child currently nor ever did. So the family decides to take Yuri in as its newest member.

Shota takes Yuri on a shoplifting trip but it doesn’t go so well… [Read the rest]

Out on Thunderbird Video. Also currently on Amazon Prime, BFI Player and Curzon Home Cinema (all rental). This review originally appeared in DMovies.org.

Trailer:

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Secretary

Secretary

Director – Steven Shainberg – 2002 – US – Cert. 18 – 106m

*****

A Snake Of June (Rokugatsu No Hebi, 六月の蛇)

Director – Shinya Tsukamoto – 2002 – Japan – Cert. 18 – 77m

*****

Double DVD review originally published in Third Way, February 2004.

The cover image (rear view of a female figure in tight, short skirt and stockinged legs, bent down, hands grasping ankles) suggests titillation, but the American production Secretary is actually a serious drama – albeit one laced with a healthy dose of black humour – about a sadomasochistic relationship. But beneath its fetishistic surface, it is something else – an exploration into why two specific people (and why they in particular rather than any others) make one flesh. And how that works for them if the two people are initially in some way damaged (as we all are).

Although from a very different culture, its Japanese counterpart A Snake Of June – made by the experimental cyberpunk auteur Tsukamoto (of Tetsuo: The Iron Man fame) – explores much the same territory. Being small, low budget productions frees both films from mass, multiplex mainstream audience demands, allowing their directors to instead tackle (inter)personal relationship issues in depth.… Read the rest