Tag: alcoholic

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Features Live Action Movies

A Good Lawyer’s Wife
(Baramnan Gajok,
바람난 가족)

Director – Im Sang-soo – 2003 – South Korea – Cert. – 105m

***

Unsatisfactory family life in which fathers and mothers cheat on their wives and partners in search of a more fulfilling existence – screened with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

Joo Ho-jeong (Moon So-ri) bemoans the fact that once you’re married, you get less sex than you did as a single woman. Judging by the opening sex scene, in which her husband comes prematurely leaving her to satisfy herself, she would probably be better off single. Still, she has a small son Soo-in (Jang Joon-yeong) to mother and a local dance classes to teach.

The relationship is not working for her husband Yeong-jak (Hwang Jung-min) either, given his full workload and the fact that he’s sleeping with his P.A. Kim Yeon (Baek Jong-rim). His mother Byung-han (Youn Yoh-jung), meanwhile, is watching her alcoholic husband die and enjoying a new lease of life with a new lover following a decade and a half with no sex.… Read the rest

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Another Round
(Druk)

Director – Thomas Vinterberg – 2020 – Denmark – Cert. 12a – 115m

****1/2

Four teachers decide to test the theory that human beings function better with a little alcohol permanently in their blood – out on rental on various platforms including BFI Player and Curzon Home Cinema in the UK from Monday, September 27th

Racing round the lake carrying a crate of beer. Drink a bottle at every stop. Penalty points if you puke, less points if you all puke together as a team. 

That’s a typical weekend activity for their students, but four teachers are an older generation, some of them married with kids and dealing with more mature relationship issues. 

One of them has been reading an academic theory that humans have an alcohol deficiency of about 0.5% and convinces the other three to help him conduct an experiment. They will all consume the amount of alcohol required to bring them up to the theory’s optimum level. 

The experiment is initially successful, but then wreaks havoc within each of their lives as they up the quantity of alcohol to the next level. 

Using intertitles to indicate the increasing percentage of alcohol in the blood as the four drink collectively or individually, this drama charts what happens to the four as they pursue their idea to its logical conclusion and beyond.… Read the rest

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Features Live Action Movies Music

Respect

Director – Liesl Tommy – 2021 – US – Cert. 12a – 145m

***

Biopic of legendary singer Aretha Franklin’s career up to and including her live gospel recording Amazing Grace – out in cinemas on Friday, September 10th

There is much to admire in this sprawling biopic of America’s legendary Queen of Soul Aretha Franklin. Let’s start with the opening scene in which 10-year-old Aretha (Skye Dakota Turner), known to friends and family as Ree, wanders wide-eyed through a grown-up party with its mysterious intrigues at the house of her pastor father C.L. Franklin (Forest Whitaker) to sing for the assembled guests, one of whom describes the child’s voice as “going on 30”. There’s a wondrous quality to this, a child walking through an adult world she barely comprehends where her stock is already rising on account of her incredible voice. We too are intrigued by the promise of this world then blown away by her voice.

However, there is darkness in this Detroit house too: her mother Barbara (Audra McDonald) who will leave her for the last time then be announced dead in a phone call, the boy who will shut the door behind him entering her room uninvited and the resultant shame she can’t articulate, her authoritarian father who will tour her round numerous churches from age 12 and micromanage her singing career.… Read the rest

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Minamata

Director – Andrew Levitas – 2020 – US – Cert. 15 – 114m

****

A dramatisation of celebrated photographer W. Eugene Smith’s investigation of Japan’s Minamata environmental atrocity in 1971 – out in cinemas and on digital from Friday, August 13th

This feels like a Hollywood actor-led project with laudable aims which comes unstuck somewhere in the execution. That said, there’s still much to admire.

Minamata is the name of a Japanese coastal town which became synonymous with Mercury poisoning caused by the Chisso chemicals factory in the 1950s and ‘60s.

Following a celebrated career as a war photographer in WW2, W. Eugene Smith photographed the series Country Doctor for Life magazine, now recognised as a landmark in the medium of the photo-essay. In the early 1970s, he and his Japanese-American wife Aileen were introduced to the town of Minamata and its dark secret, and collaborated on a photographic book about it. When we meet him in 1971, played by Johnny Depp (from such films as Charlie And The Chocolate Factory, 2005; Sleepy Hollow, 1999; Edward Scissorhands, 1990, all Tim Burton) he has his own darkroom in a New York loft and has clearly seen better days as he is constantly on the whisky and amphetamines.… Read the rest

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Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

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Animation Documentary Features Live Action Movies Music

WITCH
We Intend
To Cause Havoc

Director – Gio Arlotta – 2019 – Italy, Czech Republic – Cert. 12 – 98m – English Language

***1/2

Winsome if shallow documentary follows survivors from Zambia’s seventies music Zamrock phenomenon as they reform and tour Europe – in cinemas and on VoD from Friday, July 2nd

On the verge of a pan-African trip that will take the narrator through Zambia alongside bassist / vocalist Jacco Gardner and drummer Nic Mauskoviç, intensive research reveals the Zamrock phenomenon of the 1970s which mixed traditional African rhythms with psychedelic rock music of which the band WITCH was the leading proponent. The name later turned in to an acronym for We Intend To Cause Havoc at the suggestion of the band’s then graphic designer. Sadly, many of the original band members are now dead following the AIDS crisis which hit the African continent pretty hard.

At Zanis, the state-owned television company, we enter a 16mm archive that hasn’t been opened for 17 years because the room key had been lost. The music section reveals footage of James Brown performing in Africa but nothing of WITCH even though apparently they were all over broadcast TV at the time – much of what was taped of them may well have been recorded over by footage of President Kaunda on his latest walkabout.… Read the rest

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Features Live Action Movies

One Cut Of The Dead
In Hollywood
(Kamera
Wo Tomeruna!,
supin-ofu:
Hariuddo Daisakusen,
カメラ
を止めるな！
スピンオフ
ハリウッド大作戦)

Director – Yuya Nakaizumi – 2019 – Japan – Cert. 15 – 57m

The first 16 minutes **1/2; the rest ***1/2

A zombie film being shot in one long, single take and set in a restaurant in Hollywood is attacked by zombies… or is it? – out as an extra on a One Cut Of The Dead Hollywood Edition Blu-ray on Monday, May 31st

Spoiler alert. The film is basically a copy of the first film, slightly tweaked but not really adding anything much to it. Similarly, this review is basically a copy of the review of the first film.

With a title that translates literally as “Don’t Stop The Camera! Spin-off: a great strategy for Hollywood!”, this is another loving homage to both the movie shot in one take and to the zombie movie. Or so it appears for its first 16 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 16 minutes. “6 Months after the tragedy, Chinatsu is a waitress in Hollywood. Struck dumb, she died her hair blond (sic) and renamed herself Holly.” Thus reads the opening title as waitress Holly / Chinatsu (Yuzuki Akiyama) ignores customer comments about her inability to speak.… Read the rest

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One Cut Of The Dead
(Kamera
Wo Tomeruna!,
カメラ
を止めるな！)

Director – Shinichiro Ueda – 2017 – Japan – Cert. 15 – 96m

The first 37 minutes *****; the rest ***1/2

A zombie film being shot in one long, single take and set in an abandoned warehouse is attacked by zombies… or is it? – on a Hollywood Edition Blu-ray on Monday, May 31st

With a title that translates literally as “Don’t Stop The Camera!”, this is a loving homage to both the movie shot in one take and the zombie movie. Or so it appears for its first 37 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 37 minutes. Chinatsu (Yuzuki Akiyama) is defending herself with an axe from her boyfriend Ko (Kazuaki Nagaya) who has turned into a zombie. However, like the girl facing a knife-wielding maniac at the start of Blow Out (Brian De Palma, 1981) the actress playing her is not very good and the illusion of the film collapses much as the illusion of Blow Out does when the actress delivers the most pathetic scream you’ve ever heard.

As the film delivers its first revelation – that this is not a woman defending herself against a zombie but the shooting of a movie scene of an actress portraying a woman defending herself against an actor playing a zombie – director Higurashi (Takayuki Hamatsu) storms into the scene to berate her for her shortcomings.… Read the rest

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Documentary Features Live Action Movies Music

Delia Derbyshire:
The Myths
And Legendary
Tapes

Director – Caroline Catz – 2020 – UK – 98m

*****

Docudrama explores the ten years the legendary electronic musician spent at the BBC Radiophonic Workshop – on BBC iPlayer from Sunday, May 16th for a year

Part documentary, part drama and part performance art, this is a fascinating examination of Delia Derbyshire, the woman who between 1962 and 1973 worked in the BBC Radiophonic Workshop. The film does examine her life and career before and after that, but only briefly. After studying mathematics and music at Cambridge, she became interested in music as an expression of mathematics and, as such, knew that the Radiophonic Workshop was the place she wanted to be.

We see Delia (writer-director Caroline Katz) interviewed for a job at Decca Records only to be told that women don’t work in the technical department but there are openings for secretaries. It’s easy to see that as sexism now, but at that time such attitudes were commonplace. She wonders if her interviewer was the person who turned down the Beatles. We see interviewed Dutch video artist Madelon Hoodykas with whom she collaborated in The Netherlands after her BBC period and there’s some brief footage of the LYC museum set up by Li Yuan-chia near Hadrian’s Wall where she spent some time after a disastrous marriage to a man with whom she had little in common with beyond drinking.… Read the rest

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Features Live Action Movies

One Night
(Hitoyo,
ひとよ)

Director – Kazuya Shiraishi – 2019 – Japan – Cert. N/C 15+ – 123m

****1/2

A woman murders her violent husband after years of his beating up the kids, goes to prison then returns 15 years later to find the siblings in turmoil – played online in the Japan Foundation Touring Film Programme 2021 in the UK

A night of torrential rain proves a defining moment in the lives of the Inamura family which owns and runs a taxi business. Koharu (Yuko Tanaka – Princess Mononoke, 1997) enters, dressed in her usual suit she wears to drive customers around, to announce to her three teenager children, “I’ve just killed your father. Nobody will ever beat you again. You can live however you want. You’re totally free.” Expressing no remorse and convinced she’s done the right thing, she promises to return in fifteen years then disappears to hand herself in to the cops.

Koharu’s designs of freeing her kids from their father’s years of violent abuse don’t quite play out the way she had hoped. Their father would beat them for any suggestion that they’d want to do anything other than work in the family taxi business. The eldest Daiki (Ryohei Suzuki – Our Little Sister, Hirokazu Kore-eda, 2015; Tokyo Tribe, Sion Sono, 2014) is a stutterer whose relationship with wife Fumiko (Megumi) is mired in divorce proceedings as he struggles to hold down a regular job.… Read the rest