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Hani
(Hani)

Director – Hou Dasheng – 2024 – Canada – 73m

*

In a remote, Southern Chinese mountain village, a 14-year-old needs the money for the dowry to buy his 12-year-old sweetheart as a wife – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Credited on the Festival’s website as a Canadian production in the Burmese and Chinese languages, this is a Chinese-made film not sanctioned by the Chinese authorities dealing with subject matter which the filmmakers fear would not be passed by the Chinese censor. The caption review suggests that a number of the film’s cast and crew have used pseudonyms to avoid prosecution. The narrative takes place in the mountainous, Southern region of China close to the border with Myanmar, where people are known by their Burmese names, but occasionally refer to other people by their Chinese names. You get the feeling that this area of China has been largely forgotten by the distant Beijing authorities.

The central characters are young teenagers or pre-teenagers, Hani (14; Gao Xiaokang) and his friend Apao (Qian Long), who seems to be frequently seeking advice from others on his mobile phone, and Hani’s longtime sweetheart Pushiha (12; Pu Juan).… Read the rest

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Twilight of the Warriors
Walled in
(Jiu Long Cheng
Zhai·Wei Cheng,
九龙城寨之围城)

Director – Soi Cheang – 2023 – Hong Kong – Cert. 15 – 126m

*****

A refugee steals money from a Hong Kong triad then hides out in Kowloon Walled City, a place as dangerous as the triads pursuing him – out on Zavvi-exclusive Limited 4K UHD + Blu-ray Special Edition from Monday, November 11th

Never entered by those outside, an uneasy peace has reigned in Kowloon Walled City a.k.a. the City of Darkness since Cyclone defeated ‘Dragon Head’ Liu and his warlord partner Jim. It’s Hong Kong in the 1980s, when refugees were flooding into the territory. In a nightclub where women dance to Cantopop, one such refugee (Raymond Lam) wins a fist fight competition then is conned by gang boss (Sammo Hung) into paying for a shoddily made fake ID card, which he refuses to accept when he calls to collect it two weeks later. Leaving the ensuing argument, he snatches a bag from the villain’s drug warehouse and runs hell for leather into the Walled City, where the gangsters won’t follow.

Inside, he discovers to his horror that he’s snatched not a bag of banknotes as he supposed but a bag of drugs. Trying to sell it, he finds himself fighting local gangsters, who don’t want him selling drugs on their turf.… Read the rest

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Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Kneecap

Director – Rich Peppiat – 2023 – Ireland, UK – Cert. 18 – 105m

****

A fictionalised origin story about an Irish language rap band as a music teacher teams up with two younger men to turn their confrontational, anti-British poetry into Irish rap music – provocative sex-, drugs-, and violence-laced music biopic is out in UK cinemas on Friday, August 23rd

NSFW

Kneecap are an Irish-speaking rap band who came together on the eve of the 2017 Irish language march in Belfast, Northern Ireland. This drama about them, whatever else it might be and whatever other accusations can be levelled against it, certainly never plays it safe.

That’s obvious from the get-go, when the voice-over by one of the band members explains and shows how all movies abut Northern Ireland start – with footage of terrorist explosions during ‘the troubles’. The film then proceeds to have its cake and eat it, having started in exactly that manner, by starting again with the story of one of its members as a child being baptised in a wood at night and attracting RUC helicopter searchlights for their pains.

It moves pretty swiftly on to show the two fully grown lads in the band as party animals, consuming alcohol and drugs and dealing the latter, for instance giving it away free at early gigs to attract an audience, and engendering a hostile attitude to the Peelers (as they refer to the British police).… Read the rest

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Features Live Action Movies

Meet the Feebles

Director – Peter Jackson – 1989 – New Zealand – Cert. 18 – 97m

**

Offbeat special effects puppet movie proves a let-down despite inventive filmmaking – review originally published in What’s On in London, March 1992.

Walrus producer Bletch (voice: Peter Vere Jones) wants to take his crummy stage show Meet the Feebles onto syndicated television. Unfortunately, he’s switched amorous attentions from leading lady Heidi the Hippo (Danny Mulheron; voice: Mark Hadlow) to Samantha the Siamese Cat (voice: Donna Akersten) – only Heidi hasn’t got the message yet.

Robert the Hedgehog (voice: Mark Hadlow) arrives from method acting school eager to sample this glamorous backstage world; through rose-tinted vision, he falls in love with chorus girl Lucille the dog (voice: Mark Wright). Bletch’s P.A. Trevor the Rat (voice: Brian Sergent) shoots porno movies in the basement and has other plans for her. [His leading lady Daisy the Cow (voice: Stuart Devenie) is on her last udders.]

By now, you’re probably starting to get the idea. The effect is not dissimilar to watching The Muppets reconceived in terms of excessive sex and violence.

The brains (if that’s the right word) behind this dubious enterprise is New Zealand’s amazingly talented Peter Jackson, whose Bad Taste deservedly achieved cult status.… Read the rest

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Documentary Features Live Action Movies

Catching Fire:
The Story of
Anita Pallenberg

Directors – Alexis Bloom, Svetlana Zill – 2023 – US – Cert. 15 – 113m

***1/2

The chaotic life of the archetypal rock chick, told through her own words and those of her children – out in UK cinemas on Friday, May 17th

After her death in 2017, Anita Pallenberg’s two surviving children Marlon and Angela discovered a manuscript; she had written an autobiography. Marlon worked his way through it as part of his bereavement process and was so taken with the articulate text that he sought out producers to turn it into a film. (He is one of the film’s executive producers himself, while both directors are credited as among the producers). Numerous clips from an interview with him are used in this resultant documentary, along with excerpts from Anita’s manuscript voiced by an actress, along with interview footage with Angela and verbal audio from Rolling Stones band member Keith Richards, Anita’s partner for a decade and the father of her children.

Like many of the young generation who rose meteorically to cultural prominence in the swinging sixties, Anita Pallenberg was a war baby. Her first years were accompanied by the sound of falling bombs; as she puts it, she didn’t learn to walk, but to run.… Read the rest

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Animation Art Documentary Features Live Action Movies Music

SCALA!!!
Or, the incredibly strange rise and fall of the world’s wildest cinema and how it influenced a mixed-up generation of weirdos and misfits

Directors – Ali Catterall, Jane Giles – 2023 – UK – Cert. 18 – 96m

*****

From 1978 to 1993, London’s Scala Cinema programmed everything from art house to sexploitation, ushering in the upcoming generation of anti-establishment musicians, filmmakers, and others – out in UK cinemas on Friday, January 5th

Whatever the strengths of this film – and they are legion – it may be impossible for me to write an objective review of it. From my first visit to Tottenham Street to watch an afternoon programme of back-to-back Tex Avery animation shorts on Saturday, 25th October 1980, I could often be found at London’s Scala cinema in the 1980s, broadening my mind as I lapped up welcome servings of movies long or short, old or new, highbrow or trashy. So there are a few additional titbits in what follows which come from my own personal, mental Scala archive of memory rather than from the documentary itself.

As for the date, my memory’s not actually that good. Such information can, however, be discerned from the wondrous if unfeasibly large-sized book SCALA CINEMA 1978-1993, which amongst other things contains all the monthly Scala programmes. It was written by co-director and former Scala employee / programmer Jane Giles’ and edited by fellow co-director Ali Catterall.… Read the rest

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Your Mother’s Son
(Anak Ka Ng Ina Mo)

Director – Jun Robles Lana – 2023 – Philippines – Cert. none – 100m

****

An intense cocktail of two uneasy, polyamorous relationships erupts into jealousy, betrayal and violence – sexually explicit political allegory of nepotism in Filipino politics plays in the spirit of the Critics’ Picks Competition at the 27th Tallinn Black Nights Film Festival

A candidate’s electoral vans belts out loud-hailer exhortations to secure votes in an upcoming election, but no-one in the poor rural locality through which they pass pays any attention. Everyone is struggling to make ends meet. Middle-aged Sarah (Sue Prado) puts all her efforts into both running a laundry business, providing ad hoc employment for much younger Amy (Elora Españo) who lives nearby, and teaching students online. Sarah’s son Emman (Kokoy De Santos) has just lost his job at a restaurant because it closed down. He doesn’t seem to share her work ethic, and would rather lounge around in bed all day than actually have to do anything of an employed nature.

Or, at least, that’s how things appear outwardly.

When his mother finally prises Emman from his bed so that he can go out looking for work – which might include a contact she has who may, possibly, be able to help him – he instead hangs out at the house of Amy who, like his mother, has a strong work ethic, to have sex with her at every opportunity, and do drugs.… Read the rest

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Where
The Wind Blows
(Feng Zai Qi Shi,
風再起時)

Director – Philip Yung – 2022 – Hong Kong – Cert. 15 – 144m

***

The parallel careers of two dishonest Hong Kong cops plays out against the backdrop of corruption in the Hong Kong Police Force between the end of WW2 and the end of the 1960s – out in UK cinemas on Friday, September 8th

Out of the ashes of the Japanese occupation during the Second World War, two men join the Hong Kong Police Force only to discover that it is riddled with corruption, a fact of life they embrace in different ways throughout the 1950s and 60s even as the Independent Commission Against Corruption (ICAC) under George Lee (Michael Hui) attempts to investigate them and shut them down. The well-dressed Nam Kong (Tony Leung Chiu-wai from Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021; Lust, Caution, Ang Lee, 2007; Infernal Affairs, Andrew Lau, Alan Mak, 2002) is quietly building a corrupt empire with links to the triads, while Lui Lok (Aaron Kwok from The Storm Riders, Andrew Lau, 1998) attempts to eschew corruption but find its pervasive presence in the force irresistible.

The latter falls for and marries the beautiful Tsai Chan (Du Juan), subsequently taking on Siu Yin (Yixuan Zeng) as his mistress because she reminds him of former girlfriend Xiao Yu (Chun Xia aka Jessie Li) who disguised herself as a male soldier to find her lost brother, was discovered by the Japanese and pressed into service as a comfort woman.… Read the rest

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Art Documentary Features Live Action Movies Music

Squaring The Circle:
(The Story Of
Hipgnosis)

Director – Anton Corbijn – 2022 – UK – Cert. – 101m

*****

The story of the visual creatives behind album sleeves, for Pink Floyd and others, who revolutionised the field from the late 1960s and through the 1970snow out on Blu-ray/DVD combo and various streaming services plus BFI Player following its release in cinemas in the UK and Ireland on Friday, July 14th

Everyone who bought LP records from the late 1960s through to the very end of the 1970s knows the name Hipgnosis. As one interviewee points out, you would go in to the centre of your town to buy the latest album and mull over all the written information on the sleeve on the bus coming home to find out who played on it and who was responsible for the cover. Many of the most memorable sleeves were designed by Hipgnosis, the name coming from ‘hip’, meaning ‘cool’, and ‘gnosis’ meaning ‘secret wisdom’.

Director Corbijn made his name in black and white photography and album sleeves for such bands as U2 and Depeche Mode in the 1980s, so has a background in the album cover world in a later decade. He is therefore extremely well placed to tackle the subject and chooses to film many of his interviewees in trademark black and white.… Read the rest