Tag: culture

The Last Dance
(Po Dei Juk,
破·地獄)

Post author By Jeremy Clarke
Post date 15 November 2024
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(Po Dei Juk,
破·地獄)
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Director – Anselm Chan – 2024 – Hong Kong – Cert. 12a – 130m

****

A failed, professional wedding planner joins a Taoist funeral director as a partner in his company as various crises come to a head in the latter’s family – engaging drama is out in UK cinemas on Friday, November 15th

There have been movies about undertakers and funeral parlours before, but never one quite like this. Whether or not one is at a stage in life where one has had much experience of bereavement, at some point, each one of us is going to die – and, before that, in all likelihood, have to deal with our nearest and dearest dying and, by extension, undertakers and funeral directors in whatever culture we happen to live. Consequently, there is a universal fascination with such matters.

Hong Kong has a very specific cultural take on this phenomenon in its Taoist priests and rituals. While these have over the years supplied the basis for much beloved and fantastical Hong Kong action or horror fare such as Zu Warriors From the Magic Mountain (Tsui Hark, 1983) or the Mr. Vampire films (1985 onwards), no-one has ever tried to build a contemporary, generational family drama around the Hong Kong funeral business, at least, not so far as I’m aware.… Read the rest

Tags ambulance, Anselm Chan, baptismal class, belief system, bereavement, Breaking Hell’s Gates, business partner, casual sex, Catherine Chau, Catholic, Catholic school, Catholicism, co-worker, community, company, culture, Dayo Wong, death, deceased soul, Elaine Jin, failure, family, family duty, fathers and children, fiery sword, funeral director, funeral directors, funeral parlour, grief, male-oriented, menstruation, Mexican stand-off, Michael Hui, Michelle Wai, paramedic, Paul Chun, personal demons, priest, professional, reincarnation, religion, religious, retirement, ritual, ritually unclean, robe, shopkeeper, smoker, sons and daughters, subplots, surrogate mother, sword, taboo, Tags: Hong Kong, Taoism, Taoist priest, Thor Lok, Tommy Chu, undertaker, wedding planner

Features Live Action Movies

DÌDI (弟弟,
translates as
‘little brother’)

Post author By Jeremy Clarke
Post date 30 July 2024
No Comments on DÌDI (弟弟,
translates as
‘little brother’)
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Director – Sean Wang – 2023 – US – Cert. 15 – 94m

*****

A young, Taiwanese-American teenager must deal with issues of ethnicity, family and love in 2008, when social media has become a significant element of growing up – out in UK cinemas on Friday, August 2nd

2008. California. Summer. 13-year-old Taiwanese-American Chris (Izaac Wang), who prefers to go by the nickname Wang Wang, is rebelling. Mandarin is spoken at home by Nai Nai (‘grandma’; Chang Li Hua) and mum (Joan Chen), but that doesn’t stop mega-sweary English language shouting contests at the supper table between Wang Wang and elder sister Vivian (Shirley Chen) who is due to attend UCSD later in the year. When she’s out, Wang Wang hangs out in her room and posts as her on her Facebook (about which, amazingly, she never comes back to him). In the bathroom, he pees into her moisturising cream (leading to her threatening to period him in the mouth if he ever does it again).

Outside the house, he hangs out with his peers Farhad Mahmood (Raul DIal) and Jimmy Kim aka SOUP (Aaron Chang). Egged on by them in the manner of pubescents everywhere, he attempts to hang out with Madi (Mahaela Park), the girl he fancies.… Read the rest

Tags 13-year-old Izaac Wang, 2008, Aaron Chan, alcohol, amateur painter, autobiographical, bathroom, bedroom, brothers and sisters, California, Chang Li Hua, childhood, Chinese, Chiron Cillia Denk, coming of age, culture, Cynthia Lee, Dìdi, drink, drunk, ethnicity, Facebook, family, filmer, gaffe, grandma, grandmother, grandmothers and grandsons, high school, home movie, Joan Chen, little brother, love, Mahaela Park, Mandarin, moisturising cream, Montay Boseman, mothers and sons, Nai Nai, painter, party, peer group, peers, period, pubescent, puke, Raul Dial, rebel, room, Sean Wang, Shirley Chen, sibling rivalry, siblings, skateboarders, skateboarding, skill set, social media, summer, Sunil Maurillo, supper table, Taiwan, Taiwanese-American, teen, teenage rebel, teenager, throw up, UCSD, US, video

Animation Features Live Action Movies

Godzilla x Kong
The New Empire

Post author By Jeremy Clarke
Post date 29 March 2024
2 Comments on Godzilla x Kong
The New Empire
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Director – Adam Wingard – 2024 – US – Cert. 12a – 115m

*****

Godzilla must leave the surface world to team up with Kong in the subterranean Hollow Earth below to defeat a powerful enemy – out in UK cinemas on Friday, March 29th

The latest movie in the Toho / Warner Bros. Godzilla / Kong Monsterverse is globetrotting in scope, with scenes of monsters wreaking havoc in Rome and Rio; its central conceit is that Godzilla roams the surface of the Earth fighting off other monsters which humanity would be unable to see off alone, while Kong, reconceived as a similar size to Godzilla, lives in the subterranean paradise of Hollow Earth.

With one beast on the outer rim of the planet and the other in a world beneath its surface, there is no possibility one will run into the other, which fight would be devastating for mankind. To make sure the two monsters remain isolated from one another, the huge Monarch organisation monitors both constantly.

Yet a terrible force is on the ascendant in Hollow Earth, one that neither Kong nor Godzilla would be able to contain let alone defeat on their own. And so, to save humanity, they must join forces and fight it.… Read the rest

Tags action, Adam Wingard, adventure, Alex Ferns, apes, Australia, Bryan Tyree Henry, cave lair, centre of the earth, CG animation, character animation, class, classroom, Coliseum, crack team, Cthulhu, culture, Daintree rainforest, Dan Stevens, dental treatment, dentist, despot, elasmosaurus, explorers, Fala Chen, fathers and sons, giant ape, globetrotting, Godzilla, helicopters, Hollow Earth, indigenous, island natives, isolation, Ivi, Japan, Kaiju, Kaylee Hottle, King Kong, Kong, man-eating plants, mayhem, military, monsters, Monsterverse, mothers and daughters, Mothra, naps, nuclear, nuclear plant, observation, podcaster, printer readouts, Queensland, radiation, Rebecca Hall, research facility, Rio de Janeiro; paradise, Rome, sea serpent, sedate, Skar King, Skull Island, special effects, subterranean, Suko, telepathy, three slashes, Titan, Toho, toothache, US, Warner Bros., waterhole

Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Post author By Jeremy Clarke
Post date 8 August 2021
No Comments on Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

Tags 1930s, 1937, actress, adoption, alcohol, alcohol dependency, alcoholic, alcoholism, Almaty, ankles, Arirang, Arirang Ensemble Of Koryo, audience, Beijing Treaty 1860, Central Asia, Choi Tatiana, Choson, Chun Hyang, corpses, COVID-19, cultural traditions, culture, death toll, deportation, drunk, farm workers, history, in transit, janggu, Joseon, Kazakhstan, Khazakhstan, Korea, Koryo, Koryo people, Koryo Theatre, Kyzylorda, Lee Hamdeok, life, LKFF, LKFF 2021, London Korean Film Festival, London Korean Film Festival 2021, loss, Maritime Province, memorial, mothers and daughters, orphan, pandemic, Park Maya, people’s actress, performance, plays, projection, rail, rice fields, Russia, shooting, singer, songs, South Korea, Soviet, Soviet Union, spies, suicide, Tashkent, tragedy, train, trilogy, Ushtobei, Uzbekistan, Vladivostock, walk, Winter, workers

Features Live Action Movies

A Quiet Passion

Nonconformist poet

A Quiet Passion
Directed by Terence Davies
Certificate 12a, 126 minutes
Released 7 April 2017

A stern matriarch divides a school room of young women into those who are saved on one side and those who hope to be saved on the other. This leaves Emily Dickinson (Cynthia Nixon) in the middle because she hasn’t got as far as that yet. Rescued from the seminary by her father Edward (Keith Carradine), Emily confesses that she was suffering from ‘evangelism’.

Thus begins the latest film from the British, Catholic director Terence Davies – a biopic of the 19th-century, US poet Emily Dickinson, from her leaving school, through her life as a single woman in an era when women were supposed to marry and have children, to her death. Directed with Davies’ usual visual, cinematic rigour and punctuated by large chunks of Dickinson’s poetry in voice-over, the film also drips Christianity. It never attempts to convert anyone, but neither does it shy away from portraying a household in the southern states where faith and theology are everyday discussion topics. [Read more…]

Full review in Reform magazine, April 2017.

Trailer: