Tag: UK

Bright Star

Director – Jane Campion – 2009 – UK – Cert. PG – 119m

*****

The early nineteenth century romance between prospectless young poet John Keats and the younger Fanny Brawne – in cinemas from Friday, November 6th 2009

Bright Star‘s title comes from an 1819 love poem written by 23-year-old John Keats for 18-year-old Fanny Brawne, his next door neighbour. The poet (historical spoiler coming) contracted tuberculosis and died at the tender age of 25, before the couple could be married. Brawne subsequently mourned him for several years.

As you might expect from a filmography including both The Piano and In The Cut, Jane Campion is never one to match standard expectations and often overturns them to advantage.

There is scarce little (verbal) poetry here either spoken by the actors onscreen or in voice-over. The source materials are Andrew Motion’s biography Keats and the poems themselves. Reading Motion’s book, Campion was very taken with his material on the love relationship between the poet and Brawne and thought there could be a film there. Without any real idea as to how such a film would work at the time. She eventually opted for telling the couple’s story through the eyes of the girl.… Read the rest

Tags Abbie Cornish, Andrew Motion, Ben Whishaw, Fanny Brawne, houses, Jane Campion, John Keats, Kerry Fox, love affair, nineteenth century, poet, romance, tuberculosis, UK

Animation Features Live Action Movies

The Lost World
(1925)

Director – Harry O. Hoyt – 1925 – US – Cert. U – 110m

*****

Review of PAL VHS release originally published in Starlog UK, mid-1990s.

£12.99, Original Aspect Ratio (Academy), Mono (Golden Age Films)

Before Michael Crichton and Steven Spielberg purloined the name for their Jurassic Park sequel, The Lost World was Sir Arthur Conan Doyle’s first Professor Challenger novel. In the book, the bombastic scientist leads an expedition to a plateau deep in the Amazon cut off from the rest of the world which he claims to be populated by dinosaurs.

This 1925 silent Hollywood adaptation (here released in 1993’s restored, untinted, black and white print with piano accompaniment) features prominently in any serious shortlist of live action movies featuring dinosaurs along with King Kong, The Beast From 20,000 Fathoms, Godzilla, One Million Years BC and Jurassic Park. Indeed, leaving aside 1954’s Japanese, man‑in-a-rubber-suit entry Godzilla, the remaining titles are The Lost World’s descendants via their use of optical trickery and stop‑motion animation.

The Lost World’s miniature model dinosaurs and their incorporation as fully articulated giant beasts into live action cinematography was primarily the work of stop-frame animator cum special effects genius Willis O’Brien, later to put the dinosaurs into 1933’s King Kong and win a belated special effects Oscar on the back of 1949’s Mighty Joe Young.… Read the rest

Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest