surroundings Archives - Jeremy C. Processing

LAIKA presents Wildwood The Exhibition

at the Design Museum, Kensington, London, to tie in with the release of their new film Wildwood

Like previous Laika offerings, latest production Wildwood (Travis Knight, 2026) is highly innovative, inventive and imaginative, pushing the boundaries of the cinematic and stop-frame mediums into places audiences haven’t seen them go before. It sounds an unlikely proposition, but if you were to remove the magical spectacle of stop-frame animation from Wildwood – or for that matter from any of Laika’s films – you would potentially have an incredible exhibition of small scale sets, puppets and models.

You could augment this using a series of explanatory videos talking about the various processes involved In the filmmaking. In terms of stop-frame, you could show animators at work, bringing puppets into life.

The legendary stop-frame animation company have done exactly that. have done exactly that. Following in the footsteps of the LAIKA Frame x Frame exhibition covering Laika’s first five films at BFI Southbank in 2024, the company have now partnered with Kensington’s Design Museum to put together a fascinating exhibition about the film.

I should declare at this point that I was lucky enough to see the exhibition having viewed the film a few days previously.… Read the rest

Afternoon Clouds

Director – Payal Kapadia – 2017 – India – 13m

*****

An old woman, her home and her cat interact in the former’s coastal flat – Kapadia’s first short evidences a sensibility which will inform her debut feature All We Imagine as Light – on the UK Blu-ray/DVD (Dual Format Edition) of All We Imagine as Light, released Monday, March 3rd

A room with two windows looking out on the sea. The constant sound of its roar, the net curtains stir in the breeze. An elderly woman (Usha Naik) holds a bowl of milk as she calls out for, “Koshu”. Elsewhere in the house, a younger woman (Trimala Adhikari) sits, dozing, on a bench, until she hears the older woman calling her name, “Malti”. She opens her eyes.

The older and younger women stand in a room, staring, the elder explaining to the younger that the plant will last two days. As the ginger cat Koshu feeds contentedly, the younger woman Malti limps back to her room. Preparing food in the kitchen, the younger tells the older that three chillis are too much for her. The older protests.

The conversation turns to the older’s medication, the next life, and why not get a plant that lasts longer, asks the younger.… Read the rest