Categories
Animation Features Movies

Kiki’s Delivery Service
(Majo no Takkyubin,
魔女の宅急便)

Kiki’s Delivery Service (Majo no Takkyubin, 魔女の宅急便)

Director – Hayao Miyazaki – 1989 – Japan – Cert. U – 103m

*****

A young witch sets up her own small business and must learn to make her way in the world – out in a 4K remaster in regular UK and Ireland cinemas from Friday, August 28th following last week’s exclusive presentation in IMAX cinemas

Having reached the age of 13, young Kiki (voice/1989 Japanese dub: Minami Takiyama; 1998 Disney dub: Kirsten Dunst) must leave home to do a year’s apprenticeship as a witch in a location where there isn’t one already. Loaned at the insistence of her mother (voice/1989 Japanese dub: Mieko Nobusawa; 1998 Disney dub: Cath Soucie) the latter’s tried and tested broomstick, and accompanied by her talking black cat Jiji (voice/1989 Japanese dub: Rei Sakuma; 1998 Disney dub: Phil Hartman), she flies out on a night of the full moon. An encounter with a somewhat snooty witch who has just completed her year out reminds Kiki that she needs to develop her own special skill: at this stage, she has no idea as to exactly what this skill might be.

Resting overnight in an in transit railway cattle truck, she takes off again and arrives in Koriko, a bustling city much bigger than the tiny, provincial town where she grew up.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.